I never had the pleasure of riding the famous Disney attraction but I know enough about it to understand the particulars of the story and its appeal. After the somewhat awful 2003 attempt with Eddie Murphy, Disney takes another crack at adapting one of their most iconic attractions. In the end it amounts to a very entertaining and heartfelt horror comedy that I imagine will allow for a good gateway for budding horror fans. I won’t proclaim it as a masterpiece, but when all was said and done, I was so much more satisfied than I was with the 2003 first attempt.
Tag Archives: Family
National Lampoon’s Vacation (1983): 40th Anniversary Edition [4K UHD/Digital]
I think one of the reasons why Clark Griswold is so famous is that he’s basically the every man. He’s the man who is tasked with giving his family a good vacation even though he’d rather be home. He’s obligated, and the further he goes forward the harder it becomes to give up and go back. “Vacation” is the prime National Lampoon’s road trip movie where it’s anything but the norm from this sub-genre. Harold Ramis depicts not just a middle lower class family’s attempts to go on vacation, but for Clark Griswold to use it as a moment to savor his family.
“Primo” Has Potential to be a Family Sitcom Classic
“We’re gonna fill this house with joy or I swear to God I will slit all of your throats.” – Drea
Shea Serrano’s “Primo” is probably one of the better TV shows I’ve seen all year, and in a period where we’re flooded with new series, “Primo” stands out. Serrano’s series is a classic single camera family sitcom in the tradition of shows like “Modern Family” and “Blackish,” except “Primo” revolves around a contemporary Mexican family. This family in particular is unusual but tight knit, and often times they manage to be their own worst enemy, more than their best ally. But that’s all apart of what makes “Primo” such a great , funny series. And at eight episodes clocking in at a half hour each, it’s also a very easy watch.
I Am T-Rex (2023 release)
A young T-Rex is living the life in the valley with his father, the king of the valley. Soon, they find themselves in trouble and his father dies, so he goes on an adventure, meets some friends, and comes back to save the valley from bad guys.
Heroes of the Golden Mask (2023)
Inside “Heroes of the Golden Mask” there’s a great film desperate to bust out. It has a cool concept, some solid animation, and a neat mythology behind it. It’s just once you get down to the nit and grit of the narrative and some lingering plot holes, it never rises above being just average. It’s definitely a direct to video kind of animated movie better suited for basic cable, despite its best efforts. That’s not for lack of trying, though. Director Sean Patrick O’Reilly has a large career in producing budget animation. He and Arcana Studios have helped engineer titles such as “The Steam Engines of Oz,” and the mildly amusing “Howard Lovecraft and the Frozen Kingdom.”
Spider-Man: Across the Spider-Verse (2023)
While “In to the Spider-Verse” demonstrated Stan Lee’s philosophy that anyone can be Spider-Man, and anyone could be a hero, “Across the Spider-Verse” is an exploration of the hero’s biggest mantra. “Spider-Man’s” core philosophy has always been that with great power, comes great responsibility, and with the follow up to the immensely successful “In to the Spider-Verse” we garner a look at the fallout from the abuse of massive power, and how it can corrupt even the best of us.
The Little Mermaid (2023)
After the disappointment that was “Peter Pan & Wendy” I was hopeful and optimistic about the remake of Disney’s “The Little Mermaid.” I say remake because Disney has not bothered to really deviate from their successful formula. They haven’t borrowed from Hans Christian Anderson’s original story, but instead just remade their classic animated version from 1989. “The Little Mermaid,” despite my utter optimism and enthusiasm for it is yet another dull, assembly line repackaging of one of their classic interpretations that’s given a new coat of paint and is extended, for some reason. Because nothing signals “sophisticated” than making a movie longer–right? That makes it Oscar worthy–maybe? Simply stretch every nuance and sincere moment from the original animated movie and Bob’s your uncle.