A detective self-assigns to the protection of a small Amish boy who saw a brutal murder happen. Soon, he finds himself needing the Amish as much as the boy needs him.
Tag Archives: Romance
Benny Loves You (2019)
If you invest in a ride that’s more about senseless gore and grue with a killer doll on a rampage that feels like a long, internet comedy skit, Karl Holt’s “Benny Loves You” might just satisfy your appetite. I’m not one that ever really turns down a movie about killer dolls or puppets, so “Benny Loves You” kept my attention most times. It’s weird, and bizarre, and gloriously deadpan. Plus, Benny is such an interesting and menacing monster, that I bought his ability to inflict sheer chaos on anything with a pulse.
My Best Friend is a Vampire (1987)
It’s interesting that Jimmy Huston’s horror comedy has managed to rise above the rest of the teen horror comedies over the years. Even something like “Once Bitten” which had a young Jim Carrey, isn’t nearly as popular as “My Best Friend is a Vampire.” Despite being insanely silly, and features one of the most lackluster romantic interests of the eighties, “My Best Friend is a Vampire” (aka “I Was a Teenage Vampire”) has survived mainly for its very vocal LGBTQ overtones, and a soundtrack that’s better than it has any right to be.
Z-O-M-B-I-E-S 3 (2022)
In 2020’s “Z-O-M-B-I-E-S 2,” heroine Addison spent a lot of her arc trying to figure out if she was perhaps the “Great Alpha” werewolf. When that was a bust, we were left on a cliffhanger as Addison was left pondering on her origins. And we were given a clue—from outer space. The idea of Addison perhaps being an alien makes a ton of sense considering the character guidelines the movies follow, and with the final movie in Disney’s “Z-O-M-B-I-E-S,” Disney works fast to seal up any and all lingering questions about Addison and Zed.
Z-O-M-B-I-E-S (2018)
It’s an allegory for class divide. That’s basically all “Z-O-M-B-I-E-S” is. That doesn’t mean it’s not a good movie, but once you can get past the clumsy symbolism of the way the zombies are supposed to be the more impoverished individuals, while the humans are meant to be the upper echelon, “Z-O-M-B-I-E-S” is actually kind of a fun horror comedy musical. You wouldn’t think that they could really pull off a zombie horror comedy for kids, but Disney and director Paul Hoen do a pretty darn good job of it. Even if 2013’s “Bunks” is better.
Hellraiser (1987) [LA&M Film Fetish Forum]
Clive Barker’s “Hellraiser” is a purely body horror tale about hedonism in its purest and most raw essence. Even today it’s a very erotic, but gruesome tale about the pursuit of pleasures of the flesh and how it links to a breed of entities that may or may not be pure evil. “Demons to some, Angels to others” Pinhead (technically named “Hellpriest”) proclaims is a representation of the how the cenobites reach deep down in to the pits of sexuality and kink. And no human can ever really be prepared to see what the practices of this otherworld army has in store for them.
Bottoms (2023)
It’s pretty disappointing going in to a movie expecting so much and leaving it felt like it could have been so much more. While many have sung the praises of Jennifer Seligman’s “Bottoms,” I am sad to have left it feeling generally indifferent. It has an interesting premise and has a good time taking its LGBTQ premise and fitting it right in to the myriad coming of age high school comedies, but so much about “Bottoms” felt so under developed and incomplete. Apart from its absolutely bizarre premise, “Bottoms” spends most of its run time trying to figure out what it wants to be.


