
When you get right down to it, sure, “Anita” is sexploitation, and sure in many occasions it can be pure smut, but, and this is a giant but: “Anita” can also be quite entertaining. Very much in the vein of films like “Black Snake Moan,” Wickman’s drama porn is not just a display for Christina Lindberg and her gorgeous physique, it’s an interesting study in the habits of nymphomaniacs, and the misery that can arise from sex and sexual acts when it’s made out of sheer impulse and not pleasure. Sixteen year old Anita is a girl with so much psychosis that she’s hopelessly addicted to sex and really has no grasp on restraint or discretion when it comes to getting what she wants.


Too often we’ve found films that some great director is presenting and too often we’ve been let down, disillusioned and left to wonder why said director would approve of such a horrible title. This is thankfully not the case with “The Orphanage.” Executive Producer Guillermo Del Toro, currently the best director in modern film, presents a film that’s very much in the gamut of the man’s past titles. “The Orphanage” has the touch of Del Toro all over it, and like the previous films, Bayona’s supernatural drama is a wonderful tale about innocence lost, and children ravaged by cruelty.


Even though “Azumi” was clearly adapted from a quite visual fantasy comic book, that doesn’t mean it lacks any of the emotion or complexities it attempts to inject within its epic scale. “Azumi” is quite possibly one of the most visually amazing samurai epics I’ve ever seen. From sweeping landscapes, to rather fantastic battle sequences, Kitamura’s film is a pure gem to watch, and the long run time makes it all the more rewarding experience, because it will be difficult to turn away from and watch end. Filled with colorful characters, memorable villains (Saru is my favorite: played well by Minoru Matsumoto), and a wonderful heroine, “Azumi” is the tale of a young girl discovered by the side of her mother’s body. Taken in by a sympathetic wanderer and his three sons, she grows to be a powerful samurai warrior in a dojo led by her master.