The Top Ten Grooviest Moments from “Ash vs. Evil Dead”

Well it’s done and sadly, this is probably the last we’ll ever see of Ashley Williams. Despite fans wanting more from “Ash vs. Evil Dead,” Starz! Verified that the series was officially cancelled after three seasons, and Bruce Campbell confirmed that he’s hanging up his boom stick and chainsaw as Ash forever. It stings to know Ash won’t be back in live action form at least, but you know what?

On the bright side we got three whole seasons of a great series. “Ash vs. Evil Dead” continued the movie series, paved new roads for the series, introduced new deadite fighting heroes we can root for, and never held back on gore, grue, and deadite chopping action and comedy. Thanks to Sam Raimi and Bruce Campbell for giving fans a last hurrah for Ash Williams. Hail to the King.

Here are ten of my favorite moments from “Ash vs. Evil Dead.”

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Blumhouse’s Truth or Dare? (2018)

“Truth or Dare?” is a movie that feels like it belongs in 2005 where Hollywood was churning out abysmal remakes of mediocre Japanese horror movies. And that’s what it felt like I was sitting through. It feels like somewhere there’s an original Japanese version of “Truth or Dare?” that’s sadly not even very good, either. “Truth or Dare?” comes from Blumhouse which is usually great about releasing bold and unique horror movies. Even when they land with a thud, their cinematic experiments usually have potential to impress. “Truth or Dare?” wants to be this modern tech iteration of “It Follows” and “The Ring.” With a competent director and writer, this could very well have been a haunting story about the damaging effect of secrets, trauma, and how we never quite know the people we love.

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Killer Klowns from Outer Space: Special Edition (1988) [Blu-Ray]

I’m not entirely sure why, but I hated “Killer Klowns” when I was a kid. And I say this as someone who loved “Spaced Invaders.” That said, watching it years later, it’s shocking how great “Killer Klowns” is as much as it is creative. You can tell “Killer Klowns” is working on a tight budget, but it’s also obviously spending every single penny meticulously to work toward the movie’s benefit. While the film isn’t perfect, “Killer Klowns” earns its cult classic status as a very unique horror comedy. It’s creative, it’s funny, it’s delightfully gruesome and you have to love that theme song.

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Ghost Stories (2018)

“And it was going so good too.” That’s my initial reaction to the third act of “Ghost Stories” which feels like one gigantic cop out of a finale. You can reason that the creators wanted to introduce these esoteric ideas that come colliding, but I felt like “Ghost Stories” just ran out of ideas and just stopped trying. I’m also not a fan of the underlying message about how lack of belief is linked to being some kind of bitter individual with a horrible life. Either way I imagine the finale to “Ghost Stories” will be a very polarizing element in the horror movie world in 2018. I think some horror fans will defend its radical approach while others will lambast it for trying way too hard. I’m in the latter category. I didn’t buy its self important morality play.

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Mohawk (2018)

Ted Geoghegan’s “Mohawk” is stellar and a very timely commentary on colonialism, manifest destiny, and the last gasp of what would become a slain race in the middle of a pointless war in 1814. “Mohawk” has a very unusual aesthetic to it, approaching audiences with a unique score, some great digital photography, and a tone that’s right down the line between horror and action. It has a lot to say about the unfair and cruel destruction of the Native American race, with an enemy we all have learned about but still known very little thanks to revisionist history.

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