Michael Buie’s “The Lake” is a masterpiece of a short film. It’s a beautiful, somber, and heartbreaking look at how the inevitability of our death doesn’t mean we have to stop living life. I sat through the entirety of “The Lake” with a teary eye, mainly because director and writer Michael Buie manages to convey the terror and confusion of being told you’re about to die with pure brilliance. “The Lake” is never exploitative or over saccharine, it’s just about learning to make the most of the time we have in our life.
Tag Archives: Drama
Hellbent (2006)
I give director and writer Paul Etheredge-Ouzts a lot of credit for creating a traditional slasher film with a lot of the conventions turned around for an all gay cast. Every single character in the movie is gay, right down to the psychotic masked killer. Ironically, “Hellbent” does fall in to the traps of conventional slasher films, with people willingly walking in to danger, and a slasher whose origins is completely unexplained. I was disappointed in the latter, as I was expecting a big twist, or at least a link to protagonist Eddie’s past as an aspiring police officer.
The Witches of Eastwick (1987)
The adaptation of John Updike’s “Witches of Eastwick” is an engaging albeit soapy supernatural thriller that uses the idea of witches and Satan as a seductive male coming to something of a sexual war with a trio of witches with immense power. Over the course of “The Witches of Eastwick” he presents an enticing personality that’s despicable but manages to allure the trio of powerful women. The trio submits every essence of inner and outer power to him the more they find themselves falling for him, and obsessing over his sexual charisma. The way I tended to interpret “The Witches of Eastwick” is as a supernatural battle of wills between the sexes, and director George Miller manifests it through a brilliant cast.
Veloce come il vento (Italian Race) (2016) [San Diego Italian Film Festival 2017]
A young race car driver loses her father suddenly. Having no mother in the picture, she becomes in charge of her younger brother when their older brother, an addict and ex-racer himself, becomes their legal guardian.
Based on a story by Matteo Rovere who co-wrote the screenplay with Filippo Gravino and Francesca Manieri and also directed, Veloce come il vento is a touching family drama with a hopeful outlook on things. The film throws many curve balls at lead Giulia as she is trying to win in car racing, but nothing is going to stop her from winning and keeping her family together. The film has its ups and downs and it works well on all fronts. The balance of good moments versus sad moments creates a dynamic storyline and gives plenty for the characters to bond over. The film makes good use of the drama and the few comedic moments and builds itself towards an end that is a touch sad, but also perfect.
Inheritance (2017) [Brooklyn Horror Film Festival 2017]
After inheriting a very expensive house from the father he thought long dead, Ryan moves in with his girlfriend Isi. While trying to figure things out about his father, Ryan finds more than he bargained for.
Writer/director Tyler Savage creates a film that is very low key and takes its time to develop its characters and story. This leads to a slow burn of a film that is deliberate and works for the story. The film is one of those films that will take too long for some viewers but should delight those loving when films take their time and bring the creep factor in slowly and in small doses. This is not a jump scare type of film, but one that works on the psychological level of things. The story is mainly about Ryan and his quest to understanding why his father left him this how and why he stayed silent and away for so long. This is done through calculated reveals and scenes that are created with a great attention to details.
La pazza gioia (Like Crazy) (2016) [San Diego Italian Film Festival 2017]
Two women interned in a psychiatric facility in Tuscany escape looking for a little bit of happiness.
Written by Paolo Virzy and Francesca Archibugi based on a story by Virzy who also directs, La pazza gioia is a lovely story of two women with not much in common coming together to try and find some happiness. Given that both are crazy leads to this being complicated by where they live and their issues as well as how they are viewed on the outside of the facility. These characters are charming even as their issues come to light and they are clearly not completely innocent. Their background is explored in a way that gives a view on mental facility patients that is not all negative. It’s a view on them that is gentle, loving, and caring. The characters are shown as humans first, crazy second. Their goals are like anyone else’s; they just go about things a bit differently. The way the film approaches mental health is refreshing as the story is not at the expense of the patients but respectful of them and their beings. They are fully fleshed characters and not caricatures of their issues, something that brings the viewer in and creates a story that is easily enjoyed while showing how hard life can be for people with mental problems and issues.
You Should Watch “Freakish”
I’m not a subscriber to Hulu but my mom is, and she’s often on the hunt for horror series’, as someone whose own love for horror dwarfs my own. For the last year, she’s been insisting that I check out a show called “Freakish,” a show that she describes as a “great zombie show” and one I’d particularly love, since I tend to have a real weak spot for shows about zombies and the apocalypse. Hell, I am a regular viewer of “Fear the Walking Dead,” “The Walking Dead,” and even love “Dead Set,” so “Freakish” is kind of up my alley.