I have to admit that I’ve never been a fan of “Doctor Who.” If you talk to our resident contributor William Garcia, you’ll find a Doctor Who fan who surpasses every other Doctor Who fan before him. But me as a casual viewer found Doctor Who thanks to the Sci Fi channel here in America who broadcast the entire series every week. I was never a fan before so I went into it with a general ignorance on everything associated with the universe and found it entertaining. I thought Billy Piper was a cute heroine, I liked her charm and courage, and I thought she was a great pairing with Christopher Eccleston, my original lure to the series.
Tag Archives: Foreign
Anita: Swedish Nymphet (1973)

When you get right down to it, sure, “Anita” is sexploitation, and sure in many occasions it can be pure smut, but, and this is a giant but: “Anita” can also be quite entertaining. Very much in the vein of films like “Black Snake Moan,” Wickman’s drama porn is not just a display for Christina Lindberg and her gorgeous physique, it’s an interesting study in the habits of nymphomaniacs, and the misery that can arise from sex and sexual acts when it’s made out of sheer impulse and not pleasure. Sixteen year old Anita is a girl with so much psychosis that she’s hopelessly addicted to sex and really has no grasp on restraint or discretion when it comes to getting what she wants.
The Snow Queen (2007) (DVD)
One of the appealing aspects of “The Snow Queen” that instantly won me over the unorthodox atmosphere present within this fantasy world. Director Julian Gibbs never quite opts to provide a set and strive for a period piece, instead he makes a noticeably unrealistic set piece and alters it enough to make the world of “The Snow Queen” from the impoverished village to the winter wonderland look like a moving painting as done from a surrealist of a sort. The pastels and shades to “The Snow Queen” are so utterly appealing to watch, and while I could notice the CGI, I absolutely loved what Gibbs was going for with this.
The Orphanage (El Orfanato) (2007)
Too often we’ve found films that some great director is presenting and too often we’ve been let down, disillusioned and left to wonder why said director would approve of such a horrible title. This is thankfully not the case with “The Orphanage.” Executive Producer Guillermo Del Toro, currently the best director in modern film, presents a film that’s very much in the gamut of the man’s past titles. “The Orphanage” has the touch of Del Toro all over it, and like the previous films, Bayona’s supernatural drama is a wonderful tale about innocence lost, and children ravaged by cruelty.
Hostel: Part II (2007) (Unrated Director's Cut) (DVD)
When “Hostel Part II” failed to burst from the starting gates at the box office, there was many an interesting developments. The torture fad had officially drawn to a close with “entertainment insiders” lamenting the death of said fad that polluted theaters, horror geeks worried about the fate of hardcore gore filled horror films, and Eli Roth pretty much blamed everyone but himself. He blamed the bootleggers, he blamed critics, he blamed the studio, and hell, he warned of the death of R rated horror if his film did poorly. To date, two R rated horror films have been hits in the box office. The explanation toward the lethargic pacing of “Hostel Part II” at the box office can be summed up in a short sense. It was merely a retread of the first.
KillerKiller (2007)
Karma is a bitch and many times the manifestation of payback can provide some truly blood drenched results. “KillerKiller” is not a horror film that started off on the right foot with me. The audio was pretty crummy and the story began like a typical slasher film, but as the story progressed, “KillerKiller” won me over. Not only is it a great little horror film, it’s a great survival film, and a very good branch off the “strangers in a house” sub-genre tree that soon becomes a fascinating glimpse at predator and prey formulas. In Higgins’ slasher mystery, the victim is the murderer and soon the killers will make for the body count. A horror movie of this gamut with such a low budget would usually fall flat on its head, but thankfully it doesn’t.
The Killer (Dip huet seung hung) (1989)
Chow Yun Fat is probably one of the best action stars I’ve ever come across, and the thing I love about John Woo is his utter ability to bring the best out of Fat, regardless of the film. Woo’s crime drama “Hard Boiled” is similar in many ways. It’s about a hardened killer with demons outrunning a rebellious cop, but that’s not a caveat in any sense. Because at the end of the day “The Killer” is a rather fantastic piece of crime cinema that really warrants its place as a masterpiece. I’m sad to say I never gave Yun Fat too much of my attention in the past, but thanks to a friend passing along “Hard Boiled,” I’m suddenly very interested to see what else this man has up his sleeves.

