When I saw some pre-marketing for Thunderbirds Are Go!, the revival of the Thunderbirds at London Toy Fair in January 2015, my interest was piqued and I started hoping for something along the lines of the original series. Then I received my screener for the new series and started watching it. This time around, maquettes are involved by the characters are animated. The stories are still simple, following the Tracy family as they save people and the world one adventure at a time.
JJ Abrams has a lot of work to accomplish with “The Force Awakens,” removing the stigma and stench the series has accumulated over the years with the release of the “Star Wars” film prequels, the constant re-editing and changes to the original films, and so much more. “The Force Awakens” actively works as a rebuttal to the aforementioned legacy set, unleashing a film that’s very down to Earth and celebratory of the original trilogy as a whole. It not only musters up a lot of the tropes from the original trilogy, but acts as a launch pad for a massive movie series that Lucasfilm and Disney are planning for a very long stretch. While some have criticized the film for recycling some elements from “A New Hope,” Abrams fully understands what he’s working with, and working on, and uses “The Force Awakens” as a massive doorway accessible to literally anyone.
Once again DC Comics advertises a throwdown between titans that doesn’t totally deliver. True, the two teams of old and young battle, but it’s under wild circumstances, and it’s only a two minute bout at best. Sam Liu’s film should have been called “Teen Titans” and been done with it, but how else to cash in on “Batman v Superman,” I guess? The film is primarily centered around the building of the Teen Titans and their dynamics as a whole. The movie channels both the original animated series, and the cult classic “Young Justice” to offer up a movie that I wish would begin a new series of more exciting movies, showing how these teens have to work and fight in a world dominated by basic gods. That said, “Justice League vs. Teen Titans” isn’t a bad film, despite the criticisms and observations. It’s a very fine action adventure that focuses on the interesting interplay between Robin and Raven.
The latest trailer for David Ayer’s “Suicide Squad” movie just dropped and fans are excited for it (obvious Marvel bias!), mainly because it looks to be a bang up action movie with a great sense of humor. It also looks a lot like a comic book version of “The Dirty Dozen” with a bunch of scoundrels on a suicide mission and their superiors fully aware that they’re set to take the fall or die should they fail their mission. Along with the big screen versions of Killer Croc, and Deadshot coming to the film, among others, we have some classic Batman villainesses, one of whom is Harley Quinn. The long time fan favorite who made her debut in the nineties as an original creation from “Batman The Animated Series” has taken on a life of her own and is the center of the marketing for “Suicide Squad,” as she finally makes her big screen debut with Margot Robbie playing the role.
With the absolutely beautiful and sexy Robbie portraying the longtime psychotic fan girl and girlfriend of the Joker, I thought I’d run down a list of the most notable cinematic beauties from Batman’s long line of theatrical films. Since Quinn and other villains from “Suicide Squad” are Batman rogues, you can kind of almost count the upcoming film as a Batman spin off of a sorts.
Here is a list of Batman’s Cinematic Beauties ranked from My Least Favorite to Absolute Favorites. How would you rank the list?
Richard Linklater is a master at handling multiple storylines as well as various characters, allowing them to gel in to one very cohesive cinematic experience. Other directors would have a hard tie balancing out so many storylines, but “Dazed and Confused” manages to not only unfold in to a fun narrative, but also builds a myriad fascinating characters you’ll either love or hate by the time “Dazed and Confused” is over. A virtual successor to “American Graffiti,” this time Linklater follows a slew of characters over the course of one hectic night in the late seventies, as summer begins and school finally lets out. Director Linklater doesn’t have a singular thread bonding his characters, save for his ensemble’s core desire to find one last adventure before the summer comes around demanding some new form of responsibility outside of school.
The team from Red Letter Media, a small group of some of the best online movie critics and comedians finally get together to put the superhero movie through the wringer. “Space Cop” is a mixture of superhero movies, crime noirs, and classic Golan Globus stinkers where our hero is a testosterone junkie prone to shooting a lot of people and then asking questions later. In this instance we follow the futuristic space cop from 2058 who spends his time shooting down bad guys and royally destroying his city in an attempt to halt operations from disgruntled criminals. When he’s home, he indulges in an addiction to hot dogs and beer.
It’s going to be a long wait until season three of “Star Wars: Rebels,” my friends. And if you had to peg where the finale falls under, I’d say this is the “Empire Strikes Back” of all “Star Wars Rebels” season finales as it is an amazing close to what has been a turbulent sophomore season. Not only have our heroes experienced a massive loss, but the empire is more certain than ever, there might be a female sith lord, and our young hero Ezra has no lightsaber and is strongly considering becoming a sith lord. It’s almost too easy for Ezra to be seduced to the darkside because, like Anakin, he’s desperate to prove himself and feels his master Kanan doesn’t have confidence in him.