In the nineties everyone was taking a shot at becoming an action star, even Keenan Ivory Wayans. At the time Wayans was known primarily for comedy, after directing the hilarious “I’m Gonna Git You Sucka!” and the (then) very popular sketch comedy show “In Living Color.” But oddly enough, Wayans began starring in action vehicles that were much more straight-faced and intent on pushing him as a gun toting good guy who could take down crime and make us laugh at the same time. In the end, he just feels like a pseudo-John Shaft. “A Low Down Dirty Shame” is a respectable effort, but one that’s woefully misguided, if only for the story’s inability to decide on a tone.
Tag Archives: Crime
Teenage Mutant Ninja Turtles (2014)
It’s pretty sad to see “Guardians of the Galaxy,” which understands the idea of dysfunctional warriors coming together for a common purpose and becoming heroes, while “Teenage Mutant Ninja Turtles” gets it so wrong. Speaking as a fan of the TMNT franchise, “Teenage Mutant Ninja Turtles” not only gets it all wrong, but it accomplishes what not even the worst adaptations could in the past. It turns the Ninja Turtles in to generic heroes with almost no personality. Beyond Michelangelo, no one in the film has an actual unique personality I could think of. Director Jonathan Liebesman and Platinum Dumbs take the “Teenage Mutant Ninja Turtles” in to a whole new arena of bland, lifeless, nonsense. What’s pretty much always been a franchise meant to sell merchandise for decades, becomes even more
Director Jonathan Liebesman and Platinum Dumbs take the “Teenage Mutant Ninja Turtles” in to a whole new arena of bland, lifeless, nonsense. What’s pretty much always been a franchise meant to sell merchandise for decades, becomes even more soulless than ever. In this unnecessary rehashing, April is a fluff news reporter anxious to be taken seriously, so she begins investigating the foot clan and their reign of crime. During an investigation, she’s taken hostage, and witnesses the Ninja Turtles bring down a troop of the Foot Clan.
Despite being ninjas, April is able to follow them and sneak up on them, prompting her discovery of the four anthropomorphic turtles, all of whom are committed to fighting crime. After meeting them and their master Splinter, an anthropomorphic rat with knowledge of martial arts, the turtles are kidnapped. Apparently the turtles have magic blood, and the Foot want to spread a lethal plague across New York, synthesize the turtles’ mutagen blood as a cure, and sell it to the US government for big profits.
If you can believe it, Shredder is awkwardly shoe horned in to the movie, never really doing much but confronting and taunting the turtles, and donning robotic armor that looks like the Foot strip mined a Decepticon and used its parts for a suit. The Shreddertron 3000 is also turned in to a generic foe; it’s quite obvious the script was hastily retooled to turn Shredder and Sacks (William Fichtner) in to separate characters. “Teenage Mutant Ninja Turtles” completely re-writes the entire mythos for the sake of propping up future installments, and selling toys, never actually touching on what’s so much fun about these characters.
Splinter now becomes a martial arts master because he read a book, the turtles were once pets of April, and for some reason the turtles now look like dinosaurs. With the Teenage Mutant Ninja Turtles, there’s always been that thin line that separates them from being moronic creations, and fun underdog superheroes, and Liebesman seems to want to embrace both sides of the coin. He mocks the characters for the adult audience, while giving them their own moments of martial arts bad assery for the sake of the kids. He also throws in a fart joke, and an honest to goodness erection joke. Shredder is barely the villain of this piece, the foot clan is generic soldiers, and (for the sole reason of Megan Fox’s sex appeal) April O’Neill is now the main character. Not to mention the entire reasoning for the turtles existing. It’s disheartening that a movie about “Teenage Mutant Ninja Turtles” takes almost twenty minutes until we see the foursome. Even then they’re really just nothing but plot devices for April confronting her tortured past, and becoming an actual news reporter.
