“X-Men: Evolution” Was a Step Up for the X-Men

After FOX Studios revived comic book property the X-Men and paved the comic book movie as bonafide moneymaker, the canvas of pop culture was carved from the gateway “Blade” forged. After the 2000 cinematic adaptation “X-Men” and its sequel “X2,” both films and the franchised built shocking influence, not just on other genre properties, but comics in general. With X-Men once again being celebrated, the iconic series and comic book team was primed for an animated reboot, after the end of “X-Men: The Animated Series.” Marvel and Film Roman approached the series from a different angle by establishing a new continuity of the “merry mutants” in contemporary times. They changed the focus of the series, as well as the ages of the entire group to appeal to a wider young audience.

And it worked.

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Princess Mononoke (Mononoke-hime) (1997): Collector’s Edition [Blu-Ray/CD/Book]

Twenty years ago, Studio Ghibli and the master Hayao Miyazaki opened my mind up to a new dimension of animation and storytelling that pretty much changed my life. It also inspired me to look toward telling bigger tales with richer characters, because Miyazaki is very much about rich characterization and brilliant metaphor. Much of his films revolve around the love of nature, the vastness of the open sky, and the effect humans can have on the environment and the world around us.

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The Deadly Mantis (1957) [Blu-Ray]

“But I got a mantis in my pantis.” – MST3K

Nathan Juran’s “The Deadly Mantis” is the antithesis of every single monster movie ever made. It’s aggressively boring, tedious, and doesn’t even have any kind of camp to compensate for the obvious lack of the monster. Even worse, at almost eighty minutes in length, the monster never actually rears its face on camera until about twenty five minutes in. The rest is stock footage, stock footage, and even more stock footage!

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Long Shot (2019)

Charlize Theron is a woman who can play almost any role at this point and come out looking golden. She’s been able to portray so many interesting characters, and in “Long Shot” she is a beautiful politician fighting for the role of president. “Long Shot” would be a good movie if it weren’t mired in all that Judd Apatow nonsense that was very popular in the early aughts that reduces her to a cliché. There’s the frumpy man child winning the love of the ideal gorgeous woman, and there’s even the snide BFF of said woman who hates the frumpy man child at first, but then eventually learns to love him. And of course, there’s Seth Rogen who’s made a career of playing Seth Rogen once again playing Seth Rogen.

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Showdown (1993): Special Collector’s Edition [Blu-Ray]

Billy Blanks was one of the archetypal straight to video action stars of the nineties, he was one of those men with a ton of charisma and appeal who never quite found his niche in American cinema. He managed to be pushed in to the gallery of people like Jeff Speakman, Roddy Piper, and Don “The Dragon” Wilson (no disrespect to those gentlemen), but always deserved so much more. He was relegated to a ton of straight to video action and genre titles eventually becoming a fitness guru for his Tae Bo program. It’s a shame because Blanks does have a very good on screen presence and could have likely launched in to the blockbuster fold alongside contemporaries like Wesley Snipes.

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Shorts Round Up of the Week – 3/28/19

For this week’s edition of “Shorts Round Up of the Week” we have a look at pitch for toys involving Italian Turtles, a horror tale about a pale lady, and a comedic spoof of an eighties Christmas horror classic.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers. 

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Get Shorty (1995): Collector’s Edition [Blu-Ray]

I’m one of those people that always saw many of the Elmore Leonard cinematic adaptations very dull and often painfully smug in their cooler than thou attitudes (“Jackie Brown” excluded). “Get Shorty” attempts to mix gangster cinema, with Hollywood satire and neither of it is ever quite as interesting as its think it is. “Get Shorty,” even at its darkest, is never quite as clever or immensely cynical about filmmaking as Robert Altman’s “The Player.” It proves it with a climax that’s more of an ending based on a more comedic look at the filmmaking process rather than the dark world void of creativity it can be and often is.

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