Venom: Truth in Journalism (2013)

ryan-kwanten-truth-in-journalism-e1375355228345With “Truth in Journalism” director Joe Lynch proves that he’s not only a wonderful indie filmmaker, but that he knows how to add flavor and originality to a popular property. This time it’s a comic book property, and one that’s been iconic since the late eighties.

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Mortal Kombat (1995)

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After cribbing from the Cronenberg filmmaking handbook in “Event Horizon,” director Paul WS Anderson took the reins of the popular fighting game “Mortal Kombat.” A precursor to his handling of another popular genre game “Resident Evil,” director Anderson handles the adaptation of “Mortal Kombat” much in the way studios enjoy it. He takes a controversial, volatile, and violent video game, and transforms it in to a PG-13 action romp for teenage boys. With “Mortal Kombat” director Anderson almost gets it right. Close but no cigar.

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Return of the Jedi (1983)

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While “Return of the Jedi” has its legions of fans, it’s also a film that helps support the idea that third parts of film series are usually terrible. While “Return of the Jedi” is not the worst movie ever made, it’s a flimsy, and pandering final installment to a series that started off quite well. It’s very well documented that by the time “Return of the Jedi” came around, director George Lucas was a millionaire thanks to merchandise, and he used “Return” as a means of selling even more toys. Thus characters come back through contrived manners, villains are offed in the goofiest ways, and Lucas follows up his dark and mature “Empire Strikes Back” in favor of a more watered down film starring knee high teddy bears.

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Peggy Sue Got Married (1986) [Blu-Ray]

Things didn’t quite turn out well for Peggy Sue. She spent most of her teen years alienating her parents, and running around with Francis Ford Coppola’s creepy nephew, and grew up to be a very bitter divorcee whose only good friendship is with her daughter. Now appearing at a high school reunion, she has to face her old friends and her ex-husband who is now a creepy business man. After collapsing at the reunion, Peggy Sue awakens to find herself a teenager once again.

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Hansel & Gretel: Witch Hunters (Unrated Version) (2013)

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Hansel & Gretel: Witch Hunters” is the best “Evil Dead” sequel we never got. It’s a fast paced horror action hybrid with witches that are monstrous, powerful, and absolutely disgusting. To offset their frightful appearance, Hansel and Gretel are there to stomp on their heads and provide merciless deaths while providing biting bon mots. “Hansel & Gretel: Witch Hunters” channels Sam Raimi in many ways; I almost expected Ash to jump out from the woods at some point yelling “Yo, She-bitch!”

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Dragonworld (1994)

While Charles Band and Moonbeam films tend to be silly on occasion, they’re hardly ever bad. “Leapin Leprechauns” was goofy but fun and while “Dragon World” can be occasionally silly, it’s kind of a fun film in its own right. It’s a version of “King Kong” that doesn’t really opt for violence, so much as it tries to tell a story about friendship. Director Ted Nicolao obviously has little budget for the film, so when we see the film’s creature Yowler the Dragon, most times it’s only just his head and most of his neck. On long shots it’s claymation super imposed over live action footage.

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Teen Beach Movie (2013)

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Deep down, “Teen Beach Movie” feels like a loving and affectionate tribute to Ex-Mouseketeer, the late great Annette Funicello (to which the film is dedicated to). The gorgeous and talented actress spent her early years on the Mickey Mouse Club winning over the hearts of young boys, and then moved in to some of the most pulpy and celebrated surf movies. Those movies like “Beach Blanket Bingo,” and “Muscle Beach Party” featured a lot of music, simple plots, and were a celebration of surfing. With Frankie Avalon, Funicello gained immortality. What’s even more surprising is in many respects, Maia Mitchell resembles Annette Funicello. When she begins puffing her hair with her pigtails, and transforming in to the movie, she’s almost a living embodiment of the lovely young Funicello. The movie was being filmed before Funicello passed away, so perhaps it’s just all one big coincidence. Or perhaps it’s just serendipity.

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