“Disaster L.A.” actually seems to be going for something in its prologue and set up. It props itself up as a disaster film with zombies thrown in for good measure, and for the most part the big doomsday event is grim and creepy. Then the writers completely switch to auto drive unfolding a movie that’s just a shameless regurgitation of “Cloverfield.” The hero of our tale is having a party before said big event, his ex-girlfriend shows up with her new boyfriend, they bicker, she leaves, big event, and now boyfriend pledges to go across the city to find her as the military threatens nuclear strikes. There’s even the tragic brother dynamic like the aforementioned film. It’s sad considering this is from the director of “State of Emergency” which I actually loved.
Tag Archives: Apocalypse
Similo (2014)
In a dying world how far would you go to keep the environment you loved? And more importantly, in a world where you’ve lost the only person you’ve loved, can you ever really get them back? Is it worth trying to pretend you’re still where you were decades ago, or isn’t it just easier to let go and accept your fate? “Similo” is a brilliant and beautifully directed science fiction short that uses the world our character Heve lives in as an allegory for the relationship she lost a long time ago.
L3.0 (2014)
The directing team of Alexis Decelle, Cyril Declercq, Vincent Defour, and Pierre Jury at Isart Digital really turn the whole lonely robot formula on its head. The five minute silent short entitled “L3.0” is filled with heavy implication and immense back story, based solely on what we see, and not what we’re told. L3.0 is a lonely robot that spends most of its days looking for other beings, and sending out paper airplanes in to Paris. When he finds a butterfly, he might have found a new friend.
Terminator 2: Judgment Day (1991)
I may not be the biggest fan of James Cameron, but when he approaches sequels, he hits the ground running and aims for the throat. First with “Aliens,” and then with “Terminator 2” in which a full fledged horror science fiction movie, becomes an action horror film with a wider scope and explorations of time paradoxes and the like. While I much prefer the original mainly for its tone and sense of urgency, “Judgment Day” is quite excellent. I saw it in theaters when it arrived, and years later, it’s still a stellar science fiction film from James Cameron.
Set years after the original movie, Sarah Connor raised John Connor to become an apocalyptic warrior. But after the confrontation with the T-800 cyborg at the bomb factory, she’s arrested and placed in a mental health facility. John is raised by his dysfunctional aunt and uncle and is mostly a wayward youth. The evil Skynet is once again intent on ending the war before it starts, sending a new advanced cyborg back in time to assassinate John Connor. Branded the T-1000, this new cyborg is made of liquid metal that can imitate anything it touches.
Just then, a new model of the T-800 is sent back in time, but this time its mission is to find and protect John and Sarah Connor at all costs. Now with the T-800, John races against the clock to find his mother and avoid every clever assassination attempt by the advanced new cyborg that will stop at nothing to end the Connor bloodline. Skynet also plans to initiate a Judgment day by unleashing a nuclear warhead that will destroy humanity and unleash a robotic rule on the planet. Sarah decides the best cause of action is to murder Miles Dyson, a Cyberdyne Systems engineer whose new computer processor will become the template for Skynet.
Where as the original movie was more centered on a behemoth rampaging through civilization to murder Sarah Connor, this time around Cameron opts for a sleeker new villain that really does pose an even more vicious threat to our heroes. B movie actor Robert Patrick gives a fantastic performance as the seemingly inconspicuous T-1000 whose façade of an average beat cop helps him blend in to civilization and infiltrate any strong hold. He’s made even deadlier with his ability to form massive blades, and sharp objects with his constantly shifting metallic body. Arnold Schwarzenneger shifts his title character in to the hero role, now becoming a protector who also gradually learns about humanity and emotions.
Linda Hamilton is also a welcome face as she reprises her role as the iconic Sarah Connor, whose welfare is of great importance to the fate of the world. Cameron approaches the continuation of his storyline well but never quite as seamless as he thinks. One thing that always bothered me is if they can create a robot made of pure metal that can become anything it touches, why not wait a few years and build a robot that can become a weapon of mass destruction? That way it can appear in John Connor’s general vicinity and blow itself up, thus ending the war? And if the robots can’t grasp concepts like emotions and feelings, why can they understand existential ideas of fate and inevitability? While Cameron never quite masters the ideas of time paradoxes, or time travel in general, “Terminator 2” still succeeds in being a raucous, beautifully directed action epic.
Fallout (2011)
I’m not entirely sure what “Fall Out” was aiming for from minute one. All I know is that director Derek Dubois keeps the audience in the dark, providing a narrative that’s about eighty percent ambiguous. And I was okay with that. If you can’t really offer a larger exploration of the world you’ve built, especially considering when it’s set during the apocalypse, the best thing to do is focus on getting us to know the characters in this situation, and director Dubois accomplishes that in spades.
George A. Romero’s Empire of the Dead
I’m just going to throw it out there without fearing a spoiler troll. So we find out in “Empire of the Dead” that doctor Penny Jones is indeed the little sister of Barbara and Johnny from “Night of the Living Dead.” So that would mean that they were named Barbara and Johnny Jones. And that the scenario that took place in 1968, really was present times. The world we gander upon in “Empire” is set in New York five years after the zombie apocalypse ensued, so, it’s 1973? Or is “Night” set in modern times? Which one is it? And what happened to Barbara after she survived Johnny dragging her away from the zombie horde? Do “Dawn of the Dead” and “Day of the Dead” just not count anymore? Does “Empire of the Dead” officially wipe them out of existence?
Dead Shadows (2012) [Blu-ray]
Director Dave Cholewa’s “Dead Shadows” is HP Lovecraft meets “Night of the Comet,” and while surely that sounds like the ingredients for an amazing horror film, in the end it’s just a serviceable post apocalyptic horror thriller. It’s by no means a waste of time, but it never delivers on a lot of its ideas and story themes. Much of the concepts and sub-plots feel very under developed and half baked, with “Dead Shadows” unfolding in a very inexplicable series of events. I tried my best to follow along, but Cholewa really offers horror audiences a convoluted narrative for a movie that boils down to shooting aliens and monsters in the dark.



