One of the primary faults behind “Paranormal Activity 4” is that it makes promises it just can’t keep. It swears new scares with the use of the kinect and light beams and doesn’t quite fulfill the potential for the plot device. It introduces a new protagonist, but never fully develops her. And most importantly it explains that it has all led up to this, but there really isn’t a huge development in the storyline. I’m still not sure why what happened happens at all, and what they’re leading in to, but according to Dreamworks, we have two more films left in this series, and more films with a Latin spin off that will likely continue the mythos well in to 2019. If possible.
Tag Archives: Demons
Paranormal Activity 3 (2011)
In the first “Paranormal Activity,” director Oren Peli seemed to have a one off horror movie in mind, but did allude to a lot of back story during the film. We do know from the first movie that Katie had been suffering from odd hauntings all her life, and had blocked out a lot of her childhood leaving the door open for the mysterious demon to enter in to the lives of she and her husband Micah. “Paranormal Activity 3” ventures even further back and widens the scope of the narrative to explore the deeper mythos behind the series of hauntings that took the lives of Katie and her husband.
Ghost Rider: Spirit of Vengeance (2012)
If this sequel had any balls, they’d take the reins of Johnny Blaze and hand the character over to someone talented like Idris Elba. At least then there’d be an interesting angle to this wretched sequel to a painfully mediocre movie that barely anyone remembers. Nicolas Cage once again proves he has no business being in film, reclaiming the role of Johnny Blaze, the balding mid-fifties biker who was cursed as Ghost Rider after making a deal with the devil. In case you didn’t know that, there’s five minutes of bad exposition along with Cage narration explaining the entire mythology of the Rider and what he does in particular, cue terrible animation. Most of the time during the opening animation, Cage sounds like even he doesn’t take this garbage seriously, and spend most of it making light of what is supposed to be a terrifying and mystifying character in the comic book universe.
Primal (2010)
You would think a survivalist horror film about a group of campers fighting off monsters born from stagnant infected lake water would be material for a gripping and intense horror film. But you’d be wrong. In fact, most of “Primal” is quite tedious and rote. I wanted to be choked with tension throughout most of “Primal” and just found myself basically yawning and zoning out for the most part. I wish I could attribute it to being high, but I’m not one to get high. In either case, “Primal” is pretty derivative of Bava’s “Demons,” where anyone who ingests the tainted water find themselves transforming in to demonic beings in an instant.
Haunted High (2012)
Zombie frogs, demonic exercise machines, ghostly sports jerseys, and evil toilets, they’re all here to be about as moronic as possible in one of the least scary movies I’ve ever seen. RL Stine in his days of “Goosebumps” drew more chills from me than “Haunted High” a film so laughably bad, it’s almost impossible to watch in one sitting. It basically has everything a bad horror film should have. Special effects so bad they seem to have been created in the mid-eighties, a villain so non-threatening he barely registers above a yawn in the spook meter, and did I mention genre favorite Charisma Carpenter gets top billing for a role that’s literally only thirty seconds in length?
Tales from the Crypt: Demon Knight (1995)
If ever there was a film treatment that deserved to be pegged as a feature length introduction of the 1990’s “Tales from the Crypt” series it’s “Demon Knight.” One part comedy, one part horror, one part mysticism, and a dash of irony makes “Demon Knight” one of the most entertaining horror romps of the decade with a premise that feels like an epic episode of “Tales from the Crypt” with every bit of comic book novelty you’d expect from something involving the Cryptkeeper. “Demon Knight” much like everything else in the “Tales from the Crypt” brand is a meta-horror comedy that works as a self-aware dose of the genre with a hefty injection of menace to go along with it. While the film does pack a large assortment of laughs and gaffs, it’s also quite scary.
Girl vs. Monster (2012)
While many kids of the nineties will agree that DCOM’s simply aren’t as good or as innocent as they used to be, the talent has improved enormously. Most of the actors in the past DCOM’s (Disney Channel Original Movies) were always so blustery and stilted in their performances, in spite of the fact that Disney took more risks with their movies. These days, they’ve traded subtlety for talent. “Kickin’ It” is one of the few successful boy oriented shows Disney has launched. It’s a show about a group of kids who deal with growing up through the skill of martial arts, and one of its stars Olivia Holt has displayed a real charm and charisma that’s tough to keep contained.
In “Girl vs. Monster” she has a real magnetism and appeal that makes her the ideal choice for the role of a young girl about to come in to her own as a monster hunter in a legacy of master monster hunters in her family. “Girl vs. Monster” contains elements of “Supernatural,” and “Ghostbusters,” with a hint of “Hocus Pocus” and manages to be rather entertaining. Skyler Lewis is a bold and brave young girl who isn’t afraid of anything. She leaps on to a rafter to fix a Halloween banner and lands the fall with grace, and before leaving with her friends engages in a performance with a local band for the room. She’s the envy of many people, and we’re forced to believe somewhat of an outcast. Her parents are primarily mold specialists whom are incredibly over protective and refuse to let her attend the Halloween party thrown by musician Ryan, who begs Skyler to sing for the group when lead singer Myra is hurt in a hilarious accident. Refusing to let her go, Skyler’s odd parents leave her in the charge of her uncle, and lock her inside the house.
Determined to make it out, she shuts the power down to the house and accidentally frees the evil Deimata from the ghost chamber in their basement. On a mission to possess Skyler and feed on her fear, Diemata is intent on hunting Skyler down as Skyler comes to grips with the fact that she has to be a hero. Very much in the vein of “Halloweentown,” Skyler is a girl who loves Halloween whose over protective parents are suppressing her until a certain age where she can become a hero of some kind. In that regard it’s rather derivative. I also never understood why the parents would house a ghost chamber in their basement and make their power grid so functional and easily shut down by hand when their house is protected by a key pad. And what would Deimata accomplish by possessing Skyler? Was it a part of a master plan to destroy the legacy of monster hunters? Or was she trying to inflict revenge on Skyler’s parents? As with most DCOM’s, “Girl vs. Monster” is entertaining and very charming, but often very silly and doesn’t entirely make a lot of sense in the end.
But the primary reason to watch “Girl vs. Monster” is because it’s such an interesting concept worthy of a few follow-ups for the character of Skyler, and star Holt has a real enthusiasm and draw that’s tough to ignore. As with all DCOM’s, this new film is about a character coming of age, and ultimately she has to learn how to cope with fear and use it as a means of thriving in life rather than letting it control her. As the film progresses we learn that Skyler may not be too normal, while her two friends often paralyzed by their insecurities may be more in control around demonic beings. The trio of ghouls feast off of the insecurities of teenagers, and are basically just metaphors for anxiety, insecurity, and self-esteem. They’re manifestations of those flaws, and they feed on such horrors.
To defeat them they must ultimately face their fears, which means Skyler’s friend Sadie must confront her fear of public speaking, goofy Henry must battle a bullying scarecrow, and Skyler must perform her music for the party she’s attending. As with all modern DCOM’s, the cast is intended to do more than just act, so Olivia Holt pulls in double duty as a singer and actor and accomplishes some strong singing paired with some very catchy music for the film’s inevitable soundtrack. While it has bumps along the road, “Girl vs. Monster” has a clear message for its teen audience about confronting fears, while marketing on the growing popularity of talented star, Olivia Holt. It’s a very pleasing Halloween treat. With Disney trying to re-invent their Halloween tradition for a new audience and move away from the classic “Halloweentown,” the new “Girl vs. Monster” is a fun and exciting action comedy for the teens, but I doubt it’ll be as well received as the former more festive fantasy film. Olivia Holt has real potential, and I hope Disney banks on her more in the future.