Mama (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)

I can see why Guillermo Del Toro would be attracted to a film like “Mama.” While it is a horror film in nature, deep down it is a tragic drama about the power of love and the lengths we’ll go to preserve it. “Mama” is the first fantastic film I’ve seen in 2013, a film about spirits and how immense love can be. After their dad murders their mother in a murderous rage, sisters Lily and Victoria are taken to an abandoned cabin where their father looks to mercifully murder them. There, they’ve found something that is not only intent on keeping them safe, but in maintaining their innocence. Years later, the daughters are discovered much older and in a feral state, clinging to a presence they call Mama. Their uncle Luke and aunt Annabel seek to take them back home and establish a life free from the pain of their original lives. But the girls find it impossible not only to adjust, but to display physical affection toward the young couple. Jessica Chastain gives a strong performance as the unkempt Annabel who finds her loyalties lying with her husband Luke when he fights to take care of his nieces Victoria and Lily, and transforms in to a bonafide mother figure of their very own.

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Defiance

Syfy really wants another “Battlestar Galactica,” since the series itself was one of the most compelling and unique pop culture landmarks in the 21st century. But with “Defiance” I really doubt they’ve caught lightning in a bottle twice. In face one of the main caveats of “Defiance” is that it’s so heavy handed in its pursuit to explore racism and prejudice, that it becomes the bases for the entire series. So far with a two hour pilot movie, and two one hour episodes, as well as a game, “Defiance” has proven to be a well produced, and beautifully constructed science fiction epic that when watched is just… okay. It’s by no means a lemon of a science fiction offering, but I’m not going to be following its mythos any time soon, either. In fact, I had a hard time remembering any of the characters’ names, even after three episodes.

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Ten Reasons "The Body" Is the Best Buffy Episode Ever Made

I’ve had a love/hate relationship with “Buffy The Vampire Slayer” over the years, but whether or not you enjoy the show, you can’t deny it’s had its fair share of incredible episodes, and memorable moments. Even at its weakest, “Buffy” managed to show its teeth as a remarkable touchstone in genre television, while Joss Whedon was able to explore his ability to finish off popular and important characters. In the end, every move had an importance, and the death of Buffy’s mom Joyce had a particular impact on the life of Buffy and her entire group.

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The Vampire Lovers (1970) [Blu-ray]

The goddess Ingrid Pitt roams the European Countryside spreading lesbianism–er–vampirism to hapless farms and mansions as the dreaded Mircalla. Pitt is at her absolute sexiest in one of the most erotic Hammer films ever made. Pitt stars as the buxom and desirable Mircalla who masquerades as damsels and maidens thanks to her handler. Left at the manors of her hosts for weekends, she insinuates herself in to the family, and eventually seduces the innocent taut daughters of the owners of the house, engaging in affairs, eventually transforming them in to her own vampiric minions. Pitt absolutely glows on screen as the irresistible Mircalla who worms her way in to households across the countryside, and takes every chance to romance young daughters whose lives are filled with monotony and suppression.

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Night of the Living Dead: Resurrection (2013)

Every three to four years, a new indie filmmaker thinks they can rise up and give a new flavor or angle to “Night of the Living Dead” and provide audiences with a new look at Romero’s classic horror film. “Night of the Living Dead” remakes are cyclical and the last time we had a remotely fresh take on the film was in 1990, and that’s due to the fact that Tom Savini had help from friend George Romero. Every other rehash since has been piss poor, embarrassing, and just damn unnecessary. How many times can we keep watching the same old story? How many new perspectives can you add? It’s impossible to make the 1968 film feel new and original when the first film mastered it, in the first place. “Night of the Living Dead: Resurrection” only has the illusion of presenting itself as a new version of the Romero tale because the entire rehash is now set in the UK. See? It’s not the same old indie filmmakers trying to upstage Romero, it’s new! In truth thiscan’t stand on two legs since it’s anything but a remake.

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You Have to See This! Reefer Madness (1936)

Reefer! Pot! Hash! Dope! Ganja! Weed! It may be in our country! It may be in our city! It may be in our backyard! Your backyard! It might be raping your dog right now! What? Rape jokes are over the line? Well, what will happen when marijuana becomes the downfall of western civilization? It won’t seem so ludicrous then, now will it? We as good American citizens must snuff out this epidemic destroying our world before it’s too late.  Women cry for it–men die for it! Part of the “Youth Gone Wild” sub-genre of cautionary melodramas from the fifties, this is the woeful story of one young man’s entanglement with the dreaded drug known as reefer, and how it spelled a life of crime for him. After being preyed upon by a married couple that live their lives dealing drugs to teenagers, eventually murder and crime rear their heads.

