Based on the research I’ve done, “Batmunk” is being packaged as a one hour special featuring Alvin and the Chipmunks re-telling the story of Batman. Clearly it’s to market off of the upcoming Batman film release and the fan base may not be any the wiser. Basically, “Batmunk” is an hour long re-packaged set of Chipmunks cartoons, one of which is Batmunk and the other is Treasure Island. With no original title cards or theme songs, the cartoon segments are presented in disconnected formats with Batmunk being the first of the stories.
Tag Archives: Comedy
Bad Channels (1992)
This is one of the first Full Moon movies I’ve ever seen that was scored by Blue Oyster Cult, so even if the movie sucked, there’s a good chance the movie rocks by default. Blue Oyster Cult manages to provide a raucous and rocking soundtrack for what is generally a cheesy and absolutely goofy piece of early nineties schlock, but it has genuine camp value in its corner, as well as the always attractive Martha Quinn as a heroine.
Batman Forever (1995)
Burton out. Keaton out. Score out. And apparently, Bruce Wayne, out. “Batman Forever” is where the series started to eventually fall off the fails and Joel Schumacher’s approach toward these movies are completely different and absolutely radical from what Burton originally envisioned. Burton depicted Gotham as a sprawling endless canyon of darkness and shadows while Batman was mostly polarized and closed off outcast from the world. In Schumacher’s eyes, Gotham is now a bright and neon wonderland and Schumacher’s handling of Batman and many other key characters of the mythos make “Batman Forever” in to a veritable gay burlesque show.
The Artist (2011)

Yes, we’ve all heard it already. It didn’t deserve to win Best Picture. It didn’t deserve all of its accolades. Now go away and tell us about how you don’t care about the Oscars, hypocrite. Now that we’ve gotten past the whining, “The Artist” is a film that is generally one of the finest films of 2011. It was a year of utterly underwhelming pictures, and “The Artist” took the accolades left and right because it was and still is a deserving ode to the era of cinema that left many actors out in the cold once sound was introduced to an eager audience. Even as a silent picture it works in developing rich and empathetic characters along with a truly sweet and heart warming story about friendship and love and remembering those who helped you rise to stardom.
Arachnoquake (2012)

If you’re one who is thinking “Arachnoquake? That sounds stupid,” then congratulations on displaying wisdom well beyond your years. “Arachnoquake” is a movie that sounds good on page, but when you see it, there’s just so much to hate about it that you can’t even take it at face value as a movie intended on being so bad it’s good. The movie is painfully self-aware to the point where you almost expect a laugh track to follow the “gags” staged. Meanwhile the writer behind the film is well beyond in over his head providing a three pronged story that jumps from sub-plot to sub-plot without resolving either, all the while ripping off films like “Jeepers Creepers 2,” “Children of Men,” “Deep Blue Sea,” “The Mist,” and “Piranha.” There are so much plot elements staged that are never touched upon or resolved, you could list them all in a whole review.
21 Jump Street (2012)

When all is said and done “21 Jump Street” completely bastardizes the original television series from the eighties. The original show was a dramatic and controversial series that took painstaking turns in to very taboo subjects in America and was the stepping point for Johnny Depp. No one shares that frustration more than I do. But surprisingly enough “21 Jump Street” is still a fun and absolutely entertaining action comedy that is about as close to an American version of “Hot Fuzz” as you can get. While it does use the “21 Jump Street” model to get the premise rolling, it doesn’t really spoof or satirize the show. There’s no one mocking Johnny Depp, or Dustin Nguyen, nor is anyone mocking major episodes of the series. The directors do pay homage to the show with their own nods to the series, but it doesn’t lampoon the show so much as use the framework to tell a new story. A new story that’s incidentally based around a more comic tone.
Zombies vs. Strippers (2012)

So what do we learn from Zombies vs. Strippers? Zombies who moan “brains!” aren’t specifically limited to eating brains, strippers crave anal sex even during a zombie raid, cameramen will stay focused on a TV host even if they’re being mauled by the walking dead, watching someone eating someone else’s fingers doesn’t set off alarms that something is wrong with them, pole dancing is actually a hidden form of martial arts, cops are nowhere to be found in the city, zombies will pounce on extras but slowly creep up on principle cast members of a movie, strip clubs only play songs without lyrics, strip clubs only employ four strippers at a time, and when you’re bitten in the butt you won’t notice until much later on. All things considered “Zombies vs. Strippers” is a pretty crummy movie.

