Tag Archives: Crime

Martyrs (2016)

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Pascal Laugier’s 2008 “Martyrs” was a grueling experience that masked blatant misogyny and torture as a pseudo-intellectual transcendental tale about the afterlife and the pressing question about where we go when we die. Kevin and Michael Goetz’s remake of “Martyrs” is not only a pointless exercise in futility, but it dodges any and all attempts to improve on the goofy ideas about spirituality by mostly dodging them. By dodging the torture and pegging this as cheap exploitation, and alternately dismissing the ideas about the afterlife and transforming this in to a spiritual horror film, it effectively renders itself pretty damn pointless and dull.

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Intruders (2016)

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Intruders-2016

Adam Schindler’s “Intruders” (formerly “Shut In”) works with a fairly solid concept that begins with a clever note and then uses the concept to keep out of gimmicky trappings and implement it as a means of exploring a very unique kind of horror protagonist. By the end of “Intruders” you’ll either really care about Anna’s plight, or really fear what kind of maniac she’s capable of becoming, especially when she decides to approach her enemies with a swift and merciless motion.

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Class of 1984 (1982)

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Playing at the Alamo Drafhouse Yonkers, January 17th

New teacher Andrew Norris is fighting the rising tide of what would later become the future of the youth. “We are the future,” chants leader Stegman with his gang of punks. “I am your future,” he consistently tells Mr. Norris, and whodathunk he’d be correct? In “Class of 1984” (the prophetic remake of “Blackboard Jungle”) envisions a not too far future where the youth have all but spiraled out of control and our schools are now warzones with the potential for death at every turn. In 1982, “Class of 1984” was something of an exploitation revenge film, but decades later after utterly horrific accounts of school shootings, and students victimizing their teachers, “Class of 1984” is actually ahead of its time.

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Our Top 10 Films of 2015

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I have to admit, 2015 was a great year for movies. We saw a huge glut in horror films, the welcome ongoing resurgence of the anthology film, Tarantino smashed in to theaters with his new film, and audiences told Hollywood which type of nostalgia is genuine, and which is just exploitative crap trying to take our cash. Some nostalgia like “Creed” and “Goosebumps” were a success, while other efforts like “Jem and the Holograms,” and “Tomorrowland” bombed big time inspiring groans and eye rolls. Most of all we saw the return of “Star Wars,” the “Jurassic Park” series, and the Western. To add some pleasing news to the latter, Kurt Russell was a part of two of the most talked about Western entries of the year. Long live Snake Plissken.

As always our commitment to covering the indie film world has prevented us from watching every movie in 2015. Especially now with many films available on various formats in digital and physical form. It’s tough to keep up. But out of the large array of films we saw in 2015, these were the best.

GREAT MOVIES that almost made the cut includes the horrific We Are Still Here, the darkly funny and creepy The Visit, the underdog superhero flick Ant-Man, another Marvel Cinematic Universe installment The Avengers: Age of Ultron, the shocking and haunting dramatic thriller The Gift, the meta horror comedy adventure Goosebumps, the wonderful feature film adaptation of Charles Shulz’s comic strip The Peanuts Movie, the beautiful Pixar animated drama Inside Out, the gory Tarantino mystery The Hateful Eight, the sequels Fast and Furious 7 and Mission Impossible Rogue Nation, the entertaining horror anthology Tales of Halloween, the gripping documentary Call Me Lucky, and Ridley Scott’s exciting survival drama The Martian. Now on to the Top 10…

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Room (2015)

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Brie Larson is probably the most underrated actress working today. She’s a force of nature in every film she leads, and manages to outshine even in films that she co-stars in. “Room” is another in a line of original and unique films that Larson makes her own, delivering one of the most layered and heartbreaking performances of the year. “Room” is an unlikely thriller that surrounds the strong bonds of a mother and son, one that overcomes the horrendous circumstances in which the mother and son are ensconced in. Even young Jack, who is a child of violence, is the lone strand of sanity that keeps her from completely breaking down and giving up on life.

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Batman: The Complete Third Season (DVD)

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I’m no longer sorry I didn’t fork down almost three hundred smackers on the “Batman” series starring Adam West. While the series will always have a place in my heart for being one of the gateways in to my obsession with superheroes, the nostalgia for the show is fuzzy at best. Watching it as five year old, compared to watching it twenty seven years later is a vast difference. I can appreciate the show for its camp and surreal take on Batman, but I can’t argue for its quality. Especially considering that season three is when the writers and producers began scrambling to inject some new blood in to the series. As with most series involving superheroes, you either have to keep thinking of new ideas, or you will dip in ratings and risk repeating yourself.

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Spotlight (2015)

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One of the most important cinematic accounts of journalism changing corruption since “All the President’s Men,” director Thomas McCarthy’s “Spotlight” garners an understated brilliance in where it explores a long legacy of corruption that’s not only been widely under reported but somewhat accepted. McCarthy manages to draw immense thrills and paranoia from a film that’s very much the antithesis of sensationalism. “Spotlight” is a gut wrenching and mind blowing account of a group of reporters tasked with uncovering one of the largest scandals in world history, a scandal that’s left thousands of victims in its wake.

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