Nicole Kidman’s career has become a constant bipolar example of choices in film that really should be examined. Kidman can pull in a rousing performance in one film, and then oddly appear in a really bad film the next. She can go from brutally sexy Ingrid Bergman, to numb skulled Lindsay Lohan in mere minutes. And that’s why she’s become a gamble in Hollywood. And Will Ferrell is no saint, either. I’ve never seen two people so devoted to doing damage to their careers before. Are they talented? Sure, but stupid choices deteriorate a great career. Would it have been so bad to remake “Bewitched” directly? I ask you. I mean, a remake at all was incredibly questionable and unnecessary, but that’s just moot. No, a direct remake would be too obvious. Let’s do a satire on Hollywood. No one has ever done that before! Right…?
Tag Archives: Adaptation
Ichi the Killer (Koroshiya 1) (2001)
If I could best sum up Miike’s film “Ichi the Killer” in only one sentence, I’d use the word: Havoc. Because Miike’s film about a sadistic mobster attempting to find a sadistic avenger is Miike’s all out masturbatory practice in sadism, torture, and sheer lunacy. If you thought the last half hour of “Audition” was utterly insane, try sitting through the entire 135 minute running time of “Ichi”. Told through many narratives almost like a darker “Pulp Fiction”, Miike’s entire film is a sheer test on his audience, a test of stomach turning, cringe-inducing sadism that he explores without pulling his punches.
Lipstick & Dynamite, Piss & Vinegar: The First Ladies of Wrestling (2004)
In a world where feminism wasn’t yet discovered, these women basically were the precedent for such an ideal. And they didn’t even know it. All they wanted to do was compete, perform, and basically beat the crap out of each other, all to gain some fandom and fame, and they weren’t aware that they were basically the predecessors of feminism and female empowerment. Thankfully, the documentary doesn’t bog itself down in girl power junk, and instead focuses on the female wrestling industry, one of the more unknown facets in sports–like the WNBA. I kid them.
The Hitchhiker's Guide to the Galaxy (2005)
Director Garth Jennings mimics Ivan Reitman’s style, and sick humor down to every particular inch, and until I read up on this film, I’d convinced myself Reitman directed this. For a film that starts off with a musical number involving fleeing Dolphins singing “So long and thanks for all the fish!”, it’s obvious you’re going to get something new. I thought the dolphins would be CGI and animated, but having the song play while stock footage of Dolphins run on a loop is further proof of that not taking itself too seriously hypotheses. And its hard to hate something that sports a cast like John Malkovich, Sam Rockwell, Mos Def, Zooey Deschanel, and Alan Rickman, it’s hard to go wrong, and I had fun.
What the #$*! Do We (K)now!? (2004)
It’s funny how a film like this can really be deciphered as. Certainly, the religious will view this as a secularist documentary on quantum physics, and the others will simply view it as an examination in to the human mind. With films like “Waking Life”, so often do we ever see films that actually challenge us to re-think our surroundings and our current settings. “What the…” ultimately explores radical ideas of repressed memories, the immense power of our mind, and alternate universes. And it also questions god, the existence of god, and the existence of god who gave man the ability to think. If we can not question religion, why were we given the ability to reason and wonder, and examine? If a god exists and does not want us to discover the riddles of the universe, why were we given the tools to do so? And “What the…” does indeed humble us calling us “Observers”.
Harry Potter and the The Goblet of Fire (2005)
Closer then comes the formation of Harry Potter as the wizard, or sorcerer he’s bound to become one day, and closer do we watch the character progress if only slightly to not only accomplishing the art of magic, but also coming closer to his dark side. The question remains is, will he reach his dark side before he masters magic? That’s many of the questions posed during this fourth installment of the Potter series. I didn’t read the book, honestly, and personally I don’t aspire to. “Harry Potter” has always been an overblown facet in modern pop culture to me, especially after reading the bland first book, so I prefer to review the films to their own merit. Bias’ aside, I was interested in seeing the fourth installment especially since Alfonso Cuaron did such a good job with the previous film.
Jarhead (2005)
Most of Anthony Swafford’s war time spent was on a war that never happened. Swafford recollects in an issue of Entertainment Weekly, that most of the time spent in the military was his superiors yelling fire in a crowded auditorium, spending time training, and bulking up, and training for nothing. “Jarhead” is one of the closest modern depictions of Don Quixote we can ever really see. A film about warriors training for a war that would never come, facing an enemy that may not have been there to begin with. But, Swafford’s story is depicted through a memoir that can be dictated through different eyes. For some it’s an anti-war message, for others it’s just a non-biased portrait of a man who never went to war despite being in the military during war time.