If Red State had been the efforts of amateur filmmakers, I’d have chalked it up to being one hell of an try in the horror genre. But knowing Kevin Smith inside and out, I’m inclined to say that Smith seems almost disingenuous in his efforts to create an independent film that may or may not be independent when all is said and done. Smith knows his way around the camera and while I can’t fucking stand a single film from the man, “Red State” is a film that disappointed because the man does nothing with the genre that we haven’t already seen. And he’s working in my genre, the horror genre, so I expected big things from this considerable clunker. Rabid Christian fundamentalists, torture porn, commentary on religion, it’s all on the menu from a god fearing man like Kevin Smith who can never be sure if he’s putting religion to task for corrupting us, or merely just showing that religion has a bad side like it has a good side. “Dogma” was in fact an unbridled celebration of the mythos behind his religion, now “Red State” takes it to task and can never be quite certain what kind of message it’s trying to convey.
Tag Archives: R
The Rite (2011) [Blu-Ray/DVD/Digital]
2011’s “The Rite” is built around the Hollywood doctrine that any movie, big or small, can be made automatically horrifying if including Anthony Hopkins as one of its stars. Unfortunately that’s not the case for “The Rite” a truly terrible exorcism film that dabbles in the religious hysteria of losing faith and includes about as much exorcist crapola to keep audiences watching with baited breath unsure if they’ll get anything even remotely shocking as what was seen in the William Friedkin classic film from the seventies.
Rio (2011)
It would seem only fitting that Jessie Eisenberg would play one of the most neurotic yet charming characters of the year, as “Rio” is exactly up his alley as a character mold he’s most accustomed to playing. Insecure and neurotic, Blu is a winged Woody Allen and Eisenberg is up for the challenge in what is basically another on the run animal romp that we saw last year with “Toy Story 3.” It won’t garner points in originality or depth, but for what it offers, it’s a cute and promising environmentally conscious romance comedy about Blu and his owner Linda, two love lorn and socially awkward individuals who found one another one fateful day after Blu was snatched from his home.
Rubber (2010)
Robert is a tire. Robert is in the ground. Robert gains a consciousness and decides he doesn’t want to be rubble. Robert gets up and starts rolling down the road. He blows things up with its will. It squashes bugs. Now that it’s caught the eye (?) of a gorgeous young traveler, Robert is rolling down after her and is intent on garnering her attention.
Why? No reason.
Does there have to be a reason?
Ramona and Beezus (2010)
It’s very rare that modern family films leave me feeling overwhelmed with emotions, but oddly enough this adaptation of the Walden media book managed to accomplish that very task by being a sweet family dramedy that doesn’t talk down to its audience. Sure, it’s whimsical and goofy and occasionally wholesome, but deep down there is a strong undercurrent of sadness and grief present among every character, all of whom are facing change in their lives that may decide who they become in the next few years and beyond. “Ramona and Beezus” is a remarkable dramedy about a small girl named Ramona Quimby a child large heart and an even larger imagination who uses her creativity and individuality to not only disconnect her from her world but cope with the massive and potentially traumatizing life altering changes happening around her.
Resident Evil: Afterlife (2010)
For the past four films, director Paul WS Anderson has taken what was once a very entertaining horror franchise and turned it in to a series of movies fetishizing his wife and doing nothing more than further his muse-like view on her. We nearly saw her naked in the first movie, she was a bad ass in the second, a goddess in the third movie, and in the fourth we’re given an army of Milla’s, presumably a concept Anderson got his jollies off of. That said “Afterlife” is a movie that continues to drag on this wasted concept and posit the question: Why is Umbrella continuing their research if about ninety-nine percent of the world consumed by hellfire and the walking dead? What do they further have to gain beyond being evil for the sake of being evil?
The Red Hours (2009)
Invoking much of the grindhouse elements, director John Fallon’s experimental short thriller is something of a royal mind fuck, one that excels in being about surreal as it possibly can while squeezing in nods to some classic films during the duration of its story. Director Fallon goes against the conventions of formula storytelling with “The Red Hours” a movie constantly blurring the realms of fantasy and reality when a club goer on a night out takes some hallucinogens to spite an ex he sees across the club canoodling with a girlfriend of hers.