I guess on paper, “The Landlord” seemed like a great concept for a horror comedy. Emil Hyde’s movie starts off simply enough with a sitcom premise with a horror twist about a man living with two demons. The man has to rent out an apartment to keep the demons fed. The demons who reside in his flat have a knack for possessing and devouring the tenants and he has to go back to renting the flat all over again. This can be set up for some raucous laughs and clever twists on the concept, but sadly “The Landlord” is a lethargic and brutally tedious horror comedy that never scary or funny.
Tag Archives: Demons
Night of the Demons (2009)
I’ll be the first to say that a remake of “Night of the Demons” is pointless. While it is considered a mild classic among horror geeks who remember the video age, that’s about as far as we can go from calling it a classic. It’s a fun party movie. This inane 2010 remake is more brand name exploitation than a remake. Sure it’s called “Night of the Demons,” and features some rather forgettable nods to the original (Diora Baird does a memorable variation of the lipstick-nipple scene, though), but it’s not entirely a remake. In the end though even admirers of the original 1988 horror film (all five of you!) may be able to gladly place this as a companion piece to the original and have some fun with its eighties trash horror comedy style that is never afraid to poke fun at itself but is also never above creeping the audience in to submission.
Supernatural: Beginning's End
A few things about “Beginning’s End” that annoyed the crap out of me. Numero uno: They show the hounds of hell! Why? Why did they feel the need to show us the hounds of hell in their glory when the genius of the character was that we never saw what they looked like or their actual features? Does imagination mean nothing anymore? Numero dos: There’s nothing to be said here that hasn’t been said in the entire run of the series already. Sam is the one who is actually like John. Dean is just a guy trying to live up to his image of perfection and really is the outcast of the family. We knew that. “Beginning’s End” however is a solid mini-series to read.
The Evil Dead (1981)
Sam Raimi’s “The Evil Dead” is a lot like the demonic entities that are featured in the film itself. It’s larger than life, durable, and just can not be brought down no matter what you do. Every single decade has been exposed to the thrills of “The Evil Dead,” and to this day it stands as a horror grindhouse marvel that is so utterly simplistic, yet so damn thrilling. Even in the changing face of gore, special effects and marketing tactics, “The Evil Dead” has become a staple of the genre living on through Beta right in through the new millennium still being hailed as a bonafide classic to be witnessed by people looking for a classic monster movie.
Raimi’s entire career began on the notion that he could implement his talents as a magic aficionado and he achieves a rare feat of horror independent filmmaking in the tradition of George Romero building a lore for himself and also a flagship character. Enlisting the talent of a then unknown Bruce Campbell, Raimi is able to build a competent hero in a horror movie that possesses a final man instead of a final girl, and thanks to Campbell’s ability to over act he makes “The Evil Dead” an entertaining experience bringing us in at eye level as young Ash is forced to watch his girlfriend and two best friends become meat puppets for demonic forces they unleash after listening to a recorded demonic chant in their cabin in the woods.
In spite of the obvious low tech production qualities, Raimi is able to devise a very thematic and moody little nightmarish horror film with some of the best moments in horror history including the infamous tracking shot chasing Ash throughout his cabin as he mugs for the camera and runs for his life, and the (still) disturbing tree rape that continues to stir up some controversy in this day and age. In spite of possessing some rather prehistoric closing sequences, “The Evil Dead” is a creepy little ditty that garners big points for still being genuinely creepy and a royal mind fuck, especially when the screws begin to turn once the demonic forces have been unleashed among these hapless travelers.
The surrounding area of the cabin tend to come to life and become its own character once the demons have been released from their confines and Raimi brings forth the claustrophobic tension and unease we’d see later in John Carpenter’s The Thing, as this unseen force slowly corrupts the likes of every character and we soon watch in wait wondering who among these four people will reveal themselves to be a twisted creation of this pure force of evil and what punishment they’ll inflict on one another when they do show their true colors. And once they do it makes for wicked imagery turning a game of cards in to a fight for life and death, and Raimi even transforms a tragic burial in to a sick game of peekaboo that is adorable when we meet Ash and his girlfriend but is just utterly horrifying when we know she’s been consumed by the darkness and is now just toying with him.
While some of the effects are ancient, the movie still has an indefinable charm to it that guarantees a damn good time even for the most cynical horror geek who creams at the sight of CGI. While the joints are creaky here and there, “The Evil Dead” is in the league of “Night of the Living Dead” and “Jaws” where it continues to be immortal and outlive other horror classics in the face of changing movie going sentiment and horror cynicism. It’s a moody little nightmare worth the watch.
Demoni (Demons) (1985)
If you look at “Demoni” from a critical point of view, then you’re not going to enjoy it too much. Who is the messenger of this whole event? Why does the main character envision him before the whole horror goes down? Why is he handing out invitations? What makes these people so special who have the invitations? Why did he pick these people? What was his goal? Who built this movie theater everyone attends? Who funded it? Was it Satan? Why choose a movie theater to take over the world? Why is this demonic movie that plays in the theater cursed? Why is the prop mask that belongs to the movie capable of turning someone in to a demon? Why, if you want to take over the world, do you hide the prop behind a glass? Is there security in this theater?
My Name Is Bruce (2007)
In the climax of this horror comedy Bruce Campbell who is playing Bruce Campbell is staring down two executives after the screening of his latest horror film and proclaims “The Fans Deserve Better.” I honestly don’t think he believes that anymore. Because for what I’ve seen over the last few years, Campbell is very aware that he is now riding on his cult reputation more than anything and is strictly winging it in terms of entertainment and original horror films. Campbell who has become somewhat of an icon over the decades by making bad movies and appearing in conventions eventually became a joke. Then there’s this 2007 monstrosity that further emphasizes Campbell the joke while also acting as an obvious vanity project that pretends to be for the fans but really feels like it’s for Bruce.
Jennifer’s Body (2009)
At this moment and time I’m still not sure what I thought of “Jennifer’s Body.” I mean it has its high points but in the end I was left completely unimpressed and just all around apathetic to what I’d seen. For one thing I enjoyed “Jennifer’s Body” more when it was called “Ginger Snaps.” Director Kusama’s story of two sister-like friends (who find themselves in a supernatural situation that’s bigger than themselves one of whom is a freak while the other friend is a looker) has already been covered and with much more effective storytelling to boot. That being said, “Jennifer’s Body” is definitely not the worst movie I’ve ever seen, it’s just not going to re-invent the wheel.