Double Dragon (1994)

Posted on August 21, 2014 by Felix Vasquez

I don’t know how the hell you screw up “Double Dragon.” It’s a beat em up video game set in the future where two warriors Jimmy and Billy (or Bimmy if you’ve played the video game) have to save their girlfriend from a humongous crime syndicate. There could have been so much to go on with this concept, and it might have made for a wicked great apocalyptic action film. Instead, much like “Mortal Kombat,” it’s neutered for kids, and sucked of all of its originality. Even at eleven years old I knew “Double Dragon” sucked. And I liked everything, back then. Even the Marvel Comics mini-series had more of a toothy, edgy vision of the video games than this movie did.

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Divergent (2014) (DVD/Digital)

Posted on August 1, 2014 by Felix Vasquez

Ultimately the adaptation of “Divergent” is a mixed bag that left me conflicted toward the level of quality presented. The film is almost two and half hours in length that does nothing but set up the premise for future events, and yet I found the world unfolding to be pretty fascinating. When it tries to be anything other than simple science fiction fodder, it clubs us over the head with on the nose clunky metaphor and social commentary. When it stopped trying for profundity, it actually managed to entertain and kept me very engrossed in the events that unfolded. It’s not at all as intelligent as it thinks it is, but it’s a pretty solid epic all things considered.

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Deep in the Darkness (2014)

Posted on May 30, 2014 by Felix Vasquez

Plot holes, plot holes, and more plot holes! It’s just another title from the ever growing library of horror groaners from Chiller Films. Colin Theys’ “Deep in the Darkness” is an amalgam of “The Wicker Man,” “The Descent,” and a bit of “Rosemary’s Baby” for good measure. “Deep in the Darkness” is yet another horror movie that promises it’s building up to something, and then sputters out like a deflated balloon, forcing the audience to realize they’ve spent ninety minutes watching nothing. Nothing at all. What in the name of all that is sane did that final scene even mean?

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Don’t Let the Riverbeast Get You! (2012)

Posted on May 8, 2014 by Felix Vasquez

You know a movie fails to hold your attention when you’re spending more time marveling at the setting of the film than the film itself. I really should move to New Hampshire, it looks like a beautiful place to live in. And there is no shortage of scenes depicting suburbs and town halls that look incredible when filmed. In either case, “Don’t Let the Riverbeast Get You!” is a giant missed opportunity of a horror comedy that seems to have tacked on the monster called the Riverbeast in to a dramedy about a tutor, and a woman he’s trying to impress. I was never sure on the specifics of the story, since it’s a pretty tedious movie.

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Different Drum (2014)

Posted on April 7, 2014 by Felix Vasquez

I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.

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Doc of the Dead (2014)

Posted on April 2, 2014 by Felix Vasquez

Whether you love or hate George Romero and his films, there’s no denying that without his zombie movies there wouldn’t be the zombie culture we know today. Surely we might have two or three zombie movies concerning the sleepy servants of voodoo masters, but we wouldn’t have the flesh eating hordes that are currently consuming pop culture and the world as we know it. There’s also a very good interview where filmmaker Alex Cox notes that were it not for “Night of the Living Dead” becoming public domain, there likely would not have been inspiration for filmmakers to offer their own zombie entertainment for horror fans.

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Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964)

Posted on January 16, 2014 by Felix Vasquez

There’s nothing funny about nuclear war. Unless you’re Stanley Kubrick, Peter Sellers, and George C. Scott and then, okay, it’s hysterical. Director Stanley Kubrick opts this time for a darkly satirical and often menacing film about American politics and what happens when the wrong orders are put out that will eventually bring the world to its knees. When America’s officials retreat to “The War Room” to sort out this nagging problem, Buck Turgidson and President Merkin Muffley attempt to find a course of action that will please all parties.

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