“Wall-E” dares to be anything but predictable. It’s quiet, it’s subtle, it’s intelligent, it features barely any dialogue at all, and it asks us to think of a world where garbage has become so cumbersome we’ve been shoved off our planet by our own waste. “Wall-E” is simply a masterpiece. Continue reading
So it’s finally here, the long awaited mid-quel to “Batman Begins” that leads right in to “The Dark Knight.” While Warner is taking a fantastic approach to this mid-quel by enlisting a host of top notch cutting edge animators and keeping true to the dark adult nature of the movies, even casting the one and only Kevin Conroy to voice Batman yet again (and he doesn’t miss a beat), “Gotham Knight” feels more like a template of which Christopher Nolan could expand upon should he decide to continue the series after “The Dark Knight.” There are only so many rogues who can be justified on screen with realism, but “Gotham Knight” provides us with some famous villains who could excel with a big screen treatment under the right people.
It’s become common knowledge among comic book fans that most, if not all, of the animated movies made by Warner Bros. behind the scenes are much better in terms of storytelling, acting, and pure entertainment than any of the original live action Batman movies ever hoped to be. It’s just accepted as fact and looked upon as a damn shame. Because with such bloated budgets and big name actors, Tim Burton barely covered any of the pure excellence that Bruce Timm did with his voice cast.
So, in preparation for the much anticipated sequel to “Batman Begins” aptly called “The Dark Knight,” a sequel that is expected to top Nolan’s first film and thrill us with the new twisted joker, as well as the upcoming DVD release of “The Gotham Knight” another animated Batman film featuring Batman in his early years fighting new versions of his rogue gallery, I thought it’d be a great excuse to go over the list of animated Batman films that have been on Video (and DVD) and in theaters. Granted it was a very, very short theatrical run, but still, it counts. So, on we go.
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Worthy of Pixar, Luis Gomez Guzman’s film “Garto” is such a wonderful bit of simplistic conflict, and minute adventure that it’s hard not to love it thoroughly. “Garto” is a mostly silent short computer animated comedy revolving around a green lizard named Garto who is so bored, he decides riding on the back of a passing oversized Bee will be fun. The problem is that the bee is not letting him grab a ride, and Garto will not relent in his mission for some fun.
My first experience with “Tripping the Rift” was on the television show “Exposure” on the Science Fiction channel where the series that displayed a variety of independent filmmakers and their short films aired a special “Star Wars” tribute episode. “Tripping the Rift” was one of my favorites of the episode and it powered on to be a cult spin-off that I never sadly watched while it was on the air. “Tripping the Rift: The Movie” is a serviceable pop culture love letter, with not a single hint of originality, but a great energy that makes it worthy of the watch, even for people who have no idea what the plot is. Because, I sure as hell don’t. I know it’s a Canadian cartoon of the Canuck persuasion, and has a really hot computer animated chick in it.
When I was a wee lad, all I wanted to do was review movies. And not movies made by people I’ve never heard of, either. No, I just wanted to see what was in theaters, and what Dreamworks and or Paramount had to offer. I wanted to review movies that people knew about in my local theater. And then came “Exposure.” A favorite of mine when the Science Fiction Channel was starting in the US, “Exposure” showed me that indies are always as good and (many times) better than the mainstream. I explored some of the early work from masters like Tim Burton like “Frankenweenie.” For an hour every Sunday, I watched indie shorts, and loved each and every one of them.
So I sat here trying to think of reasons why I liked “The Easter Bunny…” and then after about three hours of sitting still and looking into a wall, I realized that I was being a little too easy on Rankin Bass. Even in this day and age, there’s a certain charm to Rankin Bass and their stop motion creations. “The Easter Bunny…” has a great visual sense with character designs and pastels that are aesthetically pleasing and rather appealing to the eyes, and they’re always nothing short of superb when providing special effects, even considering the time these movies were made.