It’s really sucky that Wesley Taylor and Alex Wyse’s horror comedy “Summoning Sylvia” is one of the genre gems that audiences seem to be sleeping on. I say that because “Summoning Sylvia” is everything you can want in a horror comedy. Not only does it adhere to the classic supernatural movie tropes, but it also subverts them by unfolding a very heartfelt narrative with richly developed characters. While a film like this could have served the fully LGBTQ cast as stereotypes, directors and writers Wesley Taylor and Alex Wyse introduce these characters one by one and then smash our pre-conceived notions.
Tag Archives: LGBTQ
“Grease: Rise of the Pink Ladies” Carries the Torch of the Classic Movie Well
Like it or not, “Grease” is now a universe, and it has its own extended timeline that begins with “Rise of the Pink Ladies” and ends with “Grease 2.” That’s not particularly bad thing, especially if you loved “Grease” as much as I do–even though I’ll never budge on “Grease 2.” I still consider that movie to be immensely awful. As for “Rise of the Pink Ladies,” it’s a very good prequel series. It’s flawed, sure, but at the end of the day, it might achieve its goal of bringing in a new generation of fans. The majority of “Grease” was spent mainly following around the T Birds and focusing on their struggles with rival gangs. Although the Pink Ladies are there a lot of the time, there isn’t real emphases on their whole group dynamic.
“Rise of the Pink Ladies” ventures to explore the origins of the female gang and why their members take the name so seriously.
Heathers: The Musical – Live at The Other Palace (2022)
How do you take one of the most twisted, yet perfect dark comedies from the 1980’s and make it even better? You turn it in to a musical, apparently. I didn’t know there was even a “Heathers” musical up until about two years ago when snippets of the music appeared on social media. Although I loved the original 1989 Dan Waters dark comedy (it’s a childhood favorite), I was more than open to seeing what the musical had in store. In fact, I was quite optimistic, when all was said and done.
Leather Archives & Museum Announces New Film Series “Fetish Film Forum” March-December 2023
The Leather Archives & Museum is thrilled to announce Fetish Film Forum, a new monthly screening series about non-normative sex, relationships, and art. These ten erotic films spanning nine countries and six decades are visceral explorations of fetish, kink, leather, and BDSM, kicking off in March with the whimsical Sundance winner Secretary (2002) and concluding with nunsploitation stunner Cristiana: Devil Nun (1972) in December.
Screenings are March-December, 2023, held the 3rd Saturday of the month at 7pm at the Leather Archives & Museum (6418 N Greenview Ave, Chicago, IL), and post-screening discussions are included with all screenings. Tickets can be purchased in advance through the LA&M’s website and cost $10 per screening, or $8 for LA&M Members with an active membership. A Season Pass to see all ten films costs $80 for General Public, or $70 for LA&M Members. General Admission tickets include a 30-day membership to the LA&M.
Requiem (2021)
A film like “Requiem” is just begging to be turned in to a feature, as I think a lot of the whole Salem Witch Trials is capable of interesting stories. “Requiem” is not so much a tale about the Salem Witch Trials, and how it became a scapegoat for hate, repression, and homophobia.
Juniper (2022) [CINEJOY 2023]
Director Katherine Dudas’ drama “Juniper” is a powerhouse film, one that thrives on being a wonderful character study and an excellent take on grief. “Juniper” is one of the many films of its kind involving thirty something adults, and a weekend where all the secrets are aired out, but Dudas accomplishes such a great task of making it feel so fresh and new. “Juniper” is that kind of slice of life that really fleshes out its array of characters to suck us in to the situation that our main character finds herself in.
The Park (2023)
This is one of the first times I went in to a movie without getting what I expected, and coming out of it satisfied. “The Park” is not a movie that necessarily breaks the mold, but it works within its simplistic and small budget and cast to create something of substance. While most dystopian movies opt for “Apocalypse Porn,” Director-Writer Shal Ngo opts instead to use the end of the world as an allegory for growing up.