Blood Fest (2018)

I admire the cut of “Blood Feast’s” jib. It aspires to be an all out horror comedy gore fest that celebrates horror movies, and in many respects, it succeeds. I even forgave it for ripping off “Cabin in the Woods.” It’s just even when you shut off your brain, “Blood Feast” is bogged down, and ultimately defeated, by its insanely far fetched climax, and abundance of plot holes. I suspect audiences will leave this movie trying to connect the gaps in logic, more than celebrating its odes to “Saw,” “Night of the Living Dead,” and the fun cameo by Zachary Levi. Seriously, what was up with that? “Blood Fest” has a good idea in its corner it just has no idea how to cleverly deal it out for the movie audience.

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Lifechanger (2018) [FrightFest 2018]

A shapeshifter is running through bodies faster and faster and must take extreme measures to keep surviving or let go of his own self.

Written and directed by Justin McConnell, Lifechanger is an exploration of mortality, letting go, love, and what people are willing to do to keep going without changes and what they are willing to accept to keep their lives on their preferred path. While the film is a horror film at its core, the story is about much more than the simple kills and shapeshifting, it’s about taking over lives, making one’s own life. The way this is approached creates a story that is easy to follow even with the switches in lead person and the multiple storylines. The film keeps everything in order and easily understandable. As the story advances and the lead narrates the story, the reasons for it all become clearer and they are not just for survival.

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Upgrade (2018) [FrightFest Film Festival 2018]

Technology has taken over most aspects of life with human function seemingly being the last realm it needs for full assimilation.  After an attack, Grey Trace finds himself widowed and quadriplegic.  In order to find how did this to his wife and himself, he is willing to go to great lengths and risks.

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Ahockalypse (2018)

Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.

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Santa Jaws (2018)

If you think “Santa Jaws” sounds bat shit nuts and bonkers, then you’d be correct. I don’t typically check out Syfy original movies anymore but what with “Santa Jaws” I had to give it a fighting chance. It’s not often we get a Christmas themed killer shark movie, that’s also a movie about reclaiming the Christmas spirit. No seriously, that’s what “Santa Jaws” is about. “Santa Jaws” has its large tongue firmly planted in its cheek and at no point considers itself a serious horror movie in the vein of “Jaws” or even “Piranha.”

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The Tingler (1959): Collector’s Edition [Blu-Ray]

“The Tingler” is one of my first introductions to William Castle and the art of his theatricality when it came to horror movies and making them an experience. As a kid, “The Tingler” and “House on Haunted Hill” were constant rotation at my home, and I loved how Castle’s films sucked you in. To this day I remember being very riveted in the brief moment during “The Tingler” where the movie breaks the fourth wall asking you, the audience, to scream loudly to avoid being attacked by—dramatic pause—the Tingler!

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