Tag Archives: E

Excess Flesh (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

Jill moved to Los Angeles to start her career and now lives with her friend Jennifer who she has known for a while. Jill is a bit of a shut in, not finding work, slowly falling into depression. Jennifer is a working model and a party girl who is obnoxious and mean to Jill. Jill keeps trying to get Jennifer to pay attention to her, to be her friend, but Jennifer has better things to do. Jill just wants her friend as she knew her, understanding and supportive. Jennifer is being anything but. As things escalate, Jennifer becomes flat out abusive, sleeps with the man Jill was interested in, and treats Jill like a lesser person in general. The more Jill does to be liked, the less Jennifer respects her. That is until Jill cracks, she breaks down mentally, and goes batshit insane. She chains Jennifer in her room and tortures her more sadistically as her insanity reaches new levels.

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Electrogenesis (2015)

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When Dwayne McDuffie died he left behind a strong and powerful community of loyal “Static Shock” fans, many of whom have kept the character alive long after the series ended. “Electrogenesis” isn’t the best of the fan films about Static Shock, but it’s certainly the most dramatic, and I appreciated its ambition most of all.

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Everly (2015)

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Director Joe Lynch is a true indie auteur. He’s a man who knows how to get around obstacles, and uses his limited budget to bring audiences the entertainment that he wants, and never has it been so well realized than in “Everly.” One of the best action movies all year, “Everly” is a film set in one location with limited scenery, and yet it thrives as a grindhouse, slapstick, chopsocky bonanza that I adored. It’s filled with every single trope that Lynch is seemingly fond of, featuring kung fu, British gangsters, killer dogs, vicious sadists, and the like, all of whom paint the walls red with their own blood at one point or another.

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Escape From New York (1981) [Blu-ray]

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With “Escape from New York,” director John Carpenter once again evokes the western by delivering his own trademark twist of the sub-genre. Through his film he offers up a classic tale of a hero in the badlands while also introducing us to one of the most colorful figures in the Carpenter gallery: Snake Plissken. Plissken is a role only Kurt Russsell could have played, a brooding and rebellious anti hero who is also very cunning and of few words.

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Evil Ways of Love (1972) (DVD)

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This is the story of Andy, a man who was cheated on by his wife. So he got himself a boat called Evil Ways and took to the seas to look for booty. Literal booty of course. While there he comes across a gorgeous blond woman who is keen to his womanizing and helps him invite some partiers to feast lunch meat, and cheap beer while swapping partners. What’s a guy to do? When will Andy stop this hollow existence of sleeping with beautiful women?

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Earth vs. the Spider (2001)

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earthvsspider2001Director Scott Ziehl’s “Earth vs. The Spider” is an often overlooked and extremely obscure film, and for good reason. It’s a relative rip-off of David Cronenberg’s “The Fly,” and let’s face it: There’s no reason to call this movie “Earth vs. The Spider” at all. I fondly remember this being featured on Cinemax here in America in a Stan Winston horror movie showcase. His company rehashed American International Pictures films, but in name only. As is the case with “Earth vs. The Spider,” which isn’t a masterpiece, but isn’t bad for a hokey shamelessly derivative monster movie.

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Exists (2014)

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For audiences that didn’t appreciate the year’s more subtle anti-found footage film “Willow Creek,” director Eduardo Sanchez offers a more action packed and frightening alternative involving the mythical monster. “Exists” is a creepy and vicious found footage horror film with a surprising amount of heart and depth to it, to boot. Surprisingly, director Sanchez works around the found footage gimmick, supplying a score and editing that make the film neater and less like actually found footage. This may irk hardcore enthusiasts of the sub-genre, but it’s a welcome change of pace from the typical format. Especially since Sanchez runs the risks of repeating the same beats from “Blair Witch.”

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