The Taint (2010)

After reading the press materials for Dan Nelson and Drew Bolduc’s “The Taint,” I expected almost anything to happen while watching it. And that’s pretty much what I was given when watching “The Taint.” Just about anything and everything that you can imagine happened. And some things you were too afraid to imagine happened. It’s almost impossible to describe the film that was made by directors Dan Nelson and Drew Bolduc, but it’s an experience that no one will forget after watching it. And surely enough it has Troma written all over it. It’s compelling while also entertaining. It’s trashy but it’s clever. And it’s completely abundantly moronic, but also has a wit to it that makes it entertaining.

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F (2010)

f-2010-movie-posterI think in the end audiences will find the finale of “F” to be rather infuriating for the simple fact that while director Johannes Roberts doesn’t create a very conventional horror film, he also doesn’t opt for a conventional final scene. And viewers awaiting a huge showdown or some sense of comprehension to the extreme events that have occurred throughout the running time of “F,” many will find that it just doesn’t come to a close as many will be expecting. We live in a world where movies explain everything and anything they can. “F” chooses to leave most of its premise a mystery and keeps the motives of its almost supernatural legion of villains a mystery even after the credits have finished rolling.

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Straight Arrow, Sharp Shooter: Interview with Director John Fallon

Who is John Fallon? Well, if you peruse the net in search of information on horror movies, you’re likely to come across John who runs one of the most popular horror sites on the net entitled Arrow in the Head. He’s also one of the bigger names at Joblo.com and has appeared in numerous documentaries and notable genre films over the years. You literally can’t go an inch on movie websites without hearing about Fallon, and the credit is much deserved as Fallon works for his respect, is a self made man, and is one of the most lauded figures in film journalism. But did you also know he’s an indie director too? Sure you did, Arrow in the Head has a large following!

You should know by now. In either case, Fallon is an indie director when he’s not traveling or covering films, and he has made “Deaden” a throwback to the classic revenge films of the eighties, and “Red Hours” an experimental short film just released that has garnered some controversy. Not to mention he has his own official website. In either case, Fallon is a heavyweight in the film journalism world and he was gracious and kind enough to take time out of his hectic schedule and take part in an interview with us to explore his filmmaking techniques, his thoughts about indie film, and his experiences in the business. Throw back that last whiskey and have a read while we delve in to the thoughts of the action and horror buff.

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Director Juliane Block & Her Blockbusters

july02Juliane Block is playing the field that only boys have for a very long time. From John Woo, John McTiernan, and Clint Eastwood, action films and the action genre have been a boys game for a very long time. Once a make-up artist, Ms. Juliane Block is a seasoned professional in working behind the scenes and is now directing her very own martial arts films. We reviewed her short martial arts film “Ramly at War” and managed to convince us that she is the next big action director capable of breaking out of the indie field and delivering some of the greatest action films of all time.

Currently, Ms. Block is working on developing her newest feature film and is working on funding her latest films and garnering as much experience as possible. She took time out while working on her action projects to tell us why she is no amateur and why her films are bonafide Blockbusters for a new age.

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You Have to See This! Leon: The Professional (1994)

shot0034kLeon is a hit man, the best hit man working for Tony.  He kills without a sound, without any emotion, he has only one rule “no woman, no child”, he’s the perfect hit man.  Leon lives in the same building as Mathilda and her dysfunctional family.  Mathilda’s father is a drug-dealer who does not care much, her stepmom does not seem to like her much, and her big sister seems to hate her.  Mathilda’s sole solace is her younger brother, whom she loves very dearly.  Comes in New York City’s crooked DEA, Norman Stansfield, who hired Mathilda’s father as a drug dealer.  After the drugs are found to have been cut, Stansfield demands an answer as to how this has happened by 12 noon the next day.

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Mega Shark vs Crocosaurus (2010) (DVD)

maxresdefaultBefore you write this off, I have two words for you: Jaleel White. Now calm down, before you start jumping up and down screaming in excitement, he’s about the only draw here. If you were around in the nineties. And liked “Family Matters.” And remember who Jaleel White is. No he didn’t play Carlton in “Fresh Prince.” In either case, The Asylum is not intent on implementing brevity for the sake of catching on with their fan base. To prove how unnecessarily lengthy the title is I can still fondly remember showing my dad the DVD and him smiling at the premise of the movie. Twenty minutes later, this man who is known for having a mind like a steel trap and over the course of an hour continued mixing up the title.

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The Last Airbender (2010)

As big a fan as I am, and continue to be of M. Night Shyamalan, the one tragic fact of “The Last Airbender” is that there just isn’t a need for it. The original television series is about two or three years after its series finale, the series lasted about four or five seasons, it still plays in syndication, and there is a new story waiting in the wings. Fans of “Avatar” are in no short supply of their Airbender fix, so Shyamalan’s adaptation of the show isn’t all too necessary, nor was it wanted. So instantly the cards are stacked against him. Yours truly being a hardcore fan of the animated series (frankly, it’s one of the finest and most entertaining shows of the last decade), I was anxious to see what Shyamalan would do to “The Last Airbender,” and I wasn’t all too disappointed with what turned up on the screen.

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