Re-watching “Lunch Break” reminded me what a joy it was to watch the first time, experiencing a short mock documentary centered around the working class and their reliance on big corporations to get by and support their family. John W. McKelvey’s short film is about something, and in the midst of a really bad repression where everyone is losing their jobs and working for basically nothing, “Lunch Break” holds a deeper social relevance now than it did five years ago. People are at a point where they’re sacrificing everything from their personal happiness to their dreams just to get a paycheck and survive another day, and “Lunch Break” has a resonance to it that reaches toward the audience or anyone who has ever been in a rut at a dead end job.
Tag Archives: Mock Documentary
Alive in Joburg (2006)
The success story behind “Alive in Joburg” is one of the many interesting successes of the indie culture. Director Neill Blomkamp created this short mock documentary film in 2005, gained a cult status, was later expanded into a feature length film becoming “District 9,” gained worldwide praise from critics and genre fans, won many awards and eventually became a contender for best picture in the Oscars. It’s an astounding tale of a humble indie production turning in to a rather fantastic masterpiece.
Cabbie (2009) (2nd Cut)
Back in 2007, director Donlee Brussel submitted a film to our website called “Cabbie.” It was a short comedy about a cabbie played by Steve Gelder who approaches his job with passion and a stiff tongue in cheek attitude. The movie was less than watchable up viewing the short. Two years later, Donlee Brussel has taken his original twenty minute short comedy and reduced it to fourteen minutes with a heavily edited final product that has a more definite and even tone as opposed to the last cut that needed some drastic work on the comedic atmosphere and storytelling. Was this second chance worth it from Brussel? Honestly no.
Amateur Porn Star Killer 2: The Snuff Version (2008) (DVD)
There’s a distinct difference between Shane Ryan’s movie version of “APSK 2” and his snuff version. One version is a safe and pretty clear fictional mock documentary chronicling Brandon and his ever devious quest to punish women. The other version, the snuff version, has much more balls. This is Shane Ryan’s original vision and more importantly, this is the actual director’s cut that dares to be much edgier and dynamic with its premise. While I completely understand the inevitable hot water Ryan would have gotten in to if he’d continued to pull the “fact or fiction?” gimmick with his “Amateur Porn Star Killer” movies, I really think in the end, it took something away. The constant reminders that this is fiction pretty much ruin any hopes of being sucked into the narrative. Sequels are hardly ever really good and frankly, there doesn’t seem to be a need for another from the Alter Ego flagship series, but “Amateur Porn Star Killer 2” is thankfully good enough where you can put your reservations aside to enjoy what Ryan puts on the table for us.
The Devil's Music (2008)
I’ve been interested in much of what Jinx Media has supplied horror geeks over the last few years. Say what you want about independent horror movies, but there are studios out there trying for originality, and Jinx Media seems to be accomplishing it for the most part. First there was “Killer Killer,” which I found to be an utter blast, and now the UK based studio brings “The Devil’s Music.” Pat Higgins’ mock documentary, a film that will completely bring down audiences guards presuming to be one thing and then progressively transforms into a horror movie. Surely, it’s one of the finest indies of 2008, with production values that are immaculate. Everything from the mock concert performances, to the talk show interviews is shockingly genuine, and the story of Erika Spawn is even better.
Diary of the Dead (2007)
Romero has given his fans something to take to the grave with them, with five films that are generally contradictory and controversial phenomena. There was “Night” and “Dawn” which are still basically debated and adored, the once despised, but now appreciated “Day” and the rather sub-par “Land,” all leading into “Diary.” Romero’s newest output is a confusing fascinating beast. Never has one of his films completely divided fans before, and admittedly it’s a monster worth observing. It’s both despicable and brilliant, it’s hideous and yet quite apt. “Diary” continues splitting fans that both despise it and adore it for the very same reasons. But is Romero really just the observer here?
Amateur Porn Star Killer 2 (2007)
Whether I liked the movie or not, I was very hesitant about the prospect of “Amateur Porn Star Killer 2,” because I think the first movie worked perfect on its own as a standalone event. We here at Cinema Crazed love the dudes at Alter Ego, but we do not hesitate to express disdain at curious film moves and call someone on their bullshit. “Amateur Porn Star Killer 2” has a great visual flair about itself and really seems to build up to something eventually explosive that I found difficult to turn away from. Remember, I was very cynical and almost unwilling to give this a chance for fear this would be just a rehash, but alas, I ended up really liking it in the end. “Amateur Porn Star Killer 2” meets our previous killer and voyeur Brandon who has now moved on to yet another victim in another city. What Ryan seems to strive for with both films is to get us infatuated with these women somehow getting us to sympathize for this killer when he finds he’s infatuated with them. Michiko Jimenez was a gorgeous and innocent young girl who was surprisingly sexy and in a sense Ryan seems to idealize the character setting her up for this fall which ends as a harsh blow to the audience.