David DeCoteau’s low budget 1988 cult film “Sorority Babes in the Slimeball Bowl-O-Rama” is one of my all time favorite video store gems, and the follow up to it has been in the works for almost thirty five years, oddly enough. I don’t know if we really needed a sequel, but nevertheless we have “Sorority Babes in the Slimeball Bowl-O-Rama 2” as brought to us by director Brinke Stevens.
Tag Archives: Fantasy
Thor: Love and Thunder (2022)
One of the things I loved about “Love and Thunder” is that Taika Waititi holds true to the message that Stan Lee held for his heroes. Anyone can be Spider-Man. Anyone can be an X-Men, and in “Love and Thunder” anyone can be a mythic hero. While it does in a sense take away value from the concept of Mjölnir, the concept behind “Love and Thunder” is a wholesome one, one that celebrates its audience of children and inspires heroism in the vein of virtue and morality and less on revenge or malice.
Black Panther: Wakanda Forever (2022)
Ryan Coogler’s “Wakanda Forever” is not the sequel we expected, it’s not the sequel anyone expected, especially with the untimely death of Chadwick Boseman. His loss left a gaping hole in film, and left sadly a budding franchise without its lead. “Wakanda Forever” takes the chance to not only act as a sequel to “Black Panther” but also act as a meditation on the ideas of grief, mourning, and the cost of losing those that we dearly loved in our lives who were important to many.
Nope (2022)
“Nope” explores the idea of fame, and sensationalism among other things. Much of “Nope” involves Haywood and Emerald looking for that one big shot that can acquire dreams of wealth and notice. But when they contact an acclaimed wildlife filmmaker, he warns that sometimes fame is “a dream you can’t wait up from.” Keke Palmer and Daniel Kaluuya are wonderful in their respective roles as a pair of ranchers anxiously trying to keep their family’s ranch afloat after the inexplicable death of their dad (Keith David has a welcome cameo). Fate inevitably comes knocking down their doors, as they begin witnessing strange phenomenon in the skies.
Pinocchio (2022)
Disney continues their latest studio motto of remaking and sequelizing everything that they’ve ever produced. The last being the horrendous “Lion King” CGI remake. Of course the Devil’s Advocate will explain that “Pinocchio” is more of another adaptation (one of three in 2022!) of the 1883 tale, but it’s a remake of the 1940 animated movie. Every character look like their animated counterparts, right down to Tom Hanks as Geppetto. God love Tom Hanks, he certainly tries his best here, and even does his best with the musical number he’s given. But it’s all an uphill battle for a lot of what is established here.
Black Adam (2022)
Black Adam was created was created in 1945 by Otto Binder and C. C. Beck, and first appeared in the debut issue of Fawcett Comics’ The Marvel Family comic book. When he was bought by DC Comics, he remained mostly a third tier super villain, appearing every now and then as an adversary to “Shazam!.” Because, that was what was supposed to be his purpose; He was supposed to be the anti-Shazam, the villainous magic wielder that constantly did battle with Billy Batson.
Avatar: The Way of Water (2022)
After the startling success of “Avatar” James Cameron spent almost two decades crafting a sequel. It’s a sequel that is—well, it’s basically “Avatar” all over again with his blue Thundercats. Except it has water. That might seem like I’m undermining the movie but I’m really not. Everything is essentially the same, save for more characters. Cameron injects the same clumsy themes about war, capitalism, racism, the fragility of the environment, and the oh-so-noble savage; except now he’s able to introduce his love for the ocean too.