Director John Singleton’s “Shaft” is something of a remake, but also a reboot for modern audiences. Fans of the seventies crime thriller with Richard Roundtree will recognize the name of Shaft, while modern audiences can enjoy the pure machismo of Samuel L. Jackson in an iconic role. Why it never became a full fledged movie series is not at all surprising. “Shaft” takes on all the beats of the action genre, with a lovable hero, brutal villains, interesting sidekicks, and enough action to satisfy easily bored audiences. The problem is, once “Shaft” is done, there simply is nowhere left to go with this character.
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Superman: Unbound (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)
I never really read the graphic novel upon which “Superman Unbound” is based on, but I thankfully know of it, and what the new Brainiac is supposed to look like in the mini-series. With the adaptation, there really isn’t a lot to “Superman Unbound.” Brainiac wants to go to Earth to collect a city, Superman and Supergirl have to stop him. Fighting ensues. As an adaptation, it’s an entertaining animated film with some great action sequences, but not too much substance. The focus of “Superman Unbound” is mainly on Superman trying to live the human life, now that he and Lois are a relationship. Lois wants Superman/Clark to become the boyfriend she needs, the supportive and loving man who can give her a life. But Clark is hesitant to press his luck. Especially when she’s always in peril.
The Stand (1994)
Mick Garris’ 1994 cinematic adaptation of Stephen King’s The Stand is one half a great epic post apocalyptic tale of human endurance, and one half a preachy and overwrought religious tale about God, the Devil, and a lot of hokey sermonizing that falls flat. Which is not to say it bogs down the film, but as King is noted for, “The Stand” eventually devolves in to religious hokum that completely eliminates the appeal of the original story.
The Sandlot (1993)
If you’re going to crib from Stephen King’s “Stand By Me,” then you’d better do a good job of re-tooling it. Thankfully, and miraculously, David M. Evans directs one of the best coming of age dramedies in cinematic history. “The Sandlot” is a film that takes the “Stand By Me” premise and adds a baseball-centric theme to the story that becomes the crux of everything the film is built on. It’s the reason characters are able to connect, it saves characters from immediate danger, and it’s the macguffin for the entire movie. “The Sandlot” thankfully doesn’t shove the baseball Americana themes down the audiences throat, but instead focuses on the characters featured in the film as actual characters with complexities and flaws that decide whether they succeed or not.
Skyscraper (1996)
It’s hard to believe, but at one time someone thought turning models and porn stars in to action heroines was a good idea. Tracie Lords, Shannon Tweed, Pamela Anderson. All gorgeous women in their own B movie straight to video fare that never panned out beyond B movie straight to video fare. The worst of all has to be someone’s shocking brainstorm that perhaps the plus size dumb as a post model Anna Nicole Smith could somehow become something of a cult action movie star. It’s bad enough Smith could barely pose for a photo shoot without looking forced, but making her act? Could she even walk and talk at the same time?
Spiders (2013)
You know how I know “Spiders” is set in New York and not in a cleverly shot in a studio with the same set pieces re-used over and over again? Becawse Patrick Muldoon tawks like dis tru most of da movie. Youse guys and yaw clichés about New Yawkers! Hey, I’m walkin here! It sounds like I made a bad funny, but a character actually shouts that a half hour in to the movie. Because it’s not Canada if you don’t say “eh,” and it’s not New York if you don’t pay homage to Ratzo Rizzo.
Spellcaster (1988)
Director Rafal Zielinski’s “Spellcaster” is so damn good, I want to hug it, and love it, and cuddle it to pieces. An unabashed childhood favorite, “Spellcaster” originally began life in my household as a VHS purchase from a closing video store in our neighborhood. Soon enough my brother and I enjoyed it so much it became a favorite on VHS, on constant rotation whenever we wanted to have a blast with a goofy eighties horror film. And rest assured, “Spellcaster” is about as goofy an eighties horror film as it gets.