Tag Archives: Drama

The Three Musketeers (1993)

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Many people comment on how Disney took a generally dark and adult novel and watered it down for their audience. To those people, I ask: Have you ever seen Paul WS Anderson’s version of the Dumas novel? If anything, what “The Three Musketeers” lacks in poeticism, it makes up for in entertainment value, at least. And I am a big fan of the casting of Keifer Sutherland as the leader of the Musketeers. Basically, Alexandre Dumas’ tale remains fairly in tact save for one caveat. The Musketeers live happily ever after. But then Disney took “Hunchback of Notre Dame” and turned Quasimodo in to a kind hearted gent with a mild facial disfigurement who becomes the hero of his city in the end of the movie, so it comes with the territory.

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Beautiful Creatures (2013) [Blu-ray/DVD/Ultraviolet Combo]

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When I was finished with “Beautiful Creatures” I was surprised to learn that it wasn’t that bad of a movie. Surely, it takes a while to start up, and the mythos behind the Caster family is somewhat hard to follow, but once you manage to catch up, “Beautiful Creatures” manages to be an entertaining fantasy romance. Normally I detest fantasy films aimed at the only the female crowds, but “Beautiful Creatures” could be for everyone. It has some interesting performances, a great storyline, and some truly creative special effects I had a blast with. There’s even a scene involving two casters doing battle as an entire dining room spins like a top. It’s damn fun, if you’re in the right mindset for this big screen adaptation.

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Cloud Atlas (2012) (Blu-ray/DVD + UltraViolet Digital Copy Combo Pack)

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Re-incarnation links us to one another, there is no free will, we’re bound to one another in an endless stream of dilemmas we’re fated to live out. We can change it if we so choose, but it is incredibly difficult to defy fate. It takes almost three hours to spell out those very messages to the audience, and what a three hours it is. “Cloud Atlas” has a lot of ambition, with a hefty helping of self-importance to add to its genres, but it does very little to convince us why we should care. About anything in this movie. There are multiple storylines, but I never found myself empathizing with anyone really.

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What Dreams May Come (1998)

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It’s pretty shocking that a film meant to be life affirming is probably so depressing it likely drove most of its original audience to suicide. I get that Vincent Ward’s movie about the after life is trying its hardest to assure audiences that no matter how sucky your life is, there are rewards in heaven, but come on. “What Dreams May Come” is by no means an inspirational fantasy film, so much as it is preachy religious hokum that turns the after life in to Middle Earth.

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I Do (2013)

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Director Patrick Rea has a great skill for misdirection, where you think you’re going somewhere in a story, but suddenly you’re in a completely different avenue, plot wise. Patrick Rea delivers another really fine short film called “I Do” that begins like every Patrick Rea movie to date. Something is amidst, and the minute we enter in to the scenario, we want to know what is happening. When we finally do, it’s outstanding.

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Hook (1991)

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Say what you want about “Hook.” Many people do. And many movie fans love it because it’s been a part of their childhood. Those who didn’t have the fortune of watching “Hook” as a child consider the 1991 Peter Pan throwback to be a gaudy Spielberg misfire dripping with sap. By virtue of nostalgia, “Hook” is still great. But as a fan of JM Barrie’s “Peter Pan” novel, and the mythos in general, “Hook” is a solid effort, that still manages to pack in the entertainment at all corners. True, it’s by no means a mastepiece with cloying acting by most of the child stars, and some odd casting. I mean, bringing aboard Robin Williams as the dashing Neverland warrior is still poor casting, and while Williams does his best, the movie suffers with him on board.

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The Lion King 2: Simba's Pride (1998)

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If we had to have a sequel to “The Lion King” I much would have preferred to see the journey of Simba and his rise to king status than another telling of the first film. Truth be told, “Lion King II” is a retread of “The Fox and the Hound” with a further emphasis on Timone and Pumba. Rather than show more of Simba and his heroism, Disney follows suit and goes back to focus on a younger character while also handing half of the sequel over to Timone and Pumba, whose popularity begins to become the important factor in the “Lion King” series. In the end of “The Lion King” we see Simba and his wife have birthed a young cub. In the sequel we find out that–here’s the twist: Simba had a female cub! Named Kiara, Simba’s daughter is exactly like young Simba, except she is hesitant to take up the royal mantle, much like every princess in the Disney mythology.

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