Not to mention the entire reasoning for the turtles existing. It’s disheartening that a movie about “Teenage Mutant Ninja Turtles” takes almost twenty minutes until we see the foursome. Even then they’re really just nothing but plot devices for April confronting her tortured past, and becoming an actual news reporter. The movie relies on Megan Fox reacting and interacting with the turtles, and that’s a travesty considering Fox’s performance is god awful. It’s cringe inducing how she can barely deliver a worthwhile line of dialogue convincingly, and never seems at all lifelike in the role. April should be a foil, and unofficial part of the team, and yet she’s really just this pouty cardboard cut out who barely has any kind of chemistry with the computer animated mutants.
April should be a foil, and unofficial part of the team, and yet she’s really just this pouty cardboard cut out who barely has any kind of chemistry with the computer animated mutants. April should be a foil, and unofficial part of the team, and yet she’s really just this pouty cardboard cut out who barely has any kind of chemistry with the computer animated mutants. There are glimmers of fun moments between the team which include an impromptu beat box session in an elevator, and Raphael’s conflict with Leonardo. I wanted so much more of that. Instead all we get is another loud, obnoxious, ninety minute commercial with no grasp on what makes the source material it’s adapting so appealing.
Get on Up (2014)
Get on Up is the latest Hollywood biopic and this one follows the life and times of the godfather of soul, the hardest working man in show business, James Brown. He is played brilliantly with great energy, enthusiasm, and electricity by 42’s Chadwick Boseman, who also played Jackie Robinson. He IS James Brown and he is the lifeblood of the movie. Every moment he’s on screen, you are captivated by his performance and what he brings to the table. While he doesn’t sing the original songs himself, as he is lip synching, he does bring the dance moves and overall essence of James Brown to the big screen.
The Perfect Weapon (1991)
It’s sad that Jeff Speakman was never able to obtain a full fledged career in Hollywood as an action star, because while his style of martial arts isn’t flashy, it certainly is fantastic to watch. Speakman had real charisma and passable acting chops to put him at the league of Van Damme and Dolph Lundgren. It just never panned out. As a debut action film, “Perfect Weapon” is a fun and serviceable action film about redemption and revenge that Speakman carries on his own with flying colors. I wish we’d seen much higher budget fare with his later action vehicles, but at least his breakout is entertaining.
The Next Karate Kid (1994)
I guess we all have to have our stumbling blocks to get to the top, and Hilary Swank has what is one of the more tepid reboots ever concocted. I’m not above a reboot of “Karate Kid” with a girl this time. I’d actually prefer a gender swap in the interest of a new character dynamic. It’s just sad that said reboot completely misses the point of the original film. And kind of drags Mr. Miyagi out from the eighties to deal with a frustratingly annoying main heroine this time around.
The Expendables 3 (2014)
One of the most idiotic moments in “The Expendables 3” is when villain Stonebanks is taunting our heroes on a television monitor, explaining that he’s wired the stronghold where he has the Junior Expendables with C4. While watching on the monitor, character Wifi (Glen Powell) completely overrides the C4 from blowing everyone to smithereens. If that’s not enough Barney plans the get away operation for the group while Stonebanks watches on the TV. So how does he still lose if Barney is stupid enough to plan an escape while the bad guy is watching only a few inches away? It’s moments like that that show Stallone really isn’t interested in details with these movies anymore.
Batman: Assault on Arkham (2014) [Blu-Ray/DVD/Digital]
It’s about time we return to the basics with Batman and “Assault on Arkham” gets down to the nitty gritty. Batman is a bad ass lone wolf not chasing after a snot nosed brat, his villains are vicious thugs, and the Joker is terrifying. “Assault on Arkham” is an admirably rough and tumble action film focusing on the baddies of the Batman universe, and less on the dark knight. There’s just something about the Suicide Squad I’ve always liked. I enjoyed “Assault on Arkham” mainly because of its sleek and simple storytelling and ode to “The Dirty Dozen.” It also focuses on the demented somewhat perverse nature of Batman’s rogues, all of whom have to work together or die under a clandestine government.






