Tag Archives: Action

Zatoichi: The Blind Swordsman (Criterion Collection) (1962)

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If you’re like me, you’re a fan of “Zatoichi” and know all too well how expensive the movie series can be to purchase. Zatoichi garners almost thirty films in his movie series, two of which are released separately. The first twenty five are, of course, often released in box set form and are sold at terribly expensive prices, and immediately go out of print. If you want to collect all of the movies individually online through a purchase, good luck finding an online seller that won’t charge an arm and a leg. Back in the early aughts I attempted to buy as many “Zatoichi” films as I could, and only ended up finding four. I never could bear to buy the rare box sets at almost five hundred bucks. Thankfully, Criterion comes to the rescue, offering a deluxe box set of one of my favorite action movie series of all time, “Zatoichi.”

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The Hunger Games (2012)

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I guess at the end of the day, you could find worse entertainment than “The Hunger Games.” Most of the concept has been nothing but hype that leads in to narrative that’s entertaining in its own right, but is nowhere near being a masterpiece. I wouldn’t even call it a great movie, when pressed. It’s been touted as violent and disturbing for a PG-13 film, but when the centerpiece of the film involving teens and preteens slaughtering one another at the start of the Hunger Games approaches, it’s all so tame. It’s off-screen blood splatter, and suggestive brutality, all softened by a dizzying shaky cam that renders it impossible to make any of the chaos coherent for the viewer.

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The World’s End (2013)

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Director Edgar Wright finishes his “Cornetto Trilogy” (the first two being “Shaun of the Dead,” and “Hot Fuzz”) finally with “The World’s End,” a film very much in the tradition of the first two installments. Wright and co. dwell on the prevalent themes that have fueled the first two stories. They’re tales about xenophobia, alienation, conformity, coming of age, the fear of progress, and the dangers of nostalgia. Much in the way Woody Allen did with “Midnight in Paris,” director Wright warns about nostalgia and how our memories can lie to us and become a crutch, preventing us from growing up and moving on with our lives.

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You’re Next (2013)

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It’s always funny when you consider studios are spending millions on remaking slasher films, when people like Adam Wingard are literally re-inventing the slasher film. And making it look damn easy, too. Director Adam Wingard’s “You’re Next” is a sick, scary, and exciting amalgam of “Fortress,” and “Straw Dogs,” with a hint of Richard Connell’s “The Most Dangerous Game.” It’s clear director Wingard is heavily influenced by late seventies and eighties survival horror films, and he shows off his innate talent for style and suspense with one of the most entertaining horror films of the year.

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Aftershock (2013)

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Have we reached so low down the totem pole that we’re now ripping off Eli Roth movies? Is that the definition of desperation or what? “Aftershock” feels like one of those situations with “Poltergeist” where Eli Roth was ghost directing while Nicolas Lopez was credited as director. It’s a half hour of a lame tourist dramedy, followed by an hour of really silly gore and zero direction in its story, all leading in to a finale that shamelessly rips off the final scenes of “The Descent.” Thank goodness “Aftershock” is a merciful ninety minutes.

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The Call (2013)

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Director Brad Anderson’s thriller “The Call” is entertaining and unique only thanks to its ludicrous premise, and abundantly stupid characters. While the first half of the film presents glimmers promise with great tension, and taut atmosphere, it falters mid-way and never comes back from the depths of idiocy. Halle Berry is an experienced 911 operator who is tasked with helping a young girl who is being terrorized by a burglar, breaking in to her house. When the burglar kidnaps her, and the young girl is discovered in a shallow grave days later Jordan is traumatized and leaves her job. She blames herself for the girl’s murder. And for good reason. If you advise a victim to hide under the bed and keep quiet, then the phone is accidentally disconnected, why in the hell would you call them back knowing they’re still hiding and risk giving away their location?

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Man of Steel (2013) [DVD/Blu-Ray]

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While I’m often opposed to re-inventing characters, director Zack Snyder alters the story of Superman, not just for the sake of a new audience, but for dramatic benefit. The origin of Superman present in “Man of Steel” is a compelling and often gut-wrenching tale, followed by a wonderful glimpse at the introduction of Superman to a world in need of a savior. Director Zack Snyder hones much of the awe and grit from “Watchmen” and implants it in to “Man of Steel” where we’re given an exciting and often entertaining new Superman.

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