My love for The Room has not been an easy road. It took months of fine tuning, refinement, some conformity and skipping doses of my meds to get down to the level of Tommy Wiseau and his unmitigated cult masterpiece. Whether you’ve seen the movie in its true form, whether you’ve seen it play on the April Fool’s Day airings on cable television here in America, whether you were there during the great tirade of Wiseau on online critics, “The Room” and its charms are almost impossible to ignore. It’s a movie so bad, so inept, so unbelievably painful, it’s almost impossible to comprehend anyone thought it would be great on-screen, “The Room” is a film I constantly quote to this day–ohai Mark!
“Rhino” is an immense departure from director Patrick Rea’s norms in the film world. Typically Rea is more prone to delivering more darkly comic or horrific films that are often quite excellent. So it’s rather jarring to see Mr. Rea tackle what is possibly one of the best crime dramas I’ve seen in recent memory.
There aren’t nearly enough animated independent films out there. And when there are, there aren’t nearly enough willing to experiment with the medium. “Red” is a fantastic short and sweet ditty that takes the Red Riding Hood fairy tale and adds another twist on the lore. Sure, we’ve seen the mythos of Red Riding Hood twisted and turned on its head providing allegories and symbolism for everything under the sun, but “Red” does something different.