I’ve always been a fan of movies that examine how deaths can affect the ones we love and how it can create a pretty significant ripple. “Suck It Up” is a bit of “Garden State,” and “Ordinary People” mixed with mumblecore here and there. While I appreciate director Jordan Canning’s efforts to create this drama about how the death of one of the more important people in their lives affected them drastically, the script from Julia Hoff seems to be almost bereft of drama to the point where scenes just stretch out in to nothingness. There are a lot of really drawn out moments where almost nothing happens. In brief scenes where Canning tackles the dynamic between our characters Ronnie and Faye, “Suck It Up” presents only slight glimmers of an emotional character study.
Tag Archives: Indie Film
Fucking Bunnies (2016) [Sundance Film Festival 2017]
Director Teemu Niukkanen’s is a dark and demented comedy about living in a place where pretty much anyone can move in next door and how we can rush to judgment too often and brush off some pretty nice people. Thought it’s only a short film, “Fucking Bunnies” could work as a hilarious and twisted feature film about the uneasy friendship between two very different men. Raimo is a middle-aged Finnish man living in the suburbs in an apartment complex in Helsinki. He’s a very settled and tightly wound man who lives his day of monotony joyfully. One day when the new neighbors move in next door, he learns that they are a cult of Satanists that indulge in orgies, and sadism.
Meow (2017)
Chris Jopp’s short horror film feels like a lost segment from “Cat’s Eye.” It’s a nice and fun horror tale about fate intervening and coming to rescue of someone who didn’t know they needed rescuing. Samantha just moved in to a new apartment in a new town and has to deal with an overbearing mother who insists in calling her every chance she gets. What worse, is that she also has to deal with a very intrusive and overly attentive landlord who insists that pets are not allowed in the building.
The Axe Murders of Villisca (2017)
Two teenagers involved in ghost hunting plan to go to the Villisca house where, in 1912, a family was murdered by an axe wielding maniac. When a charming female outcast joins them, the three of them decide to go into the house after hours and do their own tour and investigation where they discover something worse than the usual for this kind of house. Written and directed by Tony E. Valenzuela based on a story by Kevin Abrams and Owens Egerton. The story is based on a true case from 1912 which is still unsolved. To bring it to modern day settings, they use the story as a starting point for teenage ghost hunters to go investigate.
Attack of the Lederhosen Zombies (2017)
Most horror fans agree by now that most creative minds have pretty much tapped the zombie well dry, but that doesn’t mean there aren’t a lot of filmmakers still trying to reinvent the wheel. “Attack of the Lederhosen Zombies” does not re-invent the wheel and probably won’t change anyone’s mind on zombie movies, but for devotees of the sub-genre, there’s a lot of fun to be had. There’s some good music, a brisk pace, and a different setting beyond the typical country farm house or city back drop. Two snowboarders head out to the Swiss Alps with their manager Branka to film a publicity video for their corporate sponsor. When snowboarder and slacker Steve botch’s the filming altogether, the trio are left on the mountain, stranded.
Quadrangle – A Short Film by Amy Grappell (2013)
Director Amy Grappell digs deep in to her childhood and touches upon a part of her young life that normally might hurt others or inspire discomfort. In 1969, Amy Grappell moves from Brooklyn to Long Island with her mother and further. Both parents were struggling with their own marriage and were working hard to stay together. After meeting another couple at a local beach club, both her mother and father Paul and Deanna eventually found kindred spirits in Eleanor and Robert, both of whom were also struggling with their own marriage at the time.
Pitchfork (2017)
I can’t help but appreciate the inherent ambition behind the production of “Pitchfork.” Director and Writer Glenn Douglas Packard delivers a slasher film that offers the classic tropes, while also feeling like something completely different. He also manages to concoct a premise that’s actually original and doesn’t feature the same old idiot teenagers looking to party who get stranded or whatnot. He actually sets out to deliver a unique premise, and gives our characters their own motivations. It’s also not often we get slasher movies with final boys, but “Pitchfork” creates one who is not only genuinely heroic, and selfless, but facing his own dilemma when we meet him.