The Lion Guard: Return of the Roar

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With “The Lion Guard,” you have to keep telling yourself, it’s mainly a show for the kids, and you might be able to forgive some of the mistakes it makes. While it does make the wise choice of somewhat ignoring the lackluster sequels to “The Lion King,” it also adds unnecessary dimension to what was already a complex animated movie. Since the series “The Lion Guard” is touted for kids, I doubt Disney will do much to patch up continuity problems, so you have to decide if you want to acknowledge “The Lion Guard.” This time around, “The Lion Guard” is set somewhere during Simba’s reign and obviously before “The Lion King 2.” As a matter of fact, “The Lion Guard” essentially ignores “Simba’s Pride,” altogether.

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5 Controversial “Star Wars” Developments We Don’t Hate

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For years I wrote off “Star Wars” as another typical classic film I had zero interest in watching until 1998 when sheer boredom gave way to curiosity. Managing to borrow the original trilogy on VHS from my aunt, I watched it in one entire sitting and loved every minute of it. Since then it’s been a very hectic relationship with the series packed with a lot of love, and a lot of bile. In 2015 “Star Wars Rebels” made me realize I still love the series after a self inflicted hiatus, and “Star Wars: The Force Awakens” finally confirmed I wasn’t quite ready to abandon this series just yet. Like any other “Star Wars” geek I have controversial ideas about the series I love and hate, and these are five of the controversial aspects from the whole shebang I don’t hate.

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Twenty Years Later, “Toy Story” Still Works As the Beginning of a Saga

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I was lucky enough to be one of the folks that went to see “Toy Story” in theaters back in 1995 when Pixar premiered their newest animated adventure. It was an amazing experience then, and it is still one of the best movie going experiences of my life. Back then, the very notion of a motion picture completely computer animated was absurd and made people gasp in shock, even when Pixar boasted about creating a large realistic world. Just producing Homer Simpson in computer animation for a segment of “The Simpsons” cost a lot of money and took immense man hours, just think of a movie based around the medium. “Toy Story” is gladly not a film you’d expect to be computer animated since Pixar takes great pains to unfold a world that’s charming, magical, and grounded in enough reality to enjoy.

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Strange Magic (2015)

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Lucasfilm Ltd. and Disney’s “Strange Magic” is another of the many releases in 2015 I was hoping to love going in, but just couldn’t. “Strange Magic” defeats itself before we even reach the second half of its achingly simple storyline, not because of its simplicity and abundantly detailed animation, but because of its constant musical numbers. It’s not enough the characters sing every five minutes, but the musical numbers eventually blur in to one another resembling more droning white noise than characters expressing their feelings. It inevitably begins to feel like the writers are just trying to stretch an hour long narrative in to a hundred minute film.

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Tomorrowland (2015)

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Brad Bird is certainly a fun storyteller filled with ideas about science fiction that’s a welcome break from the normal grim and grit of the modern era, I just wish “Tomorrowland” were a masterpiece. If not, I wish it were more than mediocre. As it is there’s a great movie somewhere in the script, there’s just too much narrative and disjointed writing to really see it rise to the surface and hit a home run. “Tomorrowland” is one of the more entertaining messes of the year. It’s a film that doesn’t introduce its heroine until thirty minutes in to the movie, and completely cuts her out of the equation in the finale. “Tomorrowland” is not a bad movie by any means, it’s just the writing is so scatterbrain and haphazard, I couldn’t really appreciate the whole shebang, in the end; which is sad, because I certainly wanted to love “Tomorrowland.”

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Aladdin (1992): Diamond Edition [Blu-ray/DVD/Digital]

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If there was ever a testament to the magic of Robin Williams, it’s in his portrayal of Genie from “Aladdin.” The friendly Genie has been something of a pop culture facet for decades before “Aladdin,” and what could have been a stock character is transformed in to one of the most inadvertent heroes of all time. That’s mainly because Williams instills a humanity and charm in the magical being that’s impossible to recapture. Even a brilliant voice actor like Dan Castellaneta never reached that pitch that Williams did with his turn as the Genie. Though Aladdin is often depicted as the hero of the “Aladdin,” it’s the genie that’s mainly the hero, because he doesn’t just help Aladdin, but he also keeps him on the straight and narrow, devising ways to prevent the magic of the lamp from corrupting the character.

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Invisible Sister (2015)

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Rowan Blanchard and Paris Berelc are two of the most interesting Disney personalities to come around in a while. So it’s pretty disappointing when they’re teamed up to star in a DCOM that’s pretty limp from the get go. Aside from barely being about Halloween at all, the entire notion of the movie never plays out effectively. The movie struggles really hard to find stuff for characters to do, and when it’s failing at that, it somewhat concoct subtle religious commentary. When it’s not doing that, it creates a series of plot holes that just leave the movie feeling incomplete and incredibly far fetched even for a kids movie.

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