I was born around a time where television was beginning to change. Around the time where I was a kid, television was still all about local programming and whatever movies stations could dig up to fill the time slots, so my brother and I spent many days sitting down to watch horror movies that they just will not show anymore on local television. Many kids today have the internet at their fingers and can access whatever they want, but for people like me and people born much earlier, movies were an event, and one you stopped your day to focus on. Horror hosts died with the changing face of television and what with the censorship and corporate stranglehold of American television, all charm and enthusiasm has been lost in a sea of stale programming meant to sap dollars and not entertain.
Tag Archives: E
Eaten Alive (1976)
I’ve always said that If you want nihilism and unabashed filmic carnage, you need to look no further than “Texas Chainsaw Massacre,” but Tobe Hooper’s “Eaten Alive” as a follow up almost reaches the heights of pure carnage that his first outing did, but “Eaten Alive” is a film that will properly divide audiences. “Eaten Alive” has a definite potential to it that’s never quite realized what with an irritating uneven pace, and a nonsensical story not to mention that unnerving feeling that this may as well be touted as a sequel to the former. The main downfall is that itching feeling you get that Hooper originally intended this as a follow up and that’s what keeps “Eaten Alive” from ever getting off the ground.
The Easter Bunny Is Comin' to Town (1977)
So I sat here trying to think of reasons why I liked “The Easter Bunny…” and then after about three hours of sitting still and looking into a wall, I realized that I was being a little too easy on Rankin Bass. Even in this day and age, there’s a certain charm to Rankin Bass and their stop motion creations. “The Easter Bunny…” has a great visual sense with character designs and pastels that are aesthetically pleasing and rather appealing to the eyes, and they’re always nothing short of superb when providing special effects, even considering the time these movies were made.
Epic Movie (2007)
It’s sad that the days when a spoof showed potential of pure brilliance or cult standing are long gone and now usher in nothing but incredibly awful or mediocre movies that assume spoofing is done best when satirizing the scenes and not the ideas. “Epic Movie” is the next step in the evolution of this sub-genre where you can see the writers getting collectively lazier with each title as the years pass.
Elvis: That's the Way It Is (1970) (Two-Disc Special Edition DVD)
For Elvis fans of all kind, “That’s the Way It is: Two-Disc Special Edition” will bring about some truly good supplements, including two version of this documentary. You received the original 1970 theatrical edition, and the 2001 Special Edition, which is twelve minutes shorter, but visually restored. Elvis is pretty much like The Beatles, they’re both instantly identifiable, household names, difficult to resist, and made impacts on music that no one could ever re-capture. Pop and Rock stars will come and go, but there is only one Elvis, and the concert film “That’s the Way It Is” proves that, once and for all.
Elizabethtown (2005)
I always try to give my favorite directors the benefit of the doubt. Regardless of their work, I always try to give them the benefit of the doubt. What’s so wrong about a dude who met a chick, and the chick helped the dude learn how to live his life, and now the dude has a different outlook on life than the dude before him? Nothing. Nothing! I’ve been that dude, I’ve met that chick, and I say more, Cameron, more, dude! Cameron Crowe is not all about the pimple dick man being helped by a strong woman, it’s a young man learning about life from a special woman. I love that. As for Kirsten Dunst, the melon head is an actress I rather enjoy. In her high points, and utter low points, the woman is easy to look at, and easy to endure.
Evan Almighty (2007)
It’s typical of Hollywood. You take probably the only entertaining aspect of the last Jim Carrey movie that was basically thinly veiled religious propaganda about the pressures of being God, and how much people depend on you, and you expand upon it until it stops becoming funny, and then pretty much just run it into the ground with even more blatant religious propaganda and preaching than the first installment. Steve Carrell plays Evan Baxter, the obligatory antagonist from “Bruce Almighty” who is now a US Congressman. As he moves his family to Washington, and discovers his congress duties are interfering with activities with his needy wife and spoiled children, God comes knocking at his door forcing him to build him an arc. What happens if Evan refuses? Well, God pesters, and annoys, and the pretty much just frightens him at every turn with his insurmountable power. That’s God for you. Do what he says or you die.