Tag Archives: Horror

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The Bootleg Files: Der Januskopf

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BOOTLEG FILES 794: “Der Januskopf” (1920 unauthorized version of “Dr. Jekyll and Mr. Hyde” directed by F.W. Murnau).

LAST SEEN: When it was theatrically released.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Murnau did not clear the rights to the Robert Louis Stevenson source material.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Excellent, provided that someone finds a print of the film.

In the early 1920s, the great German director F.W. Murnau made back-to-back horror films based on popular books from his era: “Der Januskopf,” based on Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” and “Nosferatu,” based on Bram Stoker’s “Dracula.” There was just one problem: Murnau never bothered to secure the rights to these books and tried to get circumvent copyright laws by making slight adjustments to their respective stories and changing the names of the characters.
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Honeycomb (2021) [Slamdance 2022]

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It’s always thrilling when you can see the beginning of what you hope will be a long, seasoned career of filmmaking. Avalon Fast is a filmmaker that has immense promise, and it’s fascinating that she delivers a movie that’s so jarring and unnerving, and absolutely original. Director Fast has a great habit for making the audience uncomfortable, opening the film on a weird portrait of a woman in a honeycomb, and then contrasting it with the image of innocence with one of her characters lying along a serene field. From there, it only escalates.

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The Bootleg Files: Ouanga

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BOOTLEG FILES 793: “Ouanga” (1936 horror film starring Fredi Washington).

LAST SEEN: On Vimeo.

AMERICAN HOME VIDEO: On cheapjack public domain labels.

REASON FOR BOOTLEG STATUS: No one is rushing to get it into home entertainment release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: The film has been restored, but no one is rushing to put it out on Blu-ray.

Fredi Washington earned a degree of cinematic immortality for her startling performance as Peola, the light-skinned Black woman who is repeatedly thwarted in her attempts to transcend the racial barriers of Jim Crow America by passing for White in the 1934 classic “Imitation of Life.” This was truly a once-in-a-lifetime role for Washington, both in terms of the quality of role and the exposure it afforded her – at a time when Black women in Hollywood studios were either cast as maids or nightclub singers, Washington found no offers to score a dramatic encore.
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Boris Karloff: The Man Behind the Monster (2021)

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For the generation that cut their teeth on classic Universal horror movies, Boris Karloff is, was, and will always be the definitive Frankenstein monster. What “The Man Behind the Monster” seeks to do is act as an appetizer for the aspiring horror buff who hasn’t quite been lucky enough see much of Karloff’s work. Karloff was a man who was powerful on-screen even in to his old age; “The Man Behind the Monster” explores the powerful actor, and his tumultuous career that survived through political controversies, and the Hays Code.

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Back Rooms (2021)

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“Back Rooms” was born from the digital age, among the 4Chan and Creepypasta realms. It’s a pocket within our world that is completely cut off from the rest of what we could rationally consider reality. It is a series of endless rooms and hallways that stretch for a nigh infinite space, all of which are typically a noxious yellow, completely void of any life, and filled with the annoying, deafening hum of florescent lights. I’m only vaguely familiar with the meme of the Back Rooms, but it’s been widely circulated and explored much in the vein of other digital legends like the Slenderman and Sirenhead.

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