Available in on 2500 Limited Edition Copies, Cult Epics has released the ultimate in nunsploitation double features pairing two of the most iconic nunsploitation films of all time “School of the Holy Beast” and “Behind Convent Calls” together, and attaching a new restoration along with fantastic features for all collectors. “School of the Holy Beast” is the definition of the nunsploitation sub-genre. It’s a wonky, surreal, and demented piece of Asian drama with some of the most memorable moments I’ve ever seen in the Grindhouse motif. Most importantly it has an odd sense of humor that make it worthy of many laughs, but ones that will assuredly be of the uncomfortable sort.
Tag Archives: Exploitation
Nun of That (2009)
I really should not have loved this as much as I did. In all honesty, I sat through “Nun of That” thinking I should rightfully despise every minute of this, but… I didn’t. In the end, “Nun of That” is a hilarious, action packed ode to nunsploitation and the grindhouse motif that fuels an otherwise ridiculous, over the top action bonanza. There’s a nun in a club stripping before she eliminates a full house of Italian stereotypes, a martial arts Jew assassin who chucks deadly Stars of David and a razor edged yarmulke, there’s Ghandi teaching Sister Wrath how to fight with demon ninjas, and there’s Jesus Christ who engages in a musical number that is shockingly memorable and catchy. All of which is played with deadpan insistence from its sharp cast who seem to truly enjoy being in this movie.
Nude Nuns with Big Guns (2010)
Director Joseph Guzman’s ode to the grindhouse devices of the seventies is an admirable and often times entertaining take on nunsploitation while also delving in the realms of sexploitation, and revenge fare. Ever since “Grindhouse” indie directors have constantly attempts to mimic the same gloss and nods Tarantino and Rodriguez strived for and–as I’ve seen–many indie directors have pulled it off. Some of them, like Guzman, do it even better than the alleged master filmmakers ever did. Because unlike the former pair, the indie directors have little to work with, and must rely on creativity where budget fails. “Nude Nuns with Big Guns” is not so much a nunsploitation film as it is a Southern fried take on Bo Arne Vibenius’ classic “Thriller a Cruel Picture.”
Amy's In the Attic (2010)

Never prone to just staying in one comfort zone, director Matthew Saliba invokes the likes of Tinto Brass and Jess Franco in what is one of the more disturbing and despicable pieces of grindhouse fare I’ve ever seen, a short cinematic offering from director Matthew Saliba a man who has dabbled in the realms of torture, misogyny, and revenge before, but with “Amy’s in the Attic” he takes it to a new extreme dabbling in the shadows of fetish, swinging and slavery with a practice in human cruelty as juxtaposed with sexuality that leads down a path that will really affect his viewers and loyal fan base. Even I found myself cringing in some instances, especially in a big reveal during the big sex game that ensues with this group of swingers.
Machete (2010)
Robert Rodriguez proves with “Machete” that his and Tarantino’s little experiment entitled “Grindhouse” was much more of a failure than fans originally suspected. While both of their original films were basic flops at the box-office, Rodriguez is given another shot with “Machete” a film that began life in popularity as a mock grindhouse trailer before “Planet Terror” and eventually became a feature length film. And much like most of Rodriguez’ films, he takes what could have been an amazing premise and turns it in to a scattered, confusing, and muddled piece of action cinema that throws a host of characters at the screen, all of whom he can barely keep up with at one time.
Ticked off Trannies with Knives (2010)
Try as you might, I guarantee you you’ll never find another movie like “Ticked off Trannies with Knives” ever again. You’ve seen what men can do when they’re out for revenge, you’ve seen what women can do when they’re out for revenge, but never have you seen a movie centered on transsexuals who have had enough gay bashing and abuse and decide to band together to wreak havoc on their tormentors. And for that, Israel Luna’s horror thriller gets a bonafide recommendation mainly for his willingness to expose folks to the sub-genre now defined as transploitation where a group of tormented transsexuals and drag queens band together with their own phallic symbols to mutilate anyone and anything that gets in their way and makes their lives pure misery.
Sorority Babes in the Slimeball Bowl-O-Rama (1988)
Spider: It’s too bad we had to kill her. I really liked the outfit she had on.
Full Moon’s 1988 cult film is something of a hideous movie that will make many cringe, roll their eyes, and have fun just the same. Admittedly “Sorority Babes” has something of a nostalgic value as I can still fondly remember watching it on late night cable in the nineties trying to figure out what in god’s name this movie was. Finally being able to grab a copy, I now know why “Sorority Babes” isn’t going in to the film registry any time soon. Obviously, it’s not a good film, but it surely is a film that’s so bad it’s really damn good.