Tell Your Kids.

“Reefer Madness” came at a time where Hollywood was now enforcing a lot of strict rules and codes for films. And before that film was then like it pretty much is today. There featured drug use, and sexual content, most of which has been observed and collected on DVD thanks to Turner Classic Movies. After 1934, Hollywood had strict rules for movies. One of the most hilarious rules was that no matter what or how contrived, the villain in a movie couldn’t win. In the end, they’d either have to die, or learn their lesson and turn over a new leaf. That’s why in “Public Enemy” James Cagney is suddenly killed in the finale, and it’s why in “The Bad Seed” the film ends on a very contrived note with young Rhoda being struck by lightning and the entire cast coming out to greet the audience and relieve the tension.

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In a perfect world, the movie would have ended on Rhoda’s mother dying in the hospital after the failed suicide attempts, and Rhoda eventually murdering her kind aunt for her precious bird. But alas, “Reefer Madness” is part of the wave. Initially made by a church group to warn of the dangers of reefer and inform god fearing parents about how this odd drug would ruin the world. It begins with a lawyer lecturing a group of concerned parents, urging them to strike down the epidemic, and then leads in to the central narrative device. Director Dwain Esper purchased the film and tailored it to a more exploitative audience, including trashier scenes of young teens using cannabis and partying in to the night eventually giving way to heavily suggestive sexual encounters, thanks to the influence of weed.

“Reefer Madness” is only one of dozens of exploited youth’s movies that were released in the forties to the sixties, which featured horrific tales about young teens giving in to the temptations of sex, drug use, crime, and abortion. Many of those films are also available on DVD releases from companies like VCI, but you can pretty much see them corrupt major releases, as mentioned above. “Reefer Madness” is the vicious tale of a young happy man named Jimmy who gets involved with a dame named Mae and a guy named Jack who happens to be embroiled with a sinister mobster. Mae and Jack, of course, “Lives in sin” since they’re not married, but they’re also conservative enough to sleep in separate beds. Man, these people should be in hell.

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Jack wants to sell to teenagers, while Mae prefers her own crowd. Defiant, Jack uses his connections with the young crowd to hold a reefer party, and Jimmy gets involved with young Blanche, while submitting to the allure of marijuana. When Jimmy’s sister comes looking for him, she is tricked in to smoking reefer and is almost raped. Jimmy, thanks to the weed, hallucinates she is stripping for her attacker and after the two fight to the death, Jimmy kills her attacker, and is pinned for the crimes including the weed dealings, while Jack and Mae attempt to make out like bandits. “Reefer Madness” is not known for its high quality story as most of the writing is anxious to convey a hard lesson about life and the scum that are drug dealers.

While it’s true drug dealers are in fact scum, the notion of reefer being the downfall of humanity is the basis for hilarity, as the filmmakers exaggerate the effects of the drug, and do so with so much laughter that it’s almost embarrassing to consider that anyone took this seriously, even concerned parents. Kids can tell when they’re being lied to and talked down to. The smart kids anyway. I can’t believe anyone, but the most repressed and controlled of Christian youths, took this seriously. That doesn’t mean it lacks cult clout, though. It’s still one of the most entertaining shock movies ever made, and one that exploits the nature of drug abuse rather than warn you of its ill effects.

It will surely garner some healthy laughter from its audience. Ironically, from the ones that love to watch bad movies while stoned. “Reefer Madness” is a film that has cult and kitsch appeal, and is a guaranteed good time for movie geeks who love alternative movies that try to shock the viewer in to believing ridiculous falsehoods that would become a trend later in to the forties and fifties with Youths Run Amok films. It’s a gaff and a half.

Flash Gordon: The Complete Series (DVD)

Man, what the hell happened?

It seemed like such a good idea at the time. The Syfy Channel or The Sci Fi Channel has had a good track record for television series that excelled in epic space adventures with hit shows like “Stargate” and “Farscape.” Plus, they engineered one of the most critically acclaimed award winning reboots of all time, “BSG: Battlestar Galactica” which ended up being an important touchstone for science fiction in the twenty first century.

So what in the heck happened with “Flash Gordon”? Syfy and their executives not only seem to miss the point with these characters of the pulp era, but completely seek out to alter their personas rather than re-invent them.

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