Teeth (2007) (DVD)

Posted on April 29, 2008 by Felix Vasquez

Director Mitchell Lichenstein’s controversial dark comedy is a strong contender for one of the best of 2008 featuring one of the most twisted comedies I’ve ever seen. Though it’s heavily steeped in the horror genre, writer Lichtenstein doesn’t just pose a concept that’s potentially ridiculous, but he takes it and turns it into a rather surprising and brilliant allegory on sex, and evolution. “Teeth” is the antithesis of every coming of age romance you’ve ever seen with a twist of Tim Burton, and John Waters thrown in for good measure. Dawn is the next step of evolution with her infliction of Vagina Dentata, and she doesn’t even know it. In a town with a radioactive plant always present in the backdrop in every shot of the film, Dawn has taken the next step of evolution for women and doesn’t quite know how to deal with it.

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An American Crime (2007)

Posted on April 25, 2008 by Felix Vasquez

Last year I saw the film adaptation of author Jack Ketchum’s novel “The Girl Next Door,” a dramatic thriller based on the infamous case involving a young girl kept prisoner in a basement to be tortured relentlessly by her aunt and cousins. While I absolutely loved the Ketchum film, I was interested to see if it was any better or not as good as “An American Crime,” a festival runner that made considerable waves among audiences, but has yet to be released in America. Determined to seek out most (if not all) of Ellen Page’s prior work, I sought out “An American Crime,” and was surprised to see that it pretty much equaled in quality, and proved how much of a versatile actress Page is and will soon become.

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The Dragon Painter (1919)

Posted on April 25, 2008 by Felix Vasquez

While I would have loved to adore “The Dragon Painter” and the story that unfolds, I can’t say that I did. For a movie made in 1919, Sessue Hayakawa’s film is a wonderful epic with some rather incredible splashes of stark color and sweeping landscapes. Even for a print that’s aged and was nearly lost the picture transfer for “The Dragon Painter” is awfully fantastic with crystal clarity, and an incredible score. Even those who dislike the movie will find some value in the backdrops and set pieces, including Hayakawa’s eagerness to break all stereotypes of the Asian culture.

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Georgia Rule (2007)

Posted on April 14, 2008 by Felix Vasquez

My original thought process going in to “Georgia Rule” was to describe it as nothing more than a two hour sitcom worthy of a local family channel. Filled with every cliché in the book from an eccentric small town, an uppity wealthy socialite, and the local town folks who fill her with a sense of worth, this monstrosity is worthy of every bit of criticism that can be thrown at it. But midway it takes such a confusing stern dramatic direction that it’s just incredibly jarring to sit through. How we go from a big fish in small pond comedy to a Lifetime drama of the week is absolutely ridiculous, but lo and behold, director Gary Marshall tries to pass off the sudden change in this tone, and it’s far from anything resembling seamless or subtle.

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The Ruins (2008)

Posted on April 10, 2008 by Felix Vasquez

Relying more on psychological terror rather than CGI plant monsters, the reason “The Ruins” will get under the skin of most audiences is because Smith prefers to leave the plant terrors as silent sadistic predators that—well—get under the skin of its victims through cuts, and open wounds. These creatures are merciless in their pursuits to chomp on some thirty something college goers revealing some truly shocking abilities to lure prey, and breaking down the hunted through manipulation and classic torture methods.

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April Fool's Day (2008)

Posted on April 1, 2008 by Felix Vasquez

It’s all a practical joke in the end. What? You’re mad that I ruined the twist? Too bad. Now let’s cut the crap here, I’m not going to pretend “April Fool’s Day” was a masterpiece of eighties horror cinema, because it wasn’t. It was boring, bland, and had a climax that was as predictable as it could get. It’s called “April Fool’s Day,” the surprise twist is given off the bat. So when news came that it was being remade, I had a general series of reactions. Anger that they’d be remaking another movie, disappointment that they couldn’t improve on the original, and sheer frustration that it had been geared to the “My Super Sweet 16” audiences now focusing on a group of rich kids. Now as much as I love to see Buffy and Muffy heiress get an axe in the head, this new set up is annoying because it’s pointless. “April Fool’s Day” is a blip on the remake radar and for good reason. It’s a low budget redo by terrible directors, and yes, we’re setting down on some rich folkels.

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I Am Legend (2007) (DVD)

Posted on March 27, 2008 by Felix Vasquez

Francis Lawrence has an incredible eye for details and visuals in all the movies I’ve seen from him. Even his worst movies have some of the best surreal stark visuals I’ve ever seen, and the man knows how to implement CGI to enhance his films instead of rely on them to provide entertainment. I just wish the man made better movies. What’s it going to take for this man to bring us something spectacular? As for “I Am Legend” it’s wholly unspectacular, but without a doubt one of my favorite guilty pleasures of 2007.

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