Tag Archives: Fantasy

Madame Web (2024)

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In Sony’s quest to maintain the Spider-Man trademark, they continue milking whatever character from his universe that they can, no matter how irrelevant or nonsensical they may be. In the now established “Don’t Say Spider-Man” Spider-Man Movieverse, S.J. Clarkson directs what is essentially “Donnie Darko” but with a heavy theme about Spiders. The writers do everything they can to allude to Spider-Man and Peter Parker but, I’m assuming because of contractual stipulations, not once do we ever get to see Peter Parker or Spider-man, nor do we ever hear his name uttered. Uncle Ben does play a big role, though, because he is not canon in the MCU.

It’s all so tricky.

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Turning Red (2022)

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Will be in Limited Re-Release on February 9th; will be preceded by the Sparkshort Kitbull. Check Local Listings.

You gotta give it to Pixar, when they decide to do something new, they approach it head on and go all the way. Although subtlety was never their strong suit, here “Turning Red’s” one big noticeable element is that it’s about as subtle as a brick on the head. With Domee Shi directing, “Turning Red” is a decidedly very Asian flavored coming of age film that’s drawn in the style of anime and Manga.

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Brave (2012)

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It’s shocking how well animated “Brave” is. Brenda Chapman and Mark Andrew’s action drama is filled with an immense scale packed with Scotland terrains as far as the eye can see. “Brave is also packed with great animation featuring our hero Merida’s hair which was intricately narrated for her specific character. All of the ballyhoo about the wonderful animation is all for a narrative that’s—fine. It’s a fine movie. It’s a perfectly mediocre, often confusing movie packed with such a wonderful and brilliant animation style.

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The Sacred Cave (La Grotte sacrée) (2023) [FIAF’s ‘Animation First’ Film Fest 2024]

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FIAF’s ‘Animation First’ Film Festival runs from January 23rd through January 28th.

Directors Daniel Minlo and Cyrille Masso’s “The Sacred Cave” have a lot of interesting lore to put forward for fans of animation, and with their feature film there are so much of the concepts about courage, and importance of family and culture embedded in the classic hero’s journey. The pair of directors knows exactly what kind of movie that they’re delivering, though, as they convey the classic tropes through a unique setting that we rarely see in modern mainstream animation. That should be a catch for animation buffs looking for something different.

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Marie (2014)

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Director Alfredo Tanaka’s short film is more about the experience and technical prowess he presents than about the narrative. The narrative, to its credit, feels a lot like some kind of contemporary folklore that breaches the ideas about tragic love and living up to the wealthy and elite. “Marie” is a weird and absolutely bizarre movie, but one that works well thanks to the pretty great direction, top notch editing, and just bang up make up effects.

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Moana (2016)

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I dare say that not only is “Moana” a better film than “Frozen” but the music is better. I know that’ll leave many aghast since “Let It Go” is a massive earworm (I personally prefer “Love is an Open Door”), but I think “Moana” is so much more well rounded and catchy. Everything from “How Far I’ll Go” and “You’re Welcome” don’t just contribute to Disney’s legacy of catchy traditional music, but they also do their job of establishing characters so much better. I loved “Frozen,” but I think “Moana” has a more cohesive pacing and interesting narrative.

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