I can’t fault Zack Snyder for essentially giving us a sprawling remake of Akira Kurosawa’s “Seven Samurai” when he seeks to build a new “Star Wars” for the modern generation. “Star Wars” was, as many know, a quasi-remake of “Hidden Fortress.” Another by Kurosawa. It all comes full circle, as Snyder seeks to build a massive mythology in the vein of “Star Wars.” He really wants “Rebel Moon” to be “Star Wars”; at the end of “A Child of Fire”—well—he creates a movie that has been done before but to a much better effect (ahem–“Firefly”).
Tag Archives: Science Fiction
Aquaman and the Lost Kingdom (2023)
2018’s “Aquaman” was such a fun, and out of left gate adaptation of an often lampooned character. It was fun but also took the material seriously. With “The Lost Kingdom,” opts for a just fine follow up that had all the seeds of an epic book end to the DCEU. Along with being a complete tonal mess from head to toe, “The Lost Kingdom” is a poorly conceived follow up that continues the tradition of DCEU heroes that do nothing but bellyache about being super powered Gods that can actually help people.
Elemental (2023)
People gave “Wish” a lot of guff for feeling like an AI generated movie, but I think when it comes down to it, “Elemental” is so much more guilty of this claim. “Elemental” is one of the laziest and more lethargic Disney films ever produced from Pixar and Disney. It’s such a dull concept that’s overcome by social commentary that literally clubs us over the head every chance it gets. “Elemental” is about immigration and the immigrant experience. Element city is America, or The Land of opportunity. We’re told that a least thirty times over the span of ninety minutes.
Transmorphers: Mech Beasts (2023)
Just some advice: If your entire movie’s existence is centered on the fact that you’re an off brand Transformers, it’s a good idea to show us some transforming robots every now and then. After sixteen years (!), Asylum finally scrounged up enough to deliver a sequel to their first high profile mockbuster series “Transmorphers.” They offer us their answer to “Transformers: Rise of the Beasts.” If you didn’t like the “Rise of the Beasts,” odds are you might enjoy “Mech Beasts”—if you’re a fan of actors staring off screen and describing robots rather than ever showing them, of course.
You Have to See This! Shredder Orpheus (1989)
Now Available at Vinegar Syndrome.
The best way to summarize “Shredder Orpheus” is if “Gleaming the Cube” and “Videodrome” had a torrid violent, sexual love affair while high on shrooms that projected new wave music videos in to their brains, all the while the pair ended their rendezvous with a round of skateboarding. Courtesy of Boom! Cult and AGFA, Robert McGinley’s VHS SOV genre film is simultaneously oddly entertaining but also incredibly mind numbing. It’s a dystopian tale that seems to be working toward some kind of coherency at times, but occasionally gives up in exchange of using the budget to showcase skateboarding. In lieu of story there are just aimless scenes of people skateboarding.
Barbarella (1968) [Arrow Video Limited Edition] [Blu-Ray]
In a faraway future, a young woman goes through a string of misadventures while looking absolutely fabulous.
Barbarella (1968): Arrow Video Limited Edition [Blu-Ray]
Now that Hollywood is once again considering a remake of “Barbarella,” it’s that perfect time to re-visit Roger Vadim’s wonky science fiction mind fuck. Jane Fonda fresh off of beginning her Oscar caliber career took a break to headline what is one of the trippiest science fiction adventure films ever produced. Decades later it’s shocking how much “Barbarella” was a precursor to magazines like “Heavy Metal” allowing the writers to build a world and an engaging heroine, while also fully embracing the inherent sexuality of the narrative.