Cast aside all PG-13 biases folks, you’ll be glad to know that even with the rating, “Drag Me to Hell” is one of the finer horror movies released this year. It marks a come back for Sam Raimi who finally returns to the genre that made him and reminds us why he’s one of the greats. While gore is always fun, most times horror excels because of good storytelling and Raimi doesn’t dole out the gore, instead opting to tell a very good horror story that hearkens back to “Thinner.” It’s a classic horror comeuppance tale with themes of karma and revenge that takes advantage of old horror tricks without ever really trying too hard to scare us.
Tag Archives: Demons
Dead Fury (2008)
Frank Sudol’s “Dead Fury” is inspired by classics such as “John Carpenter’s The Thing,” “Evil Dead” and most likely “Night of the Living Dead” and as such is a clear homage that notifies the audience of its intentions before the credits even roll. I’m a fan of Sudol’s “City of Rott” even in spite of the general problems it had in the final act, and he follows it up with a surreal and unusually constructed monster in the house story about four friends out on a hunting trip who find… demons? I want to say Demons who act like Zombies. Either way, “Dead Fury” is a film that’s been met with a bit of scorn from critics, but I like it.
Paranormal Activity (2007)
In the days of overexposed, computer heavy FX extravaganzas, horror films that go for a more subtle build of terror are usually dismissed as cheap throwaways that just don’t have the budget to compete with the big studio thrill rides. It’s no secret that the “less is more” philosophy is the independent filmmaker’s best friend, but occasionally there comes along a movie that embraces its sense of mystery and uses a building sense of menace to its advantage.
Beetlejuice: 20th Anniversary Deluxe Edition (1988) (DVD)
Ah if only for the days where saying a line like “Nice fucking Model!” would warrant a PG rating. If only for the days where snake monsters and women smoking through the holes in their necks were considered fodder for the prepubescent crowds. “Beetlejuice” is still mysteriously considered somewhat of a family film, and hell, it’s one I grew up on even in spite of disliking with immense passion.
The Spiderwick Chronicles (2008)
I miss movies like these, fantastic fantasy films that influenced reading without giving us a PSA or shoving religion down our throats. I miss films like “Neverending Story” or “Dark Crystal” that explored a whole world beyond ours without watering down a story. “The Spiderwick Chronicles” is that throwback to the classic fantasy kids films with violence, suggestive language, and edgy action that kept the line between kids film and teen film very very thin. Surprisingly mixed in reviews upon its release, I am saddened that Mark Waters’ family fantasy flick wasn’t more universally embraced as it should have been.
White Noise 2: The Light (2007) (DVD)
I always say that if you’re going to derive from another better and well established concept, you’d better sure as hell do it well. Or do it to the point well it feels unique. The sequel to “White Noise” is a bonafide take on my favorite “Twilight Zone” episode of all time, “The Purple Testament.” Except this time it’s updated to a man who has a Near Death Experience after attempting suicide. When he returns from the dead, he can see white auras around people who are about to die. As well he can also hear EVP’s, and see transmissions of the dead on televisions, and he’s really about to experience something he never thought was possible. “White Noise 2” is by all accounts a superior film to the original, and that’s odd considering the original had so much potential, while this sequel had the odds stacked against it.
Return to House on Haunted Hill (2007)
I just wasn’t a fan of “House on Haunted Hill.” William Castle’s utter masterpiece was turned into a Nine Inch Nails video with rapid fire editing, goofy atmosphere, CGI overload, and terrible acting even from Geoffrey Rush. “Return to House on Haunted Hill” was something I really wanted to give a chance. Thankfully, this is not a sequel in name only. This new installment takes place shortly after the ending of the first film where Sara’s (Ali Larter) sister Ariel discovers she’s killed herself after a mental breakdown, and learns of the house where Stephen Price held his party and allegedly went on a murder spree. Cue plot catalyst. Ariel discovers by a professor that there’s an ancient statue of a satanic cult somewhere in the hill house and he wants it. Lo and behold we have a rival group of relic hunters who also want it and will kill anyone for it.