Tag Archives: Mock Documentary

Anneliese: The Exorcist Tapes (2011)

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In 2006 when The Asylum’s “Halloween Night” was released, the studio claimed the film about a mental patient that crashes a Halloween party and begins slaughtering the guests, was based on true events because at the time there were reports of a mental patient on the loose and for a moment they were sure the patient snuck in to the party only to be assured he wasn’t. That’s their reasoning for calling something a true event, so I expect the same amount of circular logic and convoluted reasoning from Asylum’s spin doctors for proclaiming “Anneliese: The Exorcist Tapes” completely and one hundred percent true in footage when it becomes painfully apparent from the opening that not only is the film one hundred percent staged, but about as poorly acted as any other Asylum farce to boot.

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Lensing with Love: Interview with Documentarians Stephanie Silber & Victor Zimet, Part Two

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How has the reaction been toward your documentary “Random Lunacy”?
Stephanie:  That’s a good question, and one we’re constantly asked.  People tend to be polarized by the extreme life that Poppa lived with his family; they seem either to get it or not.  There is often a very angry reaction from people, while others are completely enamored, blown away by the notion of such absolute freedom, which of course comes with its own price.

I do think there is a middle ground – we cannot all live completely outside of the conventions of society as the Neutrinos so successfully did, but we can adapt some of the philosophies to our own lives, and be the better persons for it.

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Lensing with Love: Interview with Documentarians Stephanie Silber & Victor Zimet

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I was introduced to directors Victor Zimet and Stephanie Silber in 2007 when I reviewed their film “Songs and Stories.” Though I didn’t give it such a glowing review, the professionals I now consider close friends didn’t waver in their persistence on winning me over in their talents and unique subjects for focusing their documentaries on and sent me “Random Lunacy” in 2007. Suffice it to say after watching that film I was won over by the filmmaking duo whose entire filmography has been strictly documentaries.

And after chronicling the legendary Poppa Neutrino and his life as a family man journeying across the world with his band of sons, daughters, and enduring wife, I had to keep seeing what the pair would put out there, and I had to pick their brains. The devoted and fiercely loyal married couple are known Victor Zimet and Stephanie Silber, a twosome of talented and humble filmmakers who love what they do, and they do it with a devotion that is admirable and true to the indie spirit. Also, it helps they’re both loyal classic rock buffs like I am. The two took the time out of their busy schedule to let us pick their brain and here’s what resulted out of random lunacy, the roads less traveled that they traveled for a reason, and some genuine good humor.

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Suicide Girls Must Die! (2010)

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HLBDa0I think deep down Sawa Suicide just assumed that horror fans alike would universally embrace “Suicide Girls Must Die” for the simple fact that it’s a horror movie with a lot of hot girls from the actual website. Granted, I am a huge fan of the Suicide Girls (seriously, these women are insanely beautiful) but just because something is even slightly popular, it doesn’t mean it warrants a movie. And you can hide all of the flaws and cheese behind the fact that it’s a horror film, but even so. The fact that anyone assumed this would be even the least bit entertaining is beyond me and displays a bit of hubris in the notion that the Suicide Girls attachment would mean rave reviews.

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Long Pigs (2007)

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lpAt first glance of “Long Pigs” and screen captures, many movie goers will be quick to dismiss Chris Power and Nathan Hyne’s mock documentary as merely a low budget film attempting to shock us in to submission and while in many ways “Long Pigs” is a gruesome and shocking film, “Long Pigs” also has a sense of sardonic humor and intelligence to it that makes it much more than just a movie about a cannibal and his fixation on the fine art of grooming human corpses to be eaten for his cooked delicacies. The directors behind this clearly were influenced by the likes of the classic film “Man Bites Dog” about a documentary crew anxiously trying to get in to the mind of a criminal who get too close for comfort, and “Long Pigs” is very influenced by that title engaging in a long moral and social breakdown of the greatest of taboos: cannibalism, and what repercussions they have in today’s society.

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United Monster Talent Agency (2010)

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united-monster-talent-agencSpending all of his time providing limbs and blood for directors, Gregory Nicotero is trying his hand behind the camera offering up a sneak peek at his abilities with the short horror comedy “United Monster Talent Agency.” As with many first outings, his is a dedication to the monster movies of old with cameos from some of the greatest monsters as well as cameos from some of the greatest directors (…and Eli Roth), all of which is set to the tune of the classic fifties news reels.

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Amateur Porn Star Killer 3: The Final Chapter (2009)

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In what I can assume is the final film in the “Amateur Pornstar Killer” film series, Shane Ryan commits fully to the “Final Chapter” in which our villainous voyeur Brandon returns yet again to wreak havoc and pure sexual violence on a poor young girl. Rather than lure her in like the first film, or gain her trust as a friend in the second, he’s just taken her hostage. Seemingly out of options this time around, Brandon and his camera have kidnapped a horrified young woman and brings her to a deserted landscape where he proceeds to pretty much sexually abuse and rape the crying woman as she can do nothing but cry and endure his punishment. As far as Ryan’s film series has gone, this is his most disturbing film to date and I seriously had a difficult time sitting through this. As is the case with Ryan’s other films, there are some utterly pointless sequences here including the first ten minutes which cuts from Brandon’s torture of his first victim, while oddly cutting to establishing shots of a city and Halloween decorations.

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