Beware the Slenderman (2017)

In 2009, the horror fiction website Creepypasta helped create one of the more popular modern boogey men of horror. While many people expected the newest boogeyman would be born on film or television, aptly enough he was born on the internet. Much to the surprise of everyone, the Slenderman (an enigmatic fictional monster whose ability to lure children in to the woods and collect them for nefarious purposes) became much more than a simple meme. He was a pop culture sensation, and out of him spread a cult of loyal fanatics. One of the most infamous cases involved the incident of two twelve year old girls who lured their best friend out in to the woods and attempted to stab her to death as a means of appeasing the slenderman.

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The Neon Demon (2016)

Whether or not you like Nicholas Winding Refn, there’s no doubt that he makes art that gets people talking. Surely, his movies are hit or miss, but they are art that spawn emotions that not many directors can incite. Much like Lynch’s “Mulholland Drive,” Winding Refn’s newest masterpiece is a statement about the ills of fame and how Los Angeles can consume innocence and naiveté. Winding Refn makes a statement about how the modeling industry is literally cut throat, while seemingly drawing inspirations from films like “Suspiria.” The women here are assuredly predators intent on committing a devious scheme that revolves around the idea of vanity and self preservation.

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Meow (2017)

Chris Jopp’s short horror film feels like a lost segment from “Cat’s Eye.” It’s a nice and fun horror tale about fate intervening and coming to rescue of someone who didn’t know they needed rescuing. Samantha just moved in to a new apartment in a new town and has to deal with an overbearing mother who insists in calling her every chance she gets. What worse, is that she also has to deal with a very intrusive and overly attentive landlord who insists that pets are not allowed in the building.

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The Axe Murders of Villisca (2017)

Two teenagers involved in ghost hunting plan to go to the Villisca house where, in 1912, a family was murdered by an axe wielding maniac.  When a charming female outcast joins them, the three of them decide to go into the house after hours and do their own tour and investigation where they discover something worse than the usual for this kind of house. Written and directed by Tony E. Valenzuela based on a story by Kevin Abrams and Owens Egerton. The story is based on a true case from 1912 which is still unsolved.  To bring it to modern day settings, they use the story as a starting point for teenage ghost hunters to go investigate.

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Ouija: Origin of Evil (2016)

After the dumpster fire that was 2014’s “Ouija,” it’s a most impressive feat to see Mike Flanagan follow it up with a damn good horror film that serves as a prequel. It’s also kind of shocking how Flanagan is able to deliver a truly creepy horror movie that also almost makes the original “Ouija” retroactively better; if just a little. While “Origin of Evil” is not a masterpiece and feels a bit like a pseudo-sequel to “The Conjuring,” director Mike Flanagan is able to do what the original film couldn’t. He involves us in an engrossing and interesting story about loss, death, and grief, and how evil can prey on our desperation to want closure in a world where very few of us can actually get it.

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Pitchfork (2017)

I can’t help but appreciate the inherent ambition behind the production of “Pitchfork.” Director and Writer Glenn Douglas Packard delivers a slasher film that offers the classic tropes, while also feeling like something completely different. He also manages to concoct a premise that’s actually original and doesn’t feature the same old idiot teenagers looking to party who get stranded or whatnot. He actually sets out to deliver a unique premise, and gives our characters their own motivations. It’s also not often we get slasher movies with final boys, but “Pitchfork” creates one who is not only genuinely heroic, and selfless, but facing his own dilemma when we meet him.

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Retro Puppet Master (1999)

While “Puppet Master 3” was a prequel to “Puppet Master” parts one and two, “Retro Puppet Master” is a prequel to the entire series. Rather than being chased by the Nazis, a young Toulon is facing off against mysterious undead agents working for a demonic force that wants his life serum. In “Retro Puppet Master,” the writers pay tribute to the original movies by re-casting Guy Rolfe as Toulon. Still running from Nazis, he camps out for the night in a cabin and regales his puppets with how he originally began his journey.

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