You can’t just put any band on a film and expect laughs. And chemistry and appeal. That’s what happened to “Spice World.”
The directors and creators behind it seemed to basically assume, “Hell, this band is popular, they’re a pop band, they have massive appeal with the male audience, they make catchy music, and they’re British, so they’ll be perfect equivalents to The Beatles.”
And… well… if you saw the movie, you’ll know that the logic behind that theory was slightly eschew.
Director Josh Johnson pulls off an ingenious move with “Rewind This!” Truly, it’s about the age of VHS and recalls many of the fond memories of buying VHS and learning how to enjoy the spoils of the hunt for the perfect Friday night entertainment from your local mom and pop video store. But by the end of the documentary, director Johnson is wise to warn about how personal media and art is slowly becoming impersonal and is gradually breaking from our grasps.
I’m surprised that a documentary titled “Jedi Junkies” about many fans that have a passion for “Star Wars” really seems to hold up its nose at the fandom. There are moments when the documentary wants to idolize the franchise that George Lucas molded, and then veers in to segments where we’re forced to explore the pitfalls of the fandom. There are even moments that seem to revel in exploring how much of a drag being a “Star Wars” fan can be, and how it’s consumed the lives of the people that follow the fandom so devoutly.
“Tigers will do anything for a tuna fish sandwich!”
I first discovered “Calvin and Hobbes” in high school, where a curious glance in to one of their trade collections led to a love for the comic that’s lasted for many years. “Calvin and Hobbes” ended in 1995, but has continued to be an important part of many people’s lives. From fans, to modern cartoonists, Biller Watterson has left a large legacy behind, after “Calvin and Hobbes” went exploring. “Dear, Mr. Watterson” isn’t just a wonderful and insightful exploration in to the popularity of the comic, but why the comic has been so influential, years after its end.
Director David Mech’s documentary about the ins and outs of the porn industry takes on an especially powerful resonance, when director Mech explores the argument of condoms versus no condoms in filming porn. Now in the midst of the 2013 porn industry debacle involving the AIDS outbreak among a slew of porn performers that began after an orgy scene featuring unprotected sex, the segment involving the condom debate will serve as an especially dire and powerful omen. I was never quite aware there was such a debate, but lo and behold it’s an actual issue in the adult industry.
It’s no easy feat to create a new dedication to “Night of the Living Dead” that doesn’t feel rehashed or regurgitated from other documentaries. Rob Kuhn’s documentary had every chance to be just a summary of “Document of the Dead,” but thankfully is a fresh and very entertaining look at the horror film that changed the world. Director Kuhns doesn’t just explore how “Night of the Living Dead” changed horror films, but how it changed the pop culture and American landscape for fifty years after its release.
The team of 1428 Films is at it again, and this time they’re giving Jason Voorhees, the man behind the mask, his due. If folks loved “Never Sleep Again” and it’s extended run time, you’ll be glad to find out that “Crystal Lake Memories” is an exhaustive and lengthy documentary running almost seven hours. This allows for funny, wry, and honest looks in to every single installment of the series. Including the remake. With narration by series star Corey Feldman, “Crystal Lake Memories” traces the series back to when “Friday the 13th” began life as a low budget production at half a million dollars. Thanks to the introduction of Wes Craven’s “Last House on the Left” along with John Carpenter’s iconic “Halloween,” the creators set out to make their own mark with a holiday themed horror film.