While I love Bruce Timm, and while I appreciate him bringing DC out from the stone age and into modern times, he basically ruined the Superman series, and never realized it to the full potential it was capable of. Timm, a hardcore fan of batman, relegated Supes to secondary character, and when he actually focused on Superman, he never really understood what the character was about. Even in the “Justice League” series, Timm always tried to push Batman into the center square and downsize on the Superman character. So you can imagine my sheer ease when the announcement for the new Superman animated movie would not feature Timm on board.
Tag Archives: Fantasy
The 4400: Season Premiere
Two hour premiere June 11th
Season Premiere on June 18th
The obscure, but apparently popular series returns once again to the USA Network with much anticipated season three on June 11th. I’ve never seen this show, nor have I ever sought it out in spite of its unique plot. But “The 4400” a mix of “Taken”, and utterly shameless elements ripped from “X-Men” rejoins the story once more as the government is seeking to warn America about the potential war about to brew with humans and the 4400, while they incorporate themselves into society with obvious supernatural powers such as telepathy, and underwater breathing.
X-Men 3: The Last Stand (2006)
My antipathy and scathing skepticism at the fact that FOX would hire hack Brett Ratner to direct one of my favorite comic book franchises of all time hasn’t exactly been a secret for all this time. I hated the fact that Ratner was given resources to potentially destroy my beloved storyline, and I was not looking forward to this. Even with the fact that Ellen Page was cast, I didn’t find anything worth being impressed about with Ratner’s alterations of the series I loved. “X-Men: The Last Stand” is supposedly the “last” film in the X-Men franchise; of course all the fans know its complete bullshit. “The Last Stand” is the final film in the “X-Men” franchise like “The Final Chapter” was in the “Friday the 13th” franchise.
Stephen King's Desperation (2006)
I mean sure, “The Stand” had many biblical themes to it, and I don’t hold that against it basically because it’s my favorite television movie of all time, and my favorite King mini-series, but that’s because it never used the biblical themes so blatantly before. I have to say “Desperation” is one hell of a disappointment. It’s a cheesy, ridiculous, and utterly un-scary practice in babbling, that actually required a considerable amount of effort to sit through. After weeks of anticipation and excitement, I finally tuned in and basically zoned out by the second hour. If there’s any indication that producers have run out of material for Stephen King min-series, it’s “Desperation”.
Bewitched (2005)
Nicole Kidman’s career has become a constant bipolar example of choices in film that really should be examined. Kidman can pull in a rousing performance in one film, and then oddly appear in a really bad film the next. She can go from brutally sexy Ingrid Bergman, to numb skulled Lindsay Lohan in mere minutes. And that’s why she’s become a gamble in Hollywood. And Will Ferrell is no saint, either. I’ve never seen two people so devoted to doing damage to their careers before. Are they talented? Sure, but stupid choices deteriorate a great career. Would it have been so bad to remake “Bewitched” directly? I ask you. I mean, a remake at all was incredibly questionable and unnecessary, but that’s just moot. No, a direct remake would be too obvious. Let’s do a satire on Hollywood. No one has ever done that before! Right…?
Millions (2005)
Danny Boyle puts the usual cynicism he injects in much of his films on hold, for a Spielbergian fairy tale of greed, wealth, and saints. Boyle’s tale of young boys whom fall upon an enormous amount of money is often times a very sweet and bright film very much in the vein of “The Treasure of Sierra Madre” sans the violence. Boyle’s departure from darkness is a rather unique and well done story of greed and emptiness. In usual fashion, Boyle unusually goes from red eyed infected monsters, to two brothers coming of age with a million dollars. Well—it’s not really a million dollars, it’s more like thousands, but the fact that the two main stars describe it as millions adds to the charm.
Audition (Ôdishon) (1999)
I don’t know what to say about “Audition”. For a film that’s rapidly become a standard viewing for the horror genre, I’m just dumbfounded. Why hasn’t the mainstream noticed Takashe Miike yet? I mean fully noticed. This man is a genius. He’s not just some director giving us gore, gore for no damn reason (*cough*EliRoth*cough*) but a man who provides the gore as a way of expressing his story. “Audition” is one of those films. It’s a reflection of Miike’s sick mind, a man who twists his audience in so much directions, that you leave feeling violated and stunned. With “Audition” I was offended, I was shocked, and I was stunned.