When you consider the cultural context behind “Deer Flower,” director Kangmin Kim’s short animated film is an interesting if horrific look at remedies from the East. Told through what essentially looks like origami, “Deer Flower” is a stark and pretty unusual tale about a family seeking a cure for their son’s ailment. Traveling a long distance and paying a lot of money, they take their son behind a farm, where a reindeer is held down by a machine and has its antler cut.
Tag Archives: Foreign
The Short Films of Ithaca Fantastik 2016 [Ithaca Fantastik 2016]
As only a few short films were seen, here are mini-reviews for each of these titles.
Curve (Australia) (2016)
A young woman wakes up sitting on a curved surface, clinging to it for dear life. This short is very simple in concept, yet possibly one of the most grim and dark short seen this year. There is not clear, or unclear, way of the situation this young lady is in and signs are accumulating that others did not have any luck in her position. Written and directed by Tim Egan, the film has no dialogue and only one character, making the most of its location and the situation the character is in. The star, Laura Jane Turner, gives a very good performance and keeps the viewer on the edge of their seat as she tries to get in a better situation. The film is grim and her performance suits it well, showing desperation and a need to survive.
K-Shop (2016) [Ithaca Fantastik 2016]
Following his father’s death and an accident with a client, Salah starts down a revenge path against racists and those who have wronged his father and himself. Written and directed by Dan Pringle, this vigilante-horror film delivers plenty of vengeance and bloody violence with some original ideas on how to get rid of the bodies. It has themes that will hit close to home for some such as racism, familial duty, wanting for a better life, etc. Of course, what makes the film interesting is the less than common (and advisable) path the lead takes towards his goals. His vengeance is violent, bloody, and rather merciless.
Terror 5 (2016) [Ithaca Fantastik 2016]
In this Argentinian horror film, multiple tales crisscross and overlap, creating a whole that shows chaos in a city. Students torture teachers, party goers discuss snuff films, a couple is being spied on in a motel room, men standing watch have an interesting night, and mourners meet creatures in a cemetery. Written by Sebastian Rotstein with collaborative writer Nicolas Gueilburt and co-directed by Sebastian and Federico Rotstein, Terror 5 works these 5 stories together and interconnects them in a way that makes the whole work. The characters are varied but mostly young people, most likely to appeal to their demographic and for parts of the story to make more sense.
Kammati Paadam (2016) [Ithaca Fantastik 2016]
After a friend’s frantic call, Krishnan returns to his childhood and teenage years’ village to find his friend and what happened to him. Through a series of flashbacks, their lives are shown through school age, teen years, early adulthood, etc. With a script written by P. Balachandran with collaborative writing by Ajithkumar and G. Sethunath and directed by Rajeev Ravi, the film weaves back and forth through time showing more and more of lead Krishnan’s live as well as his friends and love’s lives. The way the years are mixed together with different actors for only a section of them requires one to pay attention to film as only details such as more white hair show the time passing. Even with this, the film is fairly easy to follow until the search for Ganga really heats up and more characters are added.
Miruthan (2016) [Ithaca Fantastik 2016]
In the small town of Ooty, India, a toxic spill transforms people into blood-thirsty, fast running, wire-stunt performing zombies. Director Shakti Soundar Rajan takes a fairly typical zombie story, mixes in an unrequited love story, a dash of political observation, a Bollywood musical number, wire-stunts, and a good sense of humor about the whole thing to create a zombie film that doesn’t feel like it’s just hitting the tropes and its marks mechanically, it’s fast paced and fun while adding a special touch to its subject. The idea of mixing Bollywood style film with zombies might not seem like an obvious choice but here it works of course, the humor being quite on point adds to this and to the enjoyment overall.
The Handmaiden (Ah-ga-ssi) (2016)
Park chan-wook is no stranger to delivering some of the best character studies that also pack a sense of sexual perversity, and pain within its seams. “The Handmaiden” is one of his most epic in scope dramas that also manages to be one of the most erotic romances I’ve seen in a while. “The Handmaiden” is pure ambition that succeeds in delivering something of a labyrinthian narrative of crime, salvation, and romance that begins as a simplistic drama. It takes a brilliant artist like chan-wook to handle a film that morphs in to various themes and experience various tonal changes without it completely falling apart, but Park chan-wook handles it by making each new turn around the corner absolutely suspenseful.