The PC Thug: Why I’m Holding Off on “Days of Future Past”

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I know, I know, I’ve been wrong before. I smashed “21 Jump Street” upon its initial trailer, and ended up loving the movie, but my instincts are not wrong with the X-Men and their upcoming movie. I just know I’d be wise to sit back and wait a little while for it all to sink in. As a long time X-Men fan, I just know that the movies are not the best that the X-Men can be.

And Bryan Singer returning has been a horrible curse on the movie series. I completely forgot years ago how much he repressed everything exciting and fun about the X-Men, turning it in to a self serious parade of nepotism for Ian McKellen, Patrick Stewart and Hugh Jackman.

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Stan Lee’s Mighty 7 (2014)

mighty7Stan Lee is asked by Archie Comics to create a comic book for them. Just his luck, Stan Lee runs across a group of Marvel clones that happen to be aliens from another galaxy with their own sets of powers and abilities. Stan Lee narrates the tale of Stan Lee in which Lee plays Stan Lee who is looking for an idea for a comic. Just his luck Stan Lee comes across the idea for his new series when he decides to help a bunch of space cops and their prisoners escape US authorities. Though Stan Lee plays himself as the main character, he’s really there to lend exposition to a clunky story, and inspire awe on the audience for a bunch of half baked heroes and villains.

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The Tick: The Entire Series (DVD)

The slapstick wild animation really worked in favor of the original animated series of “The Tick.” Mainly because the world based on the Tick and around the character was so beyond reality and surreal that we accepted anything about it. The Barry Sonnenfeld led live action series is not only unnecessary but comes off as so incredibly cheap and bargain basement in production quality. The budget is so low that there’s very little action and slapstick, and so much more eccentric individuals in wild suits bouncing comedic dialogue off of one another and nothing else.

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Our Top 5 Childhood Animated Crushes

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Valentine’s Day is this Friday, folks. In celebration of the day that reminds a lot of people that they’re single, and forces a lot of people to buy presents for their loved ones out of sheer obligation, we’re featuring five animated characters from our childhood that we crushed on for many years. They stemmed from television, movies, or perhaps video games, and they’re five animated women we were definitely fond of and swooned over for a long time.

What animated characters did you crush hard on? Let us know!

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Return to Nuke ‘Em High Volume 1 (2013)

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Any movie that begins with inexplicable opening narration from Stan Lee is an automatic win in my book. From the opening exposition from Stan “The Man,” to clips from the previous “Nuke ‘Em High” series, “Return Vol. 1” is really a return to form for people that appreciated the punk rock trash “Class of Nuke Em High” series that had no limits in bad taste and grue. It’s an entirely new generation with an entirely new subtext, and Lloyd Kaufman embraces those themes head on and without fear of controversy.

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Shandar – The Shrunken City (1998)

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You have to love how our kiddy duo complain that the bottled city of Kandor–er–Shandar isn’t protected when it’s been seated by hieroglyphs deep in a cave underground. And in Pennsylvania! No one would ever expect a bottled city to be hidden in Pennsylvania. Directed by Ted Nicolaou who brought us many of Full Moon’s more entertaining genre outings, “The Shrunken City” (or as it’s known now: “Shandar–The Shrunken City”) is a entertaining enough for kids, but incredibly convoluted. I was never quite sure what the hell was going on, all I knew was that two kids found the miniature city of Kandor–er–Shandar.

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Gravity (2013)

Many audiences have compared Alfonso Cuaron’s “Gravity” to the indie horror film “Open Water.” And in many ways that comparison is perfectly apt. Much in the way the aforementioned film sought out to provide audiences with a feeling of aimlessness, sea sickness, and a futile fight for survival, “Gravity” strips away any feeling of equilibrium or safety from the very second it begins. The safety being, of course, gravity. The characters within the scope of the film are engaging in a space walk and have nothing but a tether to keep them tied to their ship. When that option is gone, there’s nothing we can do but submit to the void of space and let fate take hold.

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