Was fame the key to their downfall?
Or perhaps the burden of upholding the laws and values of mankind were just too horrific to withstand to their psyche?
Or maybe, just maybe, they forgot that they were human and they just couldn’t manage to take care of folks too similar to themselves. Perhaps humanity continued to remind them that they were human themselves, and not very good ones. And those awful people were appointed with the task of watching over civilization, and inevitably corrupted.
Even as a man who hasn’t held much empathy for the character, “Wonder Woman” has been in the top ten movies I’ve been looking forward for a good year now. Though she was never my biggest influence in regards to comic books, DC and Warner have had a great turn out of Straight to DVD movies and this one is no exception. With excellent voice work and top notch production quality, “Wonder Woman” is a movie that will definitely sell itself to people still adamant in their belief that Diana is more a character for little girls to worship. “Wonder Woman” aims for appeal to everyone from the discerning fan boy, the hardcore general comic book population, and of course young girls who want a break from the boys club for a while. Though I wouldn’t suggest this to girls too young; you can thank the sexual overtones for that (Steve: Your daughter has a nice rack), consumers.
It only stands to reason that Marvel would create such an unusual pairing of short films based around two of Marvel’s flagship characters. What with the Hulk smashing the box office, the development of a “Thor” film, and Wolverine being granted the lead in a new series and a series of action movies, it suddenly comes to mind that these pairings aren’t so odd after all. Once you break it down to its core, it’s really Marvel testing the waters for the fan boys and girls yet again. And if you’re not over thinking things like moi, there’s always the possibility that Marvel just wanted to get three of the greatest Marvel heroes and make them go one, two smashing the Earth and spitting blood in a stand off that only exemplifies the appeal and why my local DVD store had to restock every week since these movies premiered on shelves across the nation.
It’s been a long time coming but we finally singled out the best and worst of 2008 as chosen by Cinema Crazed. Please to enjoy.
10. Space Chimps
You know, movie geeks make a lot of noise about films in theaters that are great and barely ever receive the attention crap like “Meet Dave” does, but every so often when a new movie scarcely gathers any kind of promotion at all, there’s a reason for it. A damn good reason. And “Space Chimps” is that prime example that some studios may hold films back because they’re just terrible and barely watchable. Cheap animation and a virtually non-existent plot pretty much destroy any semblance of potential this one-note premise has from the starting gates, as “Space Chimps” only clocks in at a lean eighty minutes and feels endless with its horrible voice acting, lame gags, and a twist in the second half that is not only surprising but clumsy in its delivery as if the writers just didn’t know where to go creatively after the chimps were actually in space. I always enter in to an animated film with a healthy sense of optimism (I even gave “Doogal” a chance!) but in a summer that brought us “Wall-E,” talking chimps and NASA propaganda simply doesn’t cut it for me.
Before you start in on what the best movie of our year has been so far, I’ll just declare straight that “Wall E” may not only be the best movie of the year, but also one of the finest PIXAR has ever created. Intelligent and bold without alienating its target audience, “Wall E” is that movie that dwarves talking animals flicks blowing away the likes of chimps in space and a kung fu panda. “Wall E” is a magnificent global conscious adventure about the utterly adorable helper robot who doesn’t know that he doesn’t have to clean up what was once considered our home planet.
Sure it watches like a compilation of cut scenes from past games, and sure in some cases it’s an attempt at a reboot for the series, but all I could think about while watching “Regeneration” is: Was this so fucking hard to do for fans and general horror fans? We had to suffer through three really bad derivative quasi-horror films and now we’re given a virtually completely animated movie that just gets it right. Why is it so hard to release this and let us endure Paul WS Anderson’s butchery in the first place? “Degeneration” pretty much sums up its goal from the opening shot where WilPharmacy’s have taken over the city leaving where Raccoon City left off.