Cinema Crazed's Top 10 of 2007…

10. 3:10 to Yuma
I wasn’t completely sure that this remake would even manage to end up remotely watchable, at first. Even with people like Christian Bale and Russell Crowe, I couldn’t muster up enough enthusiasm to be optimistic, and yet, watching it left me utterly stunned. I’m a huge fan of the original film, so it took a great deal of raw acting talent and keen storytelling to stand apart from the original and somehow emphasize the struggle of morals and greed and add a sense of complex morality provocations for the audience and force our imperfect characters into a situation that required a great deal of courage and some stupidity.

Mangold doesn’t give us too many polished heroes and villains even if he edges slightly toward grind house atmosphere and gives our hero a perfectly flawed personality paired with a beaten down and pathetic personality, as well as our antagonist who is a charming, likable and incredibly evil sheep in wolf’s clothing. He’s the incarnation of the devil, a dapper and tempting individual who provides all the sins to everyone he comes across such as greed, lust, envy, and murder, and takes great pride in doing so. Paired with the rousing performances, and incredible action scenes, this is one of the best remakes of all time.

Continue reading

3:10 to Yuma (2007)

You take two of the greatest actors of modern American cinema, grab a slew of all-star performers all providing excellent performances, match it with the stylish and epic direction of James Mangold, and you have yourself “3:10 to Yuma” a remake of the great western film that’s a contender for one of my favorites of 2007, and damn near superior to its predecessor. Mangold’s film packs an abundance of quality and power with it and that’s due to the fantastic writing by the adapting screenwriters, who takes the simplistic yet original story and turns it something much more unique. It’s the story of a man trying to reclaim his dignity, a story about a man who is very well the devil reincarnated learning about respect, and the story of a young boy discovering that everything he thought he once knew now suddenly was all just a fraud. “3:10 to Yuma” brought with it the stylish marketing and appeal to the modern audiences, but don’t sell it short.

Continue reading

Hairspray (2007): 2 Disc Shake & Shimmy Edition (DVD)

51bCPEJjfvLAlright, I’ll just come out and say it. The remake of “Hairspray” is great. There. Maybe it’s because my expectations were high, maybe it’s because I’m such a fan of the original “Hairspray,” or perhaps it’s my utter obsession with everything Brittany Snow, but “Hairspray” is damn good. The music is energetic, the pacing is competent, and shit will you find yourself tapping your feet from minute one. I was hoping it would be good, but in a way I also wanted it to fail. The original “Hairspray” is my favorite John Waters film after all, and I just didn’t think anyone could live up to it. You have great references to the original, Michelle Pfeiffer returning to the musical genre, and John Travolta in drag once again doing what he does best. I don’t think there’s much to hate in this. Sure, in the end it pretty much attempts to take away the surreal atmosphere Waters inserted, but hell the acting, the choreography and pretty much everything is top notch.

Continue reading

Evil Little Bastards

Untalented hacks as Eli Roth and Larry Clarke may be, they caught on to one thing. Kids are evil little bastards, and left to their own devices and influenced by a cruel world, they get worse and worse and will do awful things to one another and to innocent victims as an old fashioned cynic who rather despises ankle biting snot nosed little punks, “Evil Little Bastards” comes to you near this Halloween season to explore and expose our favorite in little kids who are pure utter monsters. Though we excluded a few notable examples, this is our chronological cinematic favorites of monstrous little children who are merciless, murderous, and collectively harmful to the nearest adult.

Cover your Achilles tendons, arm yourselves, and glance at the Evil Little Bastards.

Continue reading

Rob Zombie's Halloween (2007)

“Halloween” will be and must be compared to the original, because it’s a pale imitation, it’s a botched job on every meaning of the word. At the end of the day, while “Halloween” is still one of my all time favorite horror films, “Black Christmas” is by far the better and creepier picture. But the remakes are basically the same. They’re just so bad they’re embarrassing and Zombie fails to inspire an influence and creates what can simply be known as “The Devil’s Rejects: Haddonfield.” Zombie continues with his demonizing of the poor and lower class, while also treading over the same crap we were given in “The Devil’s Rejects.” Is this better than “Halloween: Resurrection”? Sure, but so is smashing your head into a wall.

Continue reading

Disturbia (2007)

disturbia-screening

If you’re willing to ignore all the obvious positions our characters are put in, “Disturbia” will be pretty excellent. I wasn’t willing to ignore all the obvious marks, so I found it to be pretty damn frustrating. Let’s see, there’s our character Kale who is known for being a liar and deceiver, then there’s our mom who is so self-involved, she can’t listen to our hero, and of course a cop who has it out for him who we know will just come in the nick of time to help our hero when in trouble. And then there’s that nasty habit of the film being so utterly derivative. If there was ever going to be a remake of “Rear Window,” you could basically re-title this and not know the difference. “Disturbia” is a pretty cheesy thriller that is never afraid to flaunt that it’s so predictable.

Continue reading

Bad News Bears (2005)

Bad_News_Bears_filmWell, I guess every director has to have one film that’s commercial to grant them enough dough to get them through the rough times. Even one of my favorite directors of all time, Richard Linklater. It’s not that Linklater can’t do a commercial film, because “School of Rock” was great, but this is a remake. And Linklater is better than this. He’s ten times better. And he can make all the excuses he wants, but I’m still shocked the same man who created “Waking Life” was behind the camera of this remake. As usual, Linklater doesn’t do what others do. In other words, he never makes a film as everyone assumes he is. Sure, this is a remake, but this is a kick in the balls remake, just like the original was a kick in the balls kid’s film. There’s profanity, crude humor, sexual innuendos, and Billy Bob Joe Bob Thorton channels “Bad Santa” for his variation of Buttermaker. And I was pleased.

Continue reading