An American Tail: Treasure of Manhattan Island (1998)

Posted on May 16, 2016 by Felix Vasquez

The globe trotting Mousekewitz family find themselves now living in Manhattan again, their new home after New York, and the West apparently didn’t quite work out for them. This new movie is set directly after the short lived animated series on television, so this is kind of a new continuity rather than the one after “Fievel Goes West.” I assume to understand why the Mousekewitz’s are back in New York, you’d have to have seen the series, but the least they could have done was inject a few lines to help the audience catch up.

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An American Tail: Fievel Goes West (1991)

Posted on May 16, 2016 by Felix Vasquez

“Fievel Goes West” is a childhood favorite and a fitting end to the legacy of Jimmy Stewart. Not only does Stewart play an old dog who was once an old West hero, but Stewart was a man very fond of family friendly entertainment. “Fievel Goes West” is a film just as good as the original where the Mousekewitz family find themselves being exploited by a capitalist cat who wants to enslave the mouse community before eating them. Masquerading as a Southern mouse promising a new start in the old west town of Green River, the Mousekewitzes make another trek in to a new frontier after the crowded slums of New York didn’t quite work out for them.

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An American Tail (1986)

Posted on May 16, 2016 by Felix Vasquez

Like a lot of Don Bluth’s films, “An American Tail” feels like a very personal animated film that tells a universal story about the immigration experience. It’s sad that “An American Tail” has gone somewhat pushed to the corner of the animated world over the years, since it’s such a touching movie and brilliant exploration of family and bonds. Fievel is one of the most likable and human protagonists of all time. He’s not heroic or overly courageous. He’s just a young mouse looking to make his way in the world and explore the vast open land that lies before him.

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Sharkansas Women’s Prison Massacre (2016) [Blu-Ray]

Posted on May 11, 2016 by Felix Vasquez

The consistent utterance of Dominique Swain’s character to herself of “Crap on a Cracker,” just about sums up Jim Wynorski’s latest turkey that mixes “Con Air” and “Tremor.” No doubt tailor made for airing on late night cable television, “Sharkansas Women’s Prison Massacre” is a goofy PG-13 crime thriller with a bunch of land roving sharks that apparently make their victims explode upon contact. This is the kind of movie cable television dreams of. It stars a host of gorgeous women, many of who scamper around in conveniently handy bikinis, and whose prison garb are short shorts and clinging tank tops. They also never actually have sex or drop F bombs.

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NSFA: Cartoon All-Stars to the Rescue (1990)

Posted on May 11, 2016 by Felix Vasquez

Growing up in the nineties, I would watch cartoons all day long during the weekdays; hell I pulled seven hours at school and was a grade A TV junkie, so I watched a ton of television. During the cartoons, between the toy and candy commercials, there were about thirty anti-drug and alcohol PSA’s played between the hours of three and six. Hey, mock me all you want, but those PSA’s worked and worked well on me. It’s not enough that I always found the idea of drug use disgusting, but the PSA’s that would air on television scared me straight, just as they intended.

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Star Wars: Poe Dameron #1

Posted on May 9, 2016 by Felix Vasquez

Hey you can complain all you want about lack of female heroes and lack of African American Heroes and lack of Gay heroes in “Star Wars.” What about us? What about the Hispanics? We have nothing! And don’t come emailing me about the Extended Universe because it doesn’t count. For the short time he was in “The Force Awakens,” Poe Dameron made his mark, promising a riveting and unique star bound hero who took his X-Wing and kicked some dark side ass.

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Captain America: Civil War (2016)

Posted on May 6, 2016 by Felix Vasquez

It’s apropos of Marvel to finally bring in Spider-Man to “Civil War.” Because while it is essential that he be introduced to a brilliant cinematic universe, he is representative of the underlying message behind “Civil War.” With great power comes great responsibility. After spending so many years doing battle with aliens and super powered foes, the Avengers are finally taking a toll on the world, and the government from all sides of the globe is angry at their inherent recklessness.

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