Iridescence (2017)

Director Max Beauchamp’s “Iridescence” is an excellent short film and one that we desperately need these days. Conveyed through motion, body language, and dance, “Iridescence” is the story of one family torn apart and destroyed by ignorance and misunderstanding. Relying on ace editing by Duy N. Bui and fantastic choreography, director Beauchamp tells the story of the tragic death of a wife at the hands of her husband one fateful night. Years later their son grows up confused about his own sexuality and is struggling to hide his affair with another man from his violent father.

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Red Dawn (1984): Collector’s Edition [Blu-Ray]

I would love to have been a fly on the wall during the pitch meeting for “Red Dawn.” Let’s take some of the most popular all-American teen stars, some of whom are from the Brat Pack and pit them against foreign invaders trying to take over America. Imagine! The All-American brat pack fighting terrorism! No one would dare fuck with Patrick Swayze and Charlie Sheen! People will come in droves! That said, “Red Dawn” is a childhood favorite and one my brother and I watched over and over whenever it was on television. Yes, it’s goofy, and violent, and a jingoistic fantasy, but it’s also a fun, action packed, and interesting concept with its “Rah Rah America!” patriotism heavily steeped in a “What If?” narrative.

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Bloodlands (2017) [FrightFest Glasgow 2017]

An Albanian family with inner turmoil finds itself in the middle of a “blood feud” following a clan reputed to be connected to a mountain witch steals from their business.

Written and directed by Steven Kastrissios, Bloodlands’ story is based in the folklore and traditions of the Balkans with a blood feud creating most of the stress to the characters and conflicts. The film develops as a drama for most of its run time with a few bits and pieces rooted in the horror genre until the epilogue which falls directly and completely in the horror genre. His characters feel rooted in reality while going through hell and back. The family is not perfect, they have issues, they argues, they seem to only by together because they have to or because society says they should at times, which all leads to feeling like a lot of dysfunctional families out there and makes the characters feel real. The father is strong headed while the mother is a gossiper who gets a lot of crap for it. Their kids show interest in leaving their country or at least area which is something most teens/young adults go through. The film shows this family in a true light, with their issues, loving each other warts and all. This family is the root of the film and basically the root of the story in every way possible.

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Ma Vie de Courgette (My Life as a Zucchini) (2017) (New York International Children’s Film Festival 2017)

Courgette (Zucchini) is a young boy who has had a tough life.  His father is gone and his bother drinks a lot of beer.  One day, something happens to his mother and he ends up placed in a group home.  Through learning to trust others with the other kids in the home, he also learns to love himself and others.

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Mighty Joe Young (1998)

It’s really hard to stack up to the original “Mighty Joe Young” which itself was kind of a simpler take on the giant ape tale. While the original remains untouched, it’s really hard not to enjoy the 1998 remake by Disney and director Ron Underwood. While it can occasionally be silly, it’s still a strong new take on the original film with a great cast, great direction and still very good special effects. This new version from director Ron Underwood strays from the original which was kind of a “King Kong” riff, and transforms it more in to a tale of a woman who watches over a humongous ape named Joe. The writers aim to tackle themes about poaching and wildlife preservation within the fun adventure tale, and most times it allows for an engaging tale of friendship and love.

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Channel Zero (2015)

John Nicol’s “Channel Zero” is an unusual but ambitious film that will inspire a lot of avid movie lovers to check out more than once. It’s packed with some heavy ideas and unique themes about reality, and the state of existence, all in the face of what is a pretty vicious prologue and epilogue. Director Nicol has a very striking directorial style that makes “Channel Zero” feel like an absolute nightmare. And though the movie is considerably low budget, director Nicol manages to evoke a world that feels very empty and barren. It’s not very easy to do, especially with independent filmmakers, but director Nicol is able to accomplish that task.

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