I respect Tim Burton’s legacy a lot and I admire what he was going for with “The Corpse Bride.” Not a lot of mainstream directors aspire to deliver movies that are more bent toward the Gothic sensibility with homages to folks like Edward Gory. Burton is a man who clearly has a love for the style, and I love it as well. Sadly, “The Corpse Bride” is a weaker approach toward the stop motion animation that Burton was mostly known for with “The Nightmare Before Christmas” for a long time. The aforementioned film is so much more charismatic and entertaining than “The Corpse Bride” in the end. Granted it’s not an awful movie, but it just feels like Burton is trying to recapture the brilliance of “The Nightmare Before Christmas.”
Tag Archives: Musical
The Book of Life (2014)
“The Day of the Dead” is such a fascinating holiday filled with so much interesting lore, that there’s a lot more material left for five more animated films of this ilk. Jorge Gutierrez has spent a long time trying to expose audiences to Latin and Hispanic heroes and complex characters, and with “The Book of Life” he succeeds yet again. “The Book of Life” is a wonderful animated romance in the vein of the classic Disney films, but it’s also a respectful tale set amidst the backdrop of the Day of the Dead. A group of rowdy grade schoolers are in for a unique field trip when they’re taken in to a museum by a mysterious tour guide who relays to them an epic story of love, life, and death. Set in the Mexican town of San Angel, we meet three childhood friends Manolo, Maria, and Joaquin, all of whom have spent enormous amounts of time together and are facing adulthood with pressures to grow up and realize their potential.
Tim Burton’s The Nightmare Before Christmas (1993)
IN SELECT THEATERS OCTOBER 28TH – Although Henry Selick does a damn fine job of directing what is one of the most entertaining stop motion animated films, “The Nightmare Before Christmas” has Tim Burton’s stamp all over it. It’s about an outcast, a love for the Gothic and Halloween, and it’s unabashedly menacing. Though Henry Selick’s animated movie was originally touted to kids, the film is very much a dark and harrowing narrative about monsters from the Halloweentown infiltrating the Christmastown, and using the traditions and rituals to terrorize random victims. One montage even features kids getting very creepy presents like a shrunken head, and a snake. Jack Skellington is the pumpkin king who is the anti-hero that finds himself restless with Halloween and accidentally becomes the villain when he falls in love with Christmas.
Deathgasm (2015)
There’s never been anything like Jason Lei Howden’s “Deathgasm” before and I doubt there will ever be anything like it ever again. “Deathgasm” is one of the very few death metal horror movies I’ve ever seen and it’s one that will definitely touch on the right spots for horror fanatics, despite the fact that it’s heavily centered on characters that live and breathe death metal music. For them, it’s a way of life and eventually becomes the downfall of humanity. “Deathgasm” is a shockingly excellent horror comedy that focuses more on the coming of age of its main character and how he uses the eventual demon apocalypse to discover something about himself.
Yoga Hosers (2016)
Once upon a time, Kevin Smith decided that he liked “Scott Pilgrim vs. The World” so much that he’d copy the cliff notes and paste them on to a recycled fossil of his former glory in the shape of “Clerks” and build himself a brand spankin’ new cult classic. Instead what we get is a movie pandering to teens that is very obviously made by a fifty year old man if he were trying to write like Diablo Cody. I imagine Kevin Smith spent much of his time writing his screenplay for “Yoga Hosers” and promising to cast daughter Harley Quinn in it if she helped with the dialogue and much of the modern colloquialisms. Meanwhile he stuck to what he knew: which is stuff about convenience store clerks, and mocking Canada wholesale. There are shelves of maple syrup in the background, and boxes of cereal like “Cheeri-EHs.” Plus, our two main characters begin their work shift (almost in a subliminal apology to the audience) muttering in repetition “Sawrry Aboot That.”
The Rocky Horror Picture Show: Let’s Do the Time Warp Again (2016)
TV is dying and the only way a lot of the networks are being able to stay relevant is by hosting a ton of live remakes of classic movies and musicals. Many of them even live. After the huge successes of productions like live “Grease” and “The Sound of Music,” FOX boldly takes on a remake of “The Rocky Horror Picture Show.” The latter of which is a production that’s above and beyond a cultural landmark more than a movie musical. Unlike most remakes, I didn’t have a problem with “Rocky Horror” being remade for television this year. Fans have been offering up their own interpretations since the original film became a midnight movie classic, and the movie has managed to transcend the cinematic medium and become something of a statement. I think of this remake from FOX as more of a cover song of a great original tune, and it’s hard to not enjoy this as a sweet companion piece.
Alice in Wonderland (1951)
Disney’s 1951 adaptation of Lewis Carroll’s “Alice in Wonderland” is perhaps one of their most iconic animated productions. And yet it’s one of my least favorite Disney films of all time. More so than “Hunchback of Notre Dame” even. Alice, as played by Kathryn Beaumont, is a restless British girl who falls down a rabbit hole when she attempts to chase a talking rabbit who is insistent on reaching an appointment. After falling down a rabbit hole, she enters in to Wonderland where nothing is ever what it quite seems in her world. Up is down, big is small, and everything garners some sense of sentience that makes her exploration of this world even more menacing and baffling than she imagined.