A man who receives very little acknowledgement for his hard work decides to get things to change by kidnapping a young woman and holding her captive until he sees results to his plans. Unbeknownst to him, things are about to take an unexpected turn or two. Evil Games is written and directed by the mind behind 2016’s White Coffin, Adrian Garcia Bogliano. Here he builds another kidnapping story but with much different characters and reasoning. In Evil Games, the story is seen from the kidnapper’s side as he takes the time to build his story, his background, and his reason for doing this before getting to the kidnapping itself.
Tag Archives: Foreign
Black Sabbath (I tre volti della paura) (1963)
Boris Karloff is deliciously spooky as the narrator who unfolds a trio of stories in Mario Bava’s immortal “Black Sabbath*.” Each tale involves people whose demons come back to haunt them in one way or another. Mario Bava is excellent in depicting various shades of terror, devoting bold and stark palettes of colors to each segment that add to the EC Comics vibe that Bava inadvertently conveys. “The Drop of Water” is the best and arguably most iconic of segment in horror movie anthologies, involving the classic comeuppance of a grave robber. In the early 1900’s, nurse Chester is called to a large house once owned by an elderly woman who was also a medium. After the elderly woman dies while seemingly in a trance, Nurse Chester arrives to discover the gruesome visage of the woman and helps to dress up her corpse alongside her incredibly terrified house maid.
Suspiria (1977)
Dario Argento’s “Suspiria” is easily one of the greatest horror movies ever made. It’s one of the very few horror movies I can call perfect, and I rarely ever do that. Argento’s horror film about a ballet academy with a hideous secret is a marvel for the eyes, the ears, and for horror audiences that enjoy brain food with their cinema. Jessica Harper is excellent as young Suzy, a ballet dancer who travels to Germany to attend a very elite ballet school. Upon the surprising realization that she hasn’t been allowed to enter the school thanks to a late entry, she is surprisingly allow to attend when a student is mysteriously and gruesomely murdered in her apartment. Suzy immediately begins to become attuned to her surroundings, and finds her environment within the militant and unusual ballet school most unsettling, to the point where she begins to fall ill, and experiences unusual events.
The Last Pinoy Action King (2016) [Horrible Imaginings Film Festival 2016]
Filipino cinema has its own culture and during its action heyday, actor Rudy “Daboy” Fernandez was one of the biggest, if the not THE biggest action star the country ever saw. The documentary explores his films, his fame, and his life. It also explores action cinema and cinema in general in the Philippines at the time of his rise to fame and his reign on action films. Documentary co-directors Andrew Leavold and Daniel Palisa, who previously made the Filipino cinema documentary The Search for Weng Weng put together a very informative piece on a beloved actor.
The Windmill Massacre (2016)
Known as The Windmill Massacre or the The Windmill depending on the country and release, this supernatural slasher set in Holland follows Jennifer who is running from her past and goes on a tour of the countries beautiful windmills. Once in the countryside, the bus breaks down and the passengers start getting picked off one by one. Director Nick Jongerius creates an effective slasher with a twist written by Chris W. Mitchell and Suzy Quid, based on a story by Jongerius. The characters here are varied which gives the film an edge over the usual slashers where high school or college students are the only one being picked off.
Animated Shorts Block [Horrible Imaginings Film Festival 2016]
Dad’s Fragile Doll (Iran) (2014)
A young girl uses imagination to mentally work through her family situation. The film by Ali Zareghanatnowi has an interesting animation style that looks like moving sketches. The style is visually appealing but can become too much in scenes with more action, which is unfortunate. The film shows the horrors that humanity can do and how a young girl uses the power of imagination to help herself. This short shows that imagination liberates you, frees you of your cage, of your oppressor. The use of dolls and animation as surrogates for reality brings forth the message and the emotions.
Demons 2 (Dèmoni 2) (1986)
Playing October 29th in a double screening with “Demons,” at the Anthology Film Archives, NYC [Tel: (212) 505-5181]. “Demons 2” star Coralina Cataldi-Tassoni is set to appear and present both films. Check theater times and ticket prices here.
Lamberto Bava and Dario Argento bring us quite an interesting universe where all elements of their narrative and concept tend to transcend reality and common sense and the realities kind of intercept one another. In either case, “Demons 2” much like the original, is a film where you basically buckle up and take the ride without picking apart too much of the ideas. When dissected nothing makes much sense, but it’s at least a fun tour through some genuinely fun shocks and creative moments of horror cinema. Unlike the first film, “Demons 2” lacks the novelty of the movie theater setting. Wherein the original had demonic forces infiltrating a safe haven for movie lovers, director Bava and producer-writer Dario Argento confine their victims to a locked down apartment complex.