I really wanted to love “Gravy.” In fact during some rare moments it manages to win me over, especially with the way it uses its array of character actors to great effect. “Gravy” sadly falls under the weight of its own self satisfaction, eliciting a ton of flat improv, lame ad libbing, unresolved sub-plots, and a climax that goes nowhere very fast. We follow our heroine for ninety minutes all for absolutely zero pay off. Did Roday and co. run out of money or did they run out of ideas?
There’s just something about Joe Dante in where he loves to shake up American middle class. We have suburbanites fighting killer gremlins, suburbanites fighting killer toys, suburbanites fighting werewolves, and now suburbanites basically turning on one another. “The Burbs” watches like something of a sick mid-quel of “Rear Window” and “The Trouble with Harry” in where the mundane is flipped on its head and transformed in to a veritable nightmare for a bunch of neighbors in a seemingly small cul de sac.
One of my top ten films of 2013, it’s so refreshing to see indie filmmakers actually try to challenge the conventions of not just horror but of fiction altogether. A film like “Resolution” would easily be a terrible effort in the wrong hands, but the combined genius of Justin Benson, and Aaron Moorhead make it a success on every conceivable level. This is a more cerebral take on 2012’s “Cabin in the Woods,” where in the world visited by the viewer is very self-aware. In fact, “Resolution” is so much more aware of the audience and yet it still comes out a winner in the end.
Even as a kid who pretty much watched anything that was on TV, I fondly remember watching “Ticks” when I was ten, and couldn’t get over how delightfully bad it was. Today, it’s still bad, but more in the so bad its good arena. It pretty much is a monster movie centered on giant ticks that act a lot like the face huggers from “Aliens.” In fact “Ticks” really is “Attack of the Facehuggers,” except these face huggers suck on human blood and don’t really have a queen of their very own. They do however spend the majority of their time chasing around Seth Green and Alfonso Ribiero, so you can’t call it a waste of time. Plus, anything featuring the gorgeous Rosalind Allen is worth a watch.
I really enjoy one aspect of “Mischief Night,” and it’s the two scene walk on role by Malcolm McDowell. I mean seriously, who walks around various neighborhoods to quiz people about Halloween and warn them about not opening their doors? Who in the world has that much time? For all intents and purposes, director Travis Baker makes damn good use of the extra money he spent on McDowell’s appearance. Sure the man has nothing to do in the movie, but he’s in there, come hell or high water.
David Buchert and Chris St. Croix’s “In the Dark” is definitely one of the most tonally inconsistent anthology horror films I’ve seen in a long time. While it’s not a terrible trio of horror stories, it shifting tones and mediocre scares won’t elicit a huge fan base. That’s a shame, since “In the Dark” sports a really good opening introduction and wrap around sub-plot. In the wave of anthologies hitting VOD, I’d place this in the mediocre category. Set during a night time robbery, two sisters, who also happen to be maniacal killers, hide out in a hotel awaiting a rendezvous with their boss. While they wait, they sit around and partake in three mysterious horror movies on VHS that they stole from their victims.
The first time I ever watched “Mosquito” was on late night cable on the USA Network when cable channels were fun. Right around the nineties when horror was kind of a killjoy with overly serious horror movies, “Mosquito” is that hard shot that really goes down well. It has gratuitous nudity, giant monsters, stop motion, and even Gunnar Hansen brandishing a chainsaw a few times. How can you bash something that genuinely tries to make the most out of very little? Director Gary Jones comprises a fun little science fiction horror fest in where an alien crash landing turns the local mosquito population in to truck sized predators that get off on feeding on people in the worst ways. Apparently mosquitoes just aren’t biased when it comes to feeding off of living things, so when the ship crash lands, the mosquitoes begin feeding on the blood of its dead alien pilot